LOURDES LOPEZ / ARTISTIC DIRECTOR

INSIGHTS: George Balanchine’s ‘Serenade’

Why did Balanchine choreograph a girl falling to the floor in Serenade? And, why did he call this entrancing work “a dance in the moonlight?” Find out the answers to these questions and more in our new INSIGHTS video series! In our first video, corps de ballet dancers Leigh-Ann Esty and Zoe Zien divulge the secrets behind this mesmerizing and iconic ballet. Make sure to see it performed lived during Program I: First Ventures!

Catch the live performance of Serenade during  Program I: First Ventures  and begin your journey with the ballet this season!
GET TICKETS NOW!

See Program I: First Ventures at any of our venues:
Adrienne Arsht Center: October 18-20
Broward Center: October 25-27
Kravis Center: November 15-17

 

Stories from Opening Night – Nicole Stalker

Our next opening night story comes from corps de ballet dancer Nicole Stalker, sharing her scariest, but most memorable opening night!

Nicole Stalker

Nicole Stalker

I danced my very first Square Dance corps performance on opening night in Paris!! Square Dance is one of the most notoriously difficult Balanchine ballets in terms of both technique and stamina. I was so incredibly nervous, as I was the only one in the cast who had never performed the ballet before. I was worried about making it through the ballet while still maintaining good technique and stage presence. I don’t think I will ever forget the feeling I had when the curtain went up and we waited in silence for that first violin note! Although I was terrified, I also consider it one of my most memorable performance experiences. We were all together in one of the most amazing cities in the world getting to do what we love! It is a memory I will cherish forever!

Nicole Stalker with former dancer Ezra Hurwitz

Nicole Stalker with former dancer Ezra Hurwitz

Create your own Opening Night story by joining us on October 18 for Program I: First Ventures , and begin your journey with the ballet this season! GET TICKETS NOW!

See Program I: First Ventures at any of our venues:
Adrienne Arsht Center: October 18-20
Broward Center: October 25-27
Kravis Center: November 15-17

Headshot – Photo © Gio Alma.
Stage shot – Photo © Leigh-Ann Esty.

Stories from Opening Night – Jennifer Kronenberg

As we count down the days to opening night of the 2013-2014 Season, dancers are sharing their favorite stories from past opening nights and explaining why performing on this particular night is so special. To kick-off the series is principal dancer Jennifer Kronenberg! Don’t forget to get your tickets!

Jennifer Kronenberg

Jennifer Kronenberg

Opening Romeo & Juliet was probably my most exciting and memorable opening night. It is such a romantic and monumental ballet — one that I had looked forward to dancing for so long. Then, to be lucky enough to dance it with my husband Carlos, and have it be for MCB’s 25th Anniversary, made it all the more special!

Jennifer Kronenberg and Carlos Guerra in Romeo and Juliet.

Jennifer Kronenberg and Carlos Guerra in Romeo and Juliet.

Opening nights are particularly significant because there is always a unique sense of anticipation leading up to them. As we dancers are performing a role or ballet for the first time, the audience will most likely be experiencing it for the first time as well. That fleeting parallel and common ground with the audience is an experience that, for me, always sets opening nights apart from other performances.

Join us on Opening Night, October 18, for Program I: First Ventures to create more lasting memories and begin your journey with the ballet this season!

See Program I: First Ventures at any of our venues:
Adrienne Arsht Center: October 18-20
Broward Center: October 25-27
Kravis Center: November 15-17

Headshot © Gio Alma.
Performance shot © Kyle Froman.

Discover ‘First Ventures’ with Lourdes Lopez

Artistic Director Lourdes Lopez shares the meaning behind First Ventures and why the first program of our 2013-2014 Season is not to be missed!

Begin your journey with Miami City Ballet by joining us for Program I: First Ventures!

Adrienne Arsht Center: Oct. 18-20
Broward Center: Oct. 25-27
Kravis Center: Nov. 15-17

Meet Our New Dancers!

