After visiting a rehearsal at Miami City Ballet studios, New World Symphony (NWS) fellows began meeting regularly with a group of our dancers to examine the relationship between sound and movement, resulting in a creative exchange between the talented young artists. Corps de ballet dancer Michael Breeden explains how this organic relationship will materialize onstage in the very near future!
Miami City Ballet and New World Symphony have long been the two pillars of Miami’s arts world, attracting acclaim from audiences and critics alike. The dancers and musicians work in the same neighborhood, frequent each other’s performances, and have always expressed how wonderful it would be to work together. After decades as South Florida’s premier arts organizations, it is with great excitement that we prepare for our first full-evening performance together on March 18th — a creative exchange between the dancers of Miami City Ballet and the fellows of New World Symphony.
We have such a busy week ahead! Today, we head to Naples to perform an all-Balanchine program including Ballo della Regina, Tschaikovsky Pas de Deux and Episodes. Then, we turn back around and travel east to West Palm Beach for our final performances of Program III: Triple Threat at the Kravis Center. During our travels, its nice to reflect upon the journey our dancers have taken as artists, exploring the realms of singing and acting for West Side Story Suite. While it has been challenging, frustrating, and at times, just plain scary, our dancers have achieved a tremendous artistic feat.