Miami City Ballet Principal, Jeanette Delgado, born and raised in Miami, recently sat down with Haute Living to share her favorite restaurants, shopping and more in the Magic City.
Taking a lower rank at a new company can feel risky. But whether you’re breaking out of your comfort zone, yearning for bigger challenges or finding a better company fit, you can make a successful transition. Here are three ballerinas whose recent moves have advanced their growth and artistry.
When Miami City Ballet performed The Cage in January and February, principal soloist Nathalia Arja danced the Novice for the first time and found the role uncovered another side of her dancing.
Earlier this year, Pointe followed Lauren throughout her typical workday. At the time, she was preparing for her debut as the lead in Balanchine’s Theme and Variations, a major milestone for any ballerina. “It’s pure classical ballet, pure Balanchine, which is what I love and what I live for.”
At Miami City Ballet, Lourdes Lopez has shown how to turn around a financially struggling company without losing that for which it’s beloved. While building upon founder Edward Villella’s Balanchine legacy, she’s also embraced Miami’s unique cultural identity, commissioning works like Justin Peck’s Wynwood-inspired Heatscapeand Miami-born artist Michele Oka Doner’s underwater reimagining of A Midsummer Night’s Dream.
“When Patricia Delgado joined Miami City Ballet, what thrilled the then-18-year-old ballerina most wasn’t performing in big theaters or being part of a famous company, but getting to dance all the time.” The Miami Herald reflects on a beloved ballerina.