You have now met dancers Brianna, Ariel, Sarah, Christina, Nieser, Eric and Damian. Our last new dancer, but certainly not the least, joins the MCB family as a company apprentice. Meet the final new face of the bunch — Leanna Rinaldi!

Leanna Rinaldi

MCB: Where are you from?

Leanna: Frisco, Texas.

MCB: At which dance schools did you train before coming to MCB?

Leanna: Miami City Ballet School.

Leanna performing Balanchine's 'Allegro Brillante' during the 2013 MCB School Student Workshop Performance.

MCB: Describe your perfect day.

Leanna: A day without stress.

MCB: Proudest moment?

Leanna: Joining Miami City Ballet!

Leanna rehearsing Balanchine's 'Serenade' with the company.

MCB: Wildest dream?

Leanna: To travel the world!

MCB: Indulgence?

Leanna: Ben & Jerry’s Half Baked ice cream and The Bachelorette.

MCB: Inspiration?

Leanna: Music and the dancers I have the privilege to dance with!

MCB: Name one thing you couldn’t live without.

Leanna: My faith in Jesus Christ, my family, friends and ice cream.

Leanna with her brother and dogs.

MCB: Most unforgettable onstage moment?

Leanna: Being called upon last minute to perform Alexei Ratmansky’s Symphonic Dances with MCB.

MCB: Dream role?

Leanna: Anita in Jerome Robbins’ West Side Story Suite, Principal in Balanchine’s Who Cares? and Duo Concertant.

MCB: Why Miami City Ballet?

Leanna: It is such a warm and welcoming environment and all the dancers inspire me to work hard every day! And it doesn’t hurt that it’s on the beach.

See Leanna along with our other new dancers make their debut during Program I: First Ventures!

Meet our New Dancers!

We have only two more new dancers to introduce to everyone! This next new dancer joins the “MCB Family” and also an immediate family member — his uncle, principal dancer Reyneris Reyes. We are pleased to introduce you to corps de ballet dancer Nieser Zambrana!

Nieser Zambrana

MCB: Where are you from?

Nieser: Pinar del Rio, Cuba.

MCB: At which dance schools did you train before coming to MCB?

Nieser: Raul Sanchez Arts School, with Alejo Carpentier and The National School of the Arts in Havana.

MCB: What companies did you dance with before coming to MCB?

Nieser: National Ballet of Cuba and Orlando Ballet.

Nieser Zambrana

MCB: Describe your perfect day.

Nieser: My birthday.

MCB: Proudest moment?

Nieser: The day I was coached by the greatest ballet master, Mikhail Baryshnikov.

MCB: Wildest dream?

Nieser: To live in the desert.

MCB: Indulgence?

Nieser: Dance.

Nieser Zambrana

MCB: Inspiration?

Nieser: To see my uncle’s performances.

MCB: Name one thing you couldn’t live without.

Nieser: My mom.

MCB: Most unforgettable onstage moment?

Nieser: My first ballet competition when I was 13 years old.

MCB: Dream role?

Nieser: Giselle.

MCB: Why Miami City Ballet?

Nieser: Because it’s a big company, great dancers, and I love the city.

Nieser Zambrana

See Nieser onstage during Program I: First Ventures!

Meet our new dancers!

Today, we introduce another recent graduate from Miami City Ballet School who is joining us as new member of the corps de ballet this season. Meet Damian Zamorano!

Damian Zamorano

MCB: Where are you from?

Damian: La Habana, Cuba.

MCB: At which dance schools did you train before coming to MCB?

Damian: Escuela Nacional de Ballet Alejo Carpentier (in Cuba), Escuela Nacional De Danza Clásica Y Contemporánea (in Mexico), and Miami City Ballet School.

MCB: What companies have you danced with professionally?

Damian: Compañia Nacional De Danza in Mexico City.

MCB: Describe your perfect day:

Damian: I don’t have a preference. I find something very special and unique in every day I’m blessed to live.

MCB: Proudest moment?

Damian: One of my proudest moments was when I received the invitation to join the company [MCB]. I always dreamed about being part of a big professional company and seeing my dream become a reality overwhelmed me with joy.

