Despite the majority of professional dancers being female, very few women run dance companies. The Miami City Ballet serves one of largest markets in the country and has been run by a woman since 2012.
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Renew by April 30th to enjoy the best seats at the best price for MCB’s 2018/19 Season featuring the company premiere of Brahms/Handel, Justin Peck’s Heatscape and the anticipated return of George Balanchine’s A Midsummer Night’s Dream.
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MCB Soloist, Jordan-Elizabeth Long, recently spoke with HerCampus.com about her career thus far, the best words of wisdom she’s ever received and much more.
Taking a lower rank at a new company can feel risky. But whether you’re breaking out of your comfort zone, yearning for bigger challenges or finding a better company fit, you can make a successful transition. Here are three ballerinas whose recent moves have advanced their growth and artistry.
When Miami City Ballet performed The Cage in January and February, principal soloist Nathalia Arja danced the Novice for the first time and found the role uncovered another side of her dancing.
Earlier this year, Pointe followed Lauren throughout her typical workday. At the time, she was preparing for her debut as the lead in Balanchine’s Theme and Variations, a major milestone for any ballerina. “It’s pure classical ballet, pure Balanchine, which is what I love and what I live for.”
Miami City Ballet proudly presents the Program three performances: The Concert (Or, Perils of Everybody), Theme and Variations, World Premiere of Brian Brooks’ One Line Drawn now available from March 17-18. You can’t miss any of them!