We are getting ready for a performance filled week ahead! On Tuesday, several dancers will premiere their original works created in collaboration with New World Symphony fellows during the FREE series — Inside the Music . Then, only three days later, the entire Company heads up to Ft. Lauderdale for the opening of Don Quixote at the Broward Center. With performances spanning the Florida coastline, we are fortunate to have corps de ballet dancer Zoe Zien taking over our Instagram feed to capture it all! Follow Zoe at #ZoeMCBphotos!
After visiting a rehearsal at Miami City Ballet studios, New World Symphony (NWS) fellows began meeting regularly with a group of our dancers to examine the relationship between sound and movement, resulting in a creative exchange between the talented young artists. Corps de ballet dancer Michael Breeden explains how this organic relationship will materialize onstage in the very near future!
Miami City Ballet and New World Symphony have long been the two pillars of Miami’s arts world, attracting acclaim from audiences and critics alike. The dancers and musicians work in the same neighborhood, frequent each other’s performances, and have always expressed how wonderful it would be to work together. After decades as South Florida’s premier arts organizations, it is with great excitement that we prepare for our first full-evening performance together on March 18th — a creative exchange between the dancers of Miami City Ballet and the fellows of New World Symphony.
Why did Balanchine choreograph a girl falling to the floor in Serenade? And, why did he call this entrancing work “a dance in the moonlight?” Find out the answers to these questions and more in our new INSIGHTS video series! In our first video, corps de ballet dancers Leigh-Ann Esty and Zoe Zien divulge the secrets behind this mesmerizing and iconic ballet. Make sure to see it performed lived during Program I: First Ventures!
It’s another Monday at Miami City Ballet and we are kicking off the week with the arrival of Répétiteur Jason Fowler, who will be teaching the company Christopher Wheeldon’s Polyphonia. Corps de ballet dancer Zoe Zien will bring you inside our studios as she takes over our Instagram feed during the 7-day rehearsal process. Follow her #ZoeMCBphotos as she documents the company’s journey to the premiere of Polyphonia during Program I: First Ventures.
Corps dancer Zoe Zien is taking her second run at photography as this week’s Instagram guest. Zoe will be capturing our final moments of Program III: The Masters during our closing run at the Adrienne Arsht Center this weekend. Although we will be bidding farewell to some truly momentous ballets, Zoe will help capture the memories to share with you on Instagram. Follow Zoe #ZoeMCBPhotos!
It’s Zoe Zien’s turn to take over Instagram this week! Our guest photographers have captured some amazing shots and we can’t wait for Zoe to keep the fun going!
Fun fact about Zoe: she was our special correspondent during the Paris tour! Zoe did a fantastic job of keeping everyone back home up to speed on all the Parisian happenings! To reminisce through Zoe’s spectacular coverage, click here, here, here, here, and here!
Everyone has a special Nutcracker memory they will always cherish, whether it be a childhood experience or watching The Nutcracker for the first time as an adult. ‘Tis the season to reminisce about those special Nutcracker times. Corps de ballet dancer Rebecca King gathered some of the dancers to talk about their Nutcracker memories in this heartwarming video (which she produced =) ). Check back next week for Part 2!
Want to take part in the action? Leave a comment and tell us your favorite Nutcracker memory!
Post by Zoe Zien, Corps de Ballet
We are now in the third and final week of our tour. We’ve put on fourteen ballets and danced seven shows a week,sometimes with dancers in three pieces a night. Oddly enough, even after all that work, everyone still seems to be smiling. Every morning I wake up thinking I’m going to be exhausted, but then without fail, by showtime I’m eagerly ready to do it all over again. Anyone visiting Paris will allude to a certain magic the city provides. Whether it be the narrow streets lined with quaint cafes or the museums and monuments with so much art and history, there is always something to stimulate the senses.
The stage of the Théâtre du Châtelet is a perfect place for the dancers to feel the fulfilling dynamics that Paris has to offer. The curtain rises and you immediately become aware of the importance of the surrounding space. The orchestra, sounds full and vibrant, reiterating the significance of the dancer/musician relationship. The crowd, regardless of their individual opinions, always appears to be extremely attentive provoking a certain energy amongst the dancers.
Being here these three weeks has brought so much new discovery — from the taste of a never before tried French pastry to rediscovering yourself on stage under new light. I think my fellow colleagues, from the very experienced to the new professionals, would agree that this experience is one that will be cherished for a lifetime.