MCB: Wildest dream?

Damian: Flying!

MCB: Indulgence?

Damian: I am a big technology fan. I love to see and own new gadgets. Whenever possible, maybe on a yearly basis, I indulge in the latest updates of either cell, tablet, computer or any other new electric device.

Trying out another gadget:-)

MCB: Inspiration?

Damian: Both my parents, who are also professional dancers, are my true inspiration and pride. They have always been there and readily available, helping me and guiding me to do my best. In addition, I enjoy learning from watching videos of my idols performing like Leonid Sarafanov, Ronaldo Sarabia (former dancer with MCB), Carlos Acosta, Baryshnikov, Fernando Bujones, and many more.

MCB: Name one thing you couldn’t live without.

Damian: My family, internet, my friends, ballet.

MCB: Most unforgettable onstage moment?

Damian: One of my most unforgettable moments was reaching the finals of a reality TV show called “Ópera Prima” at the Teatro de Bellas Artes in Mexico City.

Damian performing Giselle for the reality TV show "Ópera Prima"

MCB: Dream role?

Damian: One of my favorite roles is in Flames of Paris. I feel that this ballet requires a great deal of strength and physical stamina. I trust such choreography could become one of my most desirable goals.

Damian performing Flames of Paris - a role he dreams of dancing again and again!

MCB: Why Miami City Ballet?

Damian: At MCB, I have learned a lot about Balanchine and his approach to this art form. I knew very little about it before. Since then, I have a new perspective and understanding about my profession that I love and respect.

Lookout for Damian onstage this season when the 2013-2014 Seasons opens on October 18 at the Arsht Center with Program I: First Ventures.

Meet our new dancers!

Our next new dancer comes to us straight from Miami City Ballet School! Meet corps de ballet dancer Sarah McCahill!

Sarah McCahill

MCB: Where are you from?
Sarah: Harwinton, CT.
MCB: At which dance schools did you train before coming to MCB?
Sarah:  Nutmeg Conservatory for the Arts, Albano Ballet and Miami City Ballet School.

Sarah practicing for her first MCB School Student Workshop Performance with student Elias Baseman.

MCB: Describe your perfect day.
Sarah: To win the Powerball!!!!!!!!!
MCB: Proudest moment?
Sarah: When Lourdes [Lopez] informed me I would be a part of Miami City Ballet’s Corps de Ballet for this season!
MCB: Wildest dream?
Sarah: To go skydiving with the love of my life ( haven’t met him yet…).
MCB: Indulgence?
Sarah: Tres leches cake, REAL ice cream, pancakes, cupcakes, sleeping in…I have a lot.
MCB: Inspiration?
Sarah: Happy people, Sylvie Guillem, and Svetlana Zakharova.
MCB: Name one thing you couldn’t live without.
Sarah: My rock — my little sister, Kelley.
MCB: Most unforgettable onstage moment?
Sarah: The first time I fell flat on my face performing the lead in Le Sylphide within the first five minutes of being onstage.
MCB: Dream Role?
Sarah: Black Swan, no doubt.

Rehearsing William Forsythe's 'In the Middle Somewhat Elevated.' Sarah admits, "I will always be proud to have had the opportunity and the rights to perform!"

MCB: Why Miami City Ballet?
Sarah: When I was 13 I told my mother I was going to dance with Miami City Ballet someday (I don’t remember this but she does). She helped me to fulfill this dream by taking the first step and setting up my audition for their summer program. I guess it was fate and a lot of hard work but I finally got in!

See Sarah onstage at the Arsht Center when our 2013-2014 Season opens on October 18!

‘Polyphonia’ from Behind the Lens

It’s another Monday at Miami City Ballet and we are kicking off the week with the arrival of Répétiteur Jason Fowler, who will be teaching the company Christopher Wheeldon’s Polyphonia. Corps de ballet dancer Zoe Zien will bring you inside our studios as she takes over our Instagram feed during the 7-day rehearsal process.  Follow her #ZoeMCBphotos as she documents the company’s journey to the premiere of Polyphonia during Program I: First Ventures.

