LOURDES LOPEZ / ARTISTIC DIRECTOR

Meet the Sugar Plum Fairy!

Meet the Sugarplum Fairy and get your ticket to the Land of the Sweets!

Miami City Ballet’s production of George Balanchine’s The Nutcracker™ runs from December 19-January 5 in Miami, Fort Lauderdale and West Palm Beach. GET TICKETS NOW!

Stories from Opening Night – Patricia Delgado

The night we have been waiting for is finally here and we not only have one, but TWO stories from Principal dancer Patricia Delgado to wrap up the Opening Night countdown. We hope that you have enjoyed the series and that tonight, when the curtain rises on Program I: First Ventures, you and our dancers will make new memories together through a shared experience in the beauty of the ballet.

Patricia Delgado

Patricia Delgado

I have two very special opening night memories that I will never forget! The first one was during one of my first years in the company. It is one of my favorite All Balanchine Programs – Ballo de la Regina, Stravinsky Violin Concerto and Stars and Stripes. Ballo de la Regina and Stravinsky Violin Concerto were company premieres, which always adds an extra sense of excitement to the evening. However, what made it so special for me was having the opportunity to dance one of my first solos in Ballo de la Regina and receiving my first bouquet of flowers on stage. I wasn’t expecting it! The surprise gave me so much energy to get back out on stage for Stravinsky Violin Concerto and then finish off in Stars and Stripes. Here I am that night when I got home from the theater still so happy and excited about it!

Patricia with her Opening Night flowers.

Patricia with her first bouquet of Opening Night flowers.

The other memory is from a couple of years ago when we brought back George Balanchine’s Who Cares? and I had the opportunity to dance one of my dream roles. I had grown up watching my favorite dancers perform this part, especially Jennifer Kronenberg, and it always seemed so glamorous and untouchable! I remember feeling so nervous before the curtain went up even after months of rehearsals! But once I got out on stage and the music and energy of opening night filled me, it was an incredibly fulfilling and unforgettable experience!

Patricia Delgado in Balanchine's 'Who Cares.'

Patricia Delgado in Balanchine’s ‘Who Cares.’

Create your own Opening Night story by joining us TONIGHT for Program I: First Ventures , and begin your journey with the ballet this season!
GET TICKETS NOW!

See Program I: First Ventures at any of our venues:
Adrienne Arsht Center: October 18-20
Broward Center: October 25-27
Kravis Center: November 15-17

Headshot: Photo © Gio Alma.
Stage shot: Patricia Delgado in Who Cares?. Choreography by George Balanchine. © The George Balanchine Trust. Photo © Alexandre Dufaur.

Stories from Opening Night – Jennifer Kronenberg

As we count down the days to opening night of the 2013-2014 Season, dancers are sharing their favorite stories from past opening nights and explaining why performing on this particular night is so special. To kick-off the series is principal dancer Jennifer Kronenberg! Don’t forget to get your tickets!

Jennifer Kronenberg

Jennifer Kronenberg

Opening Romeo & Juliet was probably my most exciting and memorable opening night. It is such a romantic and monumental ballet — one that I had looked forward to dancing for so long. Then, to be lucky enough to dance it with my husband Carlos, and have it be for MCB’s 25th Anniversary, made it all the more special!

Jennifer Kronenberg and Carlos Guerra in Romeo and Juliet.

Jennifer Kronenberg and Carlos Guerra in Romeo and Juliet.

Opening nights are particularly significant because there is always a unique sense of anticipation leading up to them. As we dancers are performing a role or ballet for the first time, the audience will most likely be experiencing it for the first time as well. That fleeting parallel and common ground with the audience is an experience that, for me, always sets opening nights apart from other performances.

Join us on Opening Night, October 18, for Program I: First Ventures to create more lasting memories and begin your journey with the ballet this season!

See Program I: First Ventures at any of our venues:
Adrienne Arsht Center: October 18-20
Broward Center: October 25-27
Kravis Center: November 15-17

Headshot © Gio Alma.
Performance shot © Kyle Froman.

MCB Summer: Jennifer Kronenberg’s BIG APPLE Homecoming

Wrapping up our ‘MCB Summer’ series, principal dancer Jennifer Carlynn Kronenberg writes about her homecoming trip to New York, where her ballet career started in a small, local dance studio in Queens.

