For those of you who didn’t make it to the Miami HEAT vs. L.A. Lakers game last night, we picked up a copy of TIPOFF — the official in-game program book for the MiamiHEAT!
Read the full story inside TIPOFF here!
After a busy, yet highly successful run of Program II, the dancers are back in the studios getting ready for Program III: The Masters. This week, Principal Soloist Renan Cerdeiro is taking over our Instagram feed to show our dancers hard at work. You may remember Renan’s stunning performance in Balanchine’s Apollo and Duo Concertant from earlier this season, when he danced the male lead in both ballets. Get ready for a sneak peek at Renan’s performance in Program III, as the company rehearses works by ballet’s best — George Balanchine and Alexei Ratmansky. #RenanMCBPhotos
Fun fact about Renan: He is obsessed with Broadway musicals and Disney movies!
Following the world premiere of Euphotic, we caught up with “the man of the hour,” Liam Scarlett, to capture his thoughts on the debut of his newest work. Here are some of the proud choreographer’s words from his speech given during MCB’s Artist’s Circle Reception on the opening night of Euphotic.
We hope to see more collaborations with Liam in the future!
When the young choreographer of London’s The Royal Ballet, Liam Scarlett, arrived at our Miami Beach studios to choreograph his first work for MCB last season, he was warmly welcomed by the smiling face of Principal Jeanette Delgado. From day one, Jeanette and Liam hit it off as great friends; which, lucky for us and our audiences, transpired into an extraordinary artistic collaboration. After watching Jeanette’s performance of Liam’s first work for MCB, Viscera, The New York Times named her “one of the world’s most marvelous ballerinas.” When we learned that Liam would be returning to MCB to create a second world premiere this year, we caught up with Jeanette to capture her excitement about once again working with the internationally acclaimed choreographer and close friend Liam Scarlett.
Corps dancer Adriana Pierce is taking over our Instagram feed in the midst of a very busy week for Miami City Ballet. Right now, the dancers are battling reptiles as they make their way across Alligator Alley for the opening of our repertory season in Naples. After two days in Naples, the company will venture east to Palm Beach for the closing of Program II: Tradition and Innovation. Adriana will capture the final performances of Liam Scarlett’s Euphotic, two Balanchine favorites, and the popular Don Quixote Pas De Deux, wrapping up a sensational second program of our 27th season. #AdrianaMCBphotos
Fun Fact about Adriana: Her most prized possession is a framed, signed photo of Liza Minnelli!
Photo © Gio Alma.
When asked what ballet she was most excited about performing this season, Principal Patricia Delgado knew right away that it was George Balanchine’s Duo Concertant.
Patricia recounts, “I remember seeing the ballet when I was a student at Miami City Ballet School, and thinking, ‘I have never seen anything like this!’ The dancers simply stand and listen to the music onstage, admiring and respecting it, which sets the mood of the piece so beautifully. It is unlike any of Balanchine’s other ballets. The spotlighting effects and stylized choreography evoke drama and love, making the piece completely mesmerizing. Although I have been with Miami City Ballet for 12 years, I have never had the opportunity to perform the ballet, until now. I always thought it would be a dream to dance that pas de deux, so when I saw it selected for Program II, I thought, ‘I can’t wait!’ Knowing Duo Concertant was in the programming inspired me to get me through my injury last season.”
We are thrilled for tonight’s opening of Program II: Tradition and Innovation. We caught up with some of the dancers before the curtain so that they could share their excitement about the ballets they are performing with you!
Michael Breeden, Corps de Ballet,on George Balanchine’s Divertimento No. 15 — “Dancing to Mozart is what I love most about Divertimento No. 15. Balanchine rarely choreographed to Mozart, but the marriage of these two geniuses in the ballet provides a wonderful experience for audience and dancer alike.”
Tricia Albertson, Principal, on George Balanchine’s Divertimento No. 15 — “I love dancing Divertimento No. 15 because there are so many opportunities to interact with my friends and colleagues. I have at least one special moment with each principal!”
When Liam Scarlett — the young, acclaimed choreographer from London’s The Royal Ballet — brought our Costume Designer and Wardrobe Director Haydée Morales his costume design sketches for his new work Euphotic, she knew that she was up to the challenge!
The first step in bringing Scarlett’s vision to life was helping him determine the full color palette and types of fabrics that were aesthetically appealing, yet allowed the dancers to move freely. Scarlett wanted the costume hues to include dark blue for the corps dancers, radiant yellow for the principals, and a combination of yellow and blue for the soloists to tie the piece together. He also wanted the costumes to depict the ombré effect, which shows the consistent gradient of a color from its lightest shade to its darkest.
This week’s guest photographer on Instagram is no other than corps dancer Rebecca King! Rebecca will be capturing an important piece of dance history as Liam Scarlett’s Euphotic makes its world premiere debut on Friday, January 11. From rehearsals in our studios, to the dressing rooms, to the stage, Rebecca will make sure that no one misses out on the exciting action this week!
Fun fact about Rebecca: She has her own blog! Check it out by clicking here!