Damian Zamorano
Today, we introduce another recent graduate from Miami City Ballet School who is joining us as new member of the corps de ballet this season. Meet Damian Zamorano!
Sarah McCahill
Our next new dancer comes to us straight from Miami City Ballet School! Meet corps de ballet dancer Sarah McCahill!
MCB: Where are you from?
Sarah: Harwinton, CT.
MCB: At which dance schools did you train before coming to MCB?
Sarah: Nutmeg Conservatory for the Arts, Albano Ballet and Miami City Ballet School.
It’s another Monday at Miami City Ballet and we are kicking off the week with the arrival of Répétiteur Jason Fowler, who will be teaching the company Christopher Wheeldon’s Polyphonia. Corps de ballet dancer Zoe Zien will bring you inside our studios as she takes over our Instagram feed during the 7-day rehearsal process. Follow her #ZoeMCBphotos as she documents the company’s journey to the premiere of Polyphonia during Program I: First Ventures.
Eric Trope
This week, we would like to introduce you to another new face — corps de ballet dancer Eric Trope. Look out for him onstage this season, or according to one of his self-proclaimed indulgences, at a late night karaoke bar singing his heart out:-0
Ariel Rose
Our next new dancer has been busy learning the Paul Taylor solo in George Balanchine’s Episodes this week. Get to know corps de ballet member Ariel Rose here on our blog, before he hits the stage next season!
Jovani Furlan
Returning from summer vacation and a fun trip home to Brazil, corps de ballet dancer Jovani Furlan is back on Instagram as this week’s guest photographer.
Our studios are exceptionally busy this week, with the arrival of two répétiteurs from the George Balanchine Trust — Patricia Neary and Peter Frame — who will be staging the company premiere of Episodes. Patricia Neary was hand-picked by Balanchine to join the New York City Ballet, where he later created two key roles on her — in Raymonda Variations and in Jewels. She will use her personal experience dancing several roles to stage Episodes and preserve every last detail of the choreography.