Zoe Zien

Polyphonia is considered Christopher Wheeldon’s breakthrough contemporary work.  After his hauntingly beautiful Liturgy pas de deux, Polyphonia will be the second Wheeldon work that MCB adds to its repetoire. The ballet adds six more dancers to the stage, who dance together as a group as the work opens, then transitions into a series of duets and solos that evoke distinct character and flair — we can’t wait to see how our dancers incorporate their unique personalities into the choreography! Here to teach it all is one of the original cast members from the 2001 New York City Ballet world premiere — Jason Fowler. Jason will help the dancers match their movement to the intense piano music of György Ligeti, and ensure that no choreographic detail is lost in preparation for our 2013-2014 Season opening in October, when the ballet premieres during Program I: First Ventures.

Dancers Emily Bromberg and Chase Swatosh.

Follow us on Facebook and Twitter as we reveal interesting facts about Polyphonia during the rehearsal process. Watch the dancers in action as Zoe captures Polyphonia and daily MCB life on Instagram!

Check out our latest Pinterest board for a visual journey through Polyphonia.

Flexible subscription packages and single tickets to Polyphonia are on sale now as part of Program I: First Ventures.
Photo credits:
Headshot © Gio Alma.
Miami City Ballet dancers Emily Bromberg and Chase Swatosh in Polyphonia. Photo © Gio Alma.

Meet our new dancers!

This week, we would like to introduce you to another new face — corps de ballet dancer Eric Trope. Look out for him onstage this season, or according to one of his self-proclaimed indulgences, at a late night karaoke bar singing his heart out:-0

Eric Trope

MCB: Where are you from?

Eric: Poolesville, MD.

MCB: At which dance schools did you train before coming to MCB?

Eric: I trained at Maryland Youth Ballet and School of American Ballet.

MCB: What companies have you danced with professionally?

Eric: Pennsylvania Ballet.

Eric rehearsing Matthew Neenan's 'At Various Points' with Pennsylvania Ballet.

MCB: Describe your perfect day.

Eric: On my perfect day, I’m surrounded by my siblings (all five of them)  in Massachusetts where we used to spend our summers as kids and we’re probably fighting about where we should eat lunch.

MCB: Proudest moment?

Eric: One of my proudest moments was surviving working on a llama and alpaca farm with my sister in Alaska last summer. In terms of my career, getting to be involved and choreograph for Pennsylvania Ballet’s Shut Up and Dance for the past four years. The show raises money for MANNA,  whose mission is to provide meals empowering individuals to battle illness and improve their quality of life.

Llama or alpaca? Eric in Alaska over the summer.

MCB: Wildest dream?

Eric: In my wildest dream, I’m starring in an all male version of Les Miserables alongside Niel Patrick Harris and John Hamm, with every song in falsetto.

MCB: Indulgence?

Eric: Late night karaoke to Counting Crows.

MCB: Inspiration?

Eric: My biggest inspiration would be my father for the way he lives his life unselfishly and modestly.

MCB: Name one thing you couldn’t live without.

Eric: Fiona Apple and Avocados.

MCB: Most unforgettable onstage moment?

Eric: My last year in SAB’s workshop, I accidentally wore the lead’s costume for the male regiment of Stars and Stripes when alas I was only in the corps.

MCB: Dream role?

Eric: Phlegmatic in The Four Temperaments, The Statics Pas in N.Y. Export: Opus Jazz, Apollo, Tony in West Side Story Suite, Prodigal Son, Fancy Free, Brown Boy in Dances at a Gathering.

MCB: Why Miami City Ballet?

Eric: I am already so inspired by my fellow dancers and their passion for what they do.  I am very excited to be able to dance the company’s expansive repertory as well as explore the diverse culture of Miami.

Hiking in The Samaria Gorge in Crete.

See Eric Trope onstage when our 2013-2014 Season opens at the Arsht Center in October!