This reimagining was something to behold. The spectacular set and costumes were by artist Michele Oka Doner, who looked to the Miami waterways for her otherworld theme.
keep dance alive
In good and dark days, the arts provide joy, inspiration, comfort and healing. That’s something we all need. Please consider making a contribution today to the Dancer Support Fund.
World Premiere: ViVa
On April 1, don’t miss this world premiere by genre-blurring choreographer Amy Hall Garner. Two dancers are connected by the uplifting power of dance in two thrilling cities, Miami and NYC.
Watch: To Miami, With Love
Miami City Ballet has been popping up at a lineup of iconic locations around Miami. We’re delighted to share the videos of the pop-up performances with you. Plus explore Q&A with the choreographers, photo galleries and more.
Online Classes & More
A collection of essential activities for dance lovers, including online dance classes led by MCB dancers and renowned dancer Herman Payne.
World Premiere: Places
Watch this new digital work by choreographer Claudia Schreier, featuring six MCB dancers and an original composition by acclaimed Miami-based composer, Jorge Mejia.
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May 31 – June 2
Miami City Ballet and Dance Theatre of Harlem headline Ballet Across American, a weeklong festival celebrating women’s creativity and leadership in ballet.
Announcing Ten New Dancers For The 2019/20 Season Including Principal Carlos Quenedit and Soloist Kathryn Morgan Plus The Promotion Of Four Dancers.
Both the music and dancing made “Dances” an over-the-top success. Francisco Rennò turned in extraordinary renditions of Chopin’s works.
Sparkling invention will come with exclusivity when Miami City Ballet stages Brahms/Handel for the first time in South Florida. The unique collaboration between Jerome Robbins and Twyla Tharp, which premiered at New York City Ballet in 1984, both demarcates and merges the choreographic territories of its top-of-the-mountain creators. And from each of their sides the high view is bracing.
Last season MCB revamped the Balanchine classic. Gone was the phone-it-in first Act. The new sets and costumes by Ruben and Isabel Toledo were not only gorgeous, they multiplied the references to the Hoffmann short story, deepening the ballet.