Jennifer Carlynn Kronenberg

What a busy summer this has been for our family! The weeks have really flown by. This summer was extra special —  my first as a mommy — and I have so enjoyed having the extra time to spend with my beautiful baby girl Eva. What a gift! She has grown and changed so much in the last couple of months, and she happily joined us on all of our trips this summer! Carlos and I were so nervous about taking her on her first airplane ride, and worried about how she would handle the crazy schedules of our guest appearances, but she handled everything incredibly well — a little “pro” already!

Baby on board with papa Carlos Guerra!

A couple of weeks after we returned from dancing in New Orleans (along with  Renan Cerdeiro and Jennifer Lauren at New Orleans Ballet Theater) we left town again for another exciting adventure – Eva’s first visit to the Big Apple and my first homecoming performance with my old ballet school, Once Upon a Time (OUAT), in 15 years. My parents (now Grandma & Grandpa Kronenberg) eagerly awaited their granddaughter’s visit, and the chance to see me dance again at home in Queens. (I don’t get up to NYC as often as I would like, so I tried to “kill as many birds with one stone” as I could). In addition to dancing with OUAT, I participated in a mini dance convention and taught a master class at New York Performing Arts Center in Point Pleasant, NJ.  The students were terrific, and very eager to learn, which is a treat for any teacher.  I was in great company, and was so honored to be teaching alongside tremendous talents like Broadway “Tap Dog” Anthony LoCascio.

Teaching ballet class at New York Performing Arts Center

Jennifer and Carlos with Anthony LoCascio (center).

The next day, we headed out to Richmond Hill, Queens for OUAT’s performance, where I danced excerpts from Coppélia as well as The Dying Swan. How nice it was to be welcomed home with open arms! It was if I had never left. My teacher, Teresa Aubel, hasn’t changed a bit, and being back in class with her reminded me of how very much of my success I owe to her. She was always such a wonderful mentor, and she helped shape the dancer that I have become in so many ways.

Jennifer with her childhood dance teacher Teresa

Homecoming performance of Coppélia!

The performance was held in-house, in the school’s quaint black box theater, where a special surprise awaited — another one of my teachers would be contributing to the performance! Carolyn DeVore, Dean of Dance at my alma mater, Benjamin N. Cardozo H.S., came to see the show and brought her students from DeVore Dance Center to perform an incredible African piece. It was such a treat to see her again and have her meet Carlos and baby Eva.

The audience enjoyed the show tremendously, but I think Eva may have enjoyed it the most! Her expression was priceless! With a front row seat on Carlos’ lap, she was completely intrigued by the music and the dance. She opened her eyes wide, kicked her legs to the music, and even exclaimed “Mama!” with glee as I bourréed across the floor during The Dying Swan. When I wasn’t dancing, I was able to spy on her through a crack in the back drop and I couldn’t stop smiling, she was so adorable! When the African dancers came out, I was worried about how she’d react to the intensity and volume of the live drummers, but her smile just got bigger and bigger! (Since we’ve been back she has been super energetic and does this funny bouncing action with her hands in the air, fingers spread, and arms bent at the elbows. Call me crazy, but I’d swear she’s imitating the African dance)!

To end the afternoon, I engaged in an informal question and answer session with the audience, and signed copies of my book “So, You Want to be a Ballet Dancer?” , which was being sold at the entrance prior to the show and during intermission. There were some fantastic questions and topics brought into conversation, and I was so glad to have had the opportunity to meet so many young dancers in the making.

Jennifer with her two loves in Central Park.

As busy and hectic as our visit to New York was, we still had a wonderful time and Eva made it through her grand adventure with flying colors. We are all glad to be back in Miami and Carlos and I are ready and anxious to start the new season. It’s always nice to get away, but when all is said and done, there is no place like home!

MCB Summer: Jennifer Lauren back in the Big Easy!

Soloist Jennifer Lauren tells all about her trip to the Big Easy for her guest performance with New Orleans Ballet Theatre and more as part of our MCB Summer series!

Jennifer Lauren. Photo © Gio Alma.

Summers are always a busy time for me. My husband Blake, my dog Sophie and I always hop in the car and drive far and wide across the southern states. This summer we found ourselves in New Orleans. A place where both of our families have vacationed many times, and the location of our honeymoon.

Before we went to New Orleans, fellow MCB dancers Jennifer Kronenberg, Carlos Guerra, their beautiful baby girl Eva, Renan Cerdeiro and I traveled to Sanibel Island to work with  former New York City Ballet Principal Melinda Roy. She was so wonderful and a joy to work with!  Renan and I rehearsed George Balanchine’s Stars and Stripes and Jennifer and Carlos rehearsed Balanchine’s Apollo. It was a special trip because we rehearsed at former MCB Principals Iliana Lopez and Franklin Gamero’s new studio — Gulfshore Ballet in Ft Myers. They are a lovely pair and were very welcoming.

The whole crew!

After a few weeks of West Side Story Suite rehearsal in Miami, we flew to the Big Easy to guest with New Orleans Ballet Theatre. It was a pleasure to work with the director Greg Schramel and his wife Marjorie Hardwick — both former dancers with MCB, as well!

Carlos, Jennifer, Renan and me

The performance was a treat for all to see. This was Jennifer Kronenberg’s first time back on the stage since her pregnancy with Eva, who is just about the most precious baby ever! Jennifer and Carlos are wonderful with her and so much fun to be around.

Me with baby Eva!

I was also excited to have my husband, my mother and my niece come to see the performance and visit in New Orleans.

My husband Blake, my mom Betty, me and my niece Jasmine.

Dancing Balanchine’s Stars and Stripes is always one of my favorite pieces to perform, especially so close to the Fourth of July! The music is so patriotic and I’m so lucky to have a partner as talented as Renan! We really had a great time dancing and exploring New Orleans.

Renan and me backstage for Stars and Stripes

After everything, my husband and I made time to celebrate our four year wedding anniversary at the same restaurant we went to on our honeymoon.

Celebrating our wedding anniversary at Commanders Palace - where it all started!

Happy (belated) 4th of July!

Happy Mother’s Day!

Principal dancer Jennifer Carlynn Kronenberg tells all about being a new mom and professional ballerina! Talk about a balancing act!

From Our Dancers to YOU!

We can’t believe that its already our final program of the 2012-2013 Season!  While we feel like the year has just flown by, many of us have been anxiously awaiting the opening of Program IV: Broadway and Balletespecially our dancers who can’t wait to get onstage.  Find out why!

Emily Bromberg

Emily Bromberg, Corps de Ballet, on Program IV: Broadway and Ballet – I’ve been looking forward to Program IV since last July [2012] when we started rehearsing for both ballets!  I was overjoyed when I saw that I would be learning the “mauve” girl in Dances at a Gathering.  For me, this part has a lot of meaning. From what I understand, her character is portrayed as a bit internal and full of thought.  Finding my own way of portraying this has been my favorite part of the rehearsal process because everyday I get to go into the studio and experiment with how I want to feel, while dancing each movement.  This experimentation along with the personal molding of each of the difficult, but liberating steps is such a fulfilling process.  I couldn’t look more forward to performing such a role!  Slaughter on Tenth Avenue is so much fun to perform with the audience! We use their energy, applause and reactions to fuel our every step!  I’m happy to get the chance to be a part of it!

Bradley Dunlap

Bradley Dunlap, Corps de Ballet, on George Balanchine’s Slaughter on Tenth Avenue –  For the first time I am performing a pre-dominantly, comically-driven “character” role.  This new experience has given me a chance to take a break from my technique and just have fun. Without Slaughter I wouldn’t have realized the satisfaction of an audience responding to my work with laughter.

Callie Manning

Callie Manning, Principal Soloist, on Program IV: Broadway and Ballet – Personally, this program is like visiting old friends.  I’ve performed in both Dances at a Gathering and Slaughter on Tenth Avenue before and have very fond memories of both.  They are roles I love and can’t wait to dance them again. The part I do in Dances, “Green Girl”, is a really special part to me.  She’s a little cooky, flirtatious, reminiscent and quite complex.  I love diving into her character and discovering new things about her.  Every performance I do brings out something different.  Slaughter satisfies me in a completely different way.  Don’t tell anyone, but I always secretly wanted to be a Fosse dancer on Broadway.  The “Strip Tease Girl” in Slaughter, is the epitome of Broadway — high kicks, jazz hands and all!

Jennifer Carlynn Kronenberg

Jennifer Carlynn Kronenberg, Principal, on Program IV: Broadway and BalletSlaughter on Tenth Avenue and Dances at a Gathering are ballets that are very dear to me since I’ve had the great opportunity to “grow into” my roles in both — having danced them since the company premiered them years ago.  The “Striptease Girl” in Slaughter is such fun to dance onstage.  I learned it back when it was staged for us by Susan Hendl, and it was very different than anything I had yet danced with MCB – almost more Broadway than ballet!  It was a great chance to let go, have fun and even show a little of my wild side in the jazzy, upbeat second pas de deux.  It was especially fun to dance years later with Carlos [Guerra] as the “Hoofer”!

Dances is another ballet that I learned from Ms. Hendl back when she staged it for the company.  I was originally cast, fittingly, as the “Mauve” girl – a role that seems, to me, much like the older sister.  She is a bit more serious, pensive and mature than the pink, blue and yellow girls.  After dancing that role for years, it seems natural to now move on and transition into the role of the “Green” girl, who has an unusual cameo sort of part in the ballet.  Her solo, originally choreographed for Violette Verdy, is one that portrays an older, nostalgic, maybe even retired dancer reflecting on the joys of her career as a great ballerina.  Though I’m not not yet retired (I’m confident I have more than a few good dancing years left in me), I’m certainly at a point in my career where I can identify with the idea of “reflection”.  With each step of the solo I can really bring myself back to a special moment I had onstage — engaging the audience or getting lost in the steps, the music, the lights and the special perfume of a  ballet. With a flick of the foot, the solo ends with the “Green” girl simply walking offstage with a unique satisfaction.  She seems very proud of what she has accomplished …. not necessarily in that specific moment, but in general throughout her career.  That is something I can definitely relate to.

See Emily, Bradley, Callie and Jennifer  in our final program of the season Program IV: Broadway and Ballet!

Kravis Center: April 5-7
Broward Center: April 26-27
Adrienne Arsht Center: May 3-5

Project Pointe

Principal dancer Jennifer Carlynn Kronenberg has certainly kept busy during her pregnancy.  Not only is she a soon-to-be-mom, but she is also staying active, taking ballet classes and raising money for Miami City Ballet’s Toe Shoe Fund.  With the help of Haute Couture fashion designer Ozcar G. and friends, she created the fashionable cause and opening night event Project Pointe.  The chic affair will raise money through a silent auction, which features exclusive, one-of-a-kind items including an original Ozcar G. Couture evening gown, hand decorated and embellished pointe shoes by Ozcar G., himself, original art work and photography, and jewelry.

All proceeds will support the Toe Shoe Fund and help Jennifer achieve her goal.

© YOBE Photography

“Pointe shoes are singularly the most significant tool that dancers rely on to perform at our best.  They are deceivingly fragile and no two pairs are exactly the same.  Miami City Ballet’s Toe Shoe Fund initiative raises critical funds to ensure that our dancers are equipped with a shoe supply abundant enough to match the ever increasing demands of our rehearsal and performance schedules.  Since we each wear our pointe shoes out differently, pointe shoes inevitably become a part of a dancer’s unique “footprint.” Every “dead” pair has served a ballerina in its own special way, and has helped to create countless inspiring moments.  There is no better way to make a ballerina smile than to give her a brand new pair of shoes — crafted to her own specifications, helping to keep her feet protected, supported and injury free. Please help to keep us smiling and on our toes!  Your support of MCB’s Toe Shoe Fund is personally appreciated by each and every one of us.”

Jennifer Carlynn Kronenberg
Principal Dancer

Project Pointe takes place at Adrienne Arsht Center’s Peacock Rehearsal Studio on Friday, October 19, 2012 — opening night of the 2012-2013 Season.  Those who place bids will be invited back to the Peacock Rehearsal Studio for a VIP cocktail and dessert reception after the performance, to make their final bids and claim their prizes. Click here to see the auction items.

Congratulations Jennifer and Carlos!

Congratulations to principal dancers Jennifer Kronenberg and Carlos Guerra!
The two love birds (and dance partners) are expecting their first child in November!

Jennifer and Carlos met and fell in love at Miami City Ballet. Two years ago we sat down with the couple for our Valentine’s Day love series and asked them when we would hear the pitter-patter of little ballet shoes — their answer was one to two years. And here they are in 2012 with a baby on the way! Click here to see their charming Valentine’s Day interview.

Giselle: “The Mad Scene”

Giselle is the story of a young peasant girl who dies of grief and madness after being betrayed by her lover, Albrecht. “The mad scene” takes place right before her death when the truth is revealed. Principal dancers Tricia Albertson and Jennifer Kronenberg give their perspectives on “the mad scene” in Giselle and how they prepare for the deeply emotional part.

MCB performs Giselle at Adrienne Arsht Center on February 17-19, Broward Center February 24-26, and at Kravis Center March 9-11. Click here for more information.