Miami City Ballet aptly tells Balanchine’s stories
When Balanchine stated that two dancers on stage make a story, he opened up new possibilities in storytelling and in ballet choreography. In Vancouver, Miami City Ballet presents three of Balanchine’s most succesful stories spanning over forty years — Ballo della Regina (1978), Symphony in Three Movements (1972) and Serenade (1934).
The evening opened with Ballo della Regina, created as a virtuoso ballet for then-principal dancer of New York City Ballet, Merrill Ashley. The pomp of Verdi’s score and the choreography set high expectations, that were met with a few challenges in this performance.