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A collection of essential activities for dance lovers, including online dance classes led by MCB dancers and renowned dancer Herman Payne.
Read the statement from a coalition for Artistic Directors in ballet about a new pilot program for addressing bias in ballet to affect real and lasting change.
Discover how Miami City Ballet’s Firebird and Nine Sinatra Songs went from studio to stage on our ‘making of’ online hubs, including interviews with dancers and creatives.
Watch this new digital work by choreographer Claudia Schreier, featuring six MCB dancers and an original composition by acclaimed Miami-based composer, Jorge Mejia.
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“Miami City Ballet proved that it belongs in the festival. An offshoot of City Ballet, the Miami company understands what Balanchine discovered and taught: how exactitude needn’t sacrifice warmth; how even in Romanticism, rhythmic accuracy allows momentum to build.”
“Without the complex musicality, Balanchine seems wooden, pointless. No surprise, then, that the companies on the first two programmes most steeped in his work were the ones that most illuminated it. “
“The Miami dancers pushed through the air almost hungrily. City Ballet is assertive, stylish, and sharp; the Miamians dance with drive. It’s fascinating to see the two companies side by side, like siblings with different temperaments.”
Miami City Ballet is excited to announce casting for Company B this weekend at the Broward Center – Concerto Barocco, Company B and Tchaikovsky Piano Concerto No. 2.
Miami City Ballet is excited to announce casting for Company B that starts next weekend at the Arsht Center – Concerto Barocco, Company B and Tchaikovsky Piano Concerto No. 2.
The way — breathtaking — that this company performs works by George Balanchine is an enormous point in its favor. But its artistic director, Lourdes Lopez, always has a treat in store: This year it’s the company premiere of “Brahms/Handel,” the 1984 choreographic collaboration between Twyla Tharp and Jerome Robbins.
