Dreams of Sugar Plums have been dancing in the heads of ballerinas everywhere — and for many more nights than just the night be for Christmas;-) Whether it’s the moment a little girl puts on her first pair of ballet slippers, or sees the Sugar Plum Fairy work her magic onstage, a little spark ignites, fueling aspirations of one day dancing this quintessential ballerina role. This dream is swiftly becoming a reality for Soloists Sara Esty and Jennifer Lauren, as they make their debut performances as the Sugar Plum Fairy in Miami City Ballet’s production of George Balanchine’s The Nutcracker™. Here, they share their excitement about performing this milestone role!
Anyone recognize this photo?
If you know and love this image, along with several other awe-inspiring dance photos, than you have probably heard of photographer Jordan Matter and his New York Times bestseller Dancers Among Us. This week, Jordan takes his talents to the Magic City to exhibit his work at Spectrum Miami and Select Fair, both running December 4-8th in Midtown and South Beach respectively. During his visit, Jordan will also partake in two live photo shoots with Miami City Ballet dancers Renan Cerdeiro, Jovani Furlan and Emily Bromberg!
While most of you are digging your nose deep into cookbooks and fighting the crowds at the local grocery store, we are preparing for Thanksgiving with rehearsals of George Balanchine’s The Nutcracker™! This weekend, we head to Naples for our first Nutcracker performance of the season! Dancer Rebecca King will be capturing the magic of this holiday classic on our Instagram feed and shares how The Nutcracker has become an annual Thanksgiving tradition in its own right below. Follow Rebecca #RebeccaMCBphotos!
Last week, répétiteur and Artistic Director of Oregon Ballet Theatre Kevin Irving visited our studios to teach our dancers Nacho Duato’s Jardí Tancat. This profoundly Spanish, soulful work challenged our dancers to move differently, breaking free from their typical ballet vocabulary. Dancer Chase Swatosh describes his experience learning Duato’s unique choreography below!
We are back in performance mode this week, as we prepare for our Season Opening at the Kravis Center this weekend! First Ventures has been the perfect way to start the new season. From George Balanchine’s Serenade — the first ballet he created in America — to Christopher Wheeldon’s “edgy and electrifying Polyphonia“, as described by the Miami Herald, and Balanchine’s joyful, virtuoso Ballo della Regina, each ballet inspires a sense of excitement and anticipation for the rest of the season. To create lasting memories and capture our final performances of Program I: First Ventures on Instagram is corps de ballet dancer Suzette Logue!
The night we have been waiting for is finally here and we not only have one, but TWO stories from Principal dancer Patricia Delgado to wrap up the Opening Night countdown. We hope that you have enjoyed the series and that tonight, when the curtain rises on Program I: First Ventures, you and our dancers will make new memories together through a shared experience in the beauty of the ballet.
I have two very special opening night memories that I will never forget! The first one was during one of my first years in the company. It is one of my favorite All Balanchine Programs — Ballo de la Regina, Stravinsky Violin Concerto and Stars and Stripes.
With T minus FOUR DAYS until the opening of our 2013-2014 Season, we are continuing our countdown with even more amazing Opening Night stories from our dancers! You are in for a treat with our next story from corps de ballet dancer Michael Breeden! GET YOUR SEAT TODAY!
Opening night is the moment all of the work and passion we’ve put into the ballets finally gets a chance to breathe. We’ve agonized over trouble steps, rehearsed religiously and gone over the counts endless times. The reason we put ourselves through such grueling work is for the moment when the curtain rises on opening night. The cold air rushes in and the orchestra sounds its first notes. We are no longer people in a studio, but dancers making art, immersing ourselves in the music and contributing to something greater than ourselves.
Why did Balanchine choreograph a girl falling to the floor in Serenade? And, why did he call this entrancing work “a dance in the moonlight?” Find out the answers to these questions and more in our new INSIGHTS video series! In our first video, corps de ballet dancers Leigh-Ann Esty and Zoe Zien divulge the secrets behind this mesmerizing and iconic ballet. Make sure to see it performed lived during Program I: First Ventures!
Our next Opening Night Stories comes from corps de ballet dancer Lexie Overholt, who will also be taking over Miami City Ballet’s Instagram feed this week! Make sure to follow all of the action from now until Saturday, when the company performs a preview of George Balanchine’s Serenade at Fairchild Tropical Gardens during their Bird Festival. The 2:30pm performance is FREE with paid admission to the gardens. We hope you can make it, but if you can’t, follow Lexie at #LexieMCBphotos on Instagram! Also, catch Serenade during Program I: First Ventures. And now for Lexie’s incredible story from opening night!
My most memorable opening night was also my scariest. My junior year of high school, our studio’s Spring Show was a “mixed bill” of sorts and the variation I performed was Kitri from Don Quixote. Kitri’s solo in the first act has always been my favorite, one I have dreamed of performing. The time was finally here. The music started, the curtain rose, and within the first eight counts, in the middle of a pirouette, I was down. I tried to get up again, but could not.
A very important guest is paying MCB a visit! He happens to be the artistic genius behind one of the ballets that is making its company premiere during Program I: First Ventures. You guessed it! The mastermind behind Polyphonia — Christopher Wheeldon!
Polyphonia was Christopher Wheeldon’s first ballet that he choreographed after retiring from a successful