“We will show that in times of massive upheaval, of insecurity, of darkness, of the unknown, artists and art will rise up to show what courage looks like and what resilience can do.”
We are humbled to be able to give back to our community. MCB’s costume department put their skills and creativity to use making masks for Nicklaus Children’s Hospital.
Subscriptions for Miami City Ballet’s 2020/21 season featuring Swan Lake are now available. Join us in celebrating 35 years of magic.
As part of the effort to keep community safe, Don Quixote has been postponed until October. Dates will be announced soon. We hope you can join us later this year for this spectacular tale full of comedy and romance.
Your generous support is critical to keeping Miami City Ballet’s artistic, educational and community engagement programs growing.
We’re creating a collection of essential reading, viewing and doing activities for dance lovers in South Florida and across the world during this difficult time.
“Each piece in this program is exceptionally crafted and performed, but it is the journey from one to the next that leaves the strongest impression. In an ever-changing dance landscape, Miami City Ballet has the talent, versatility and foresight to remain a leader.”
“The evening was a successful mix of past and present. Some of the dances are more than 60 years old but still fresh and vital. Robbins’ special connection to Spoleto was brilliantly honored.”
“Lourdes has exceeded expectations in making Miami City Ballet a company that rivals companies all over the country,” said Nigel Redden, general director of the festival.
“…this production, moderated by the Miami City Ballet Artistic Director Lourdes Lopez, will include discussion and film in addition to exquisite performances, making it a Spoleto-exclusive, don’t-miss event celebrating Robbins’ remarkable life and work.”
“Lopez does a stupendous job of keeping the flame of Balanchine alive but, as this program demonstrated, she also looks to the future and makes all the right choices in enriching the company’s repertory with the very best choreography of today.”
“Circles became straight lines, canons twirled to unison, out of nowhere, a dynamic series of turns came right down the middle of the stage. There was a playfulness in the childlike formations, hops and skips, but there was no subtlety in the demands of the piece.”
