A World Premiere Commissioned by Miami City Ballet
Read More›
Subscribe to our Newsletter
Be the first to know performance information, on-sale dates, community events and other updates. Enjoy special offers, invitations, and discounts.
2022/23 Season
We are thrilled to announce our 37th season, featuring blockbuster hits, masterworks and never before seen premieres by fresh and fierce choreographers.
Gift Certificates
The perfect gift for any occasion, promising an unforgettable experience with one of the top ballet companies in the world.
Prodigal Son
A program of four energetic and beautiful ballets, including two fresh company premieres, and an innovative world premiere that blends dance and technology.
To Florida, With Love
Back by popular demand, join us for a new series of pop-up performances inspired by and performed for our community. March through May 2022.
Health and Safety
MCB and our partner theaters are committed to the health and safety of the artists, staff and audiences as we transition back into theaters.
A conversation with dancer and choreographer Ariel Rose on his new work Amorada Pas De Deux
Miami City Ballet is situated in Miami Beach, steps away from the shores of the Atlantic’s brilliant, aquamarine-hued ocean, providing endless inspiration and beauty.
Earlier in 2020, Alaina debuted her first-ever choreographic work, Tang as part of MCB’s To Miami, With Love pop-up series to critical and audience acclaim. We caught up with the burgeoning choreographer and current MCB corps de ballet dancer to discuss her newest project Fire, premiering at the Norton Museum of Art on September 24th as part of the museum’s For the Record: Celebrating Women in Art exhibition. The performance marks the company’s first Palm Beach engagement since February 2020’s Firebird program at the Kravis Center.
On August 14, 2021, Artistic Director Lourdes Lopez was honored with “A Life for Dance” achievement award from the prestigious International Ballet Festival Miami (IBFM). Read her touching acceptance speech including her tender recognition of so many that preceded her, and her firm belief that ballet truly belongs to everyone in our community.
By Robert Gottlieb
Only three months before Sergei Diaghilev’s death, in 1929, George Balanchine choreographed the final ballet created for the great impresario’s Ballets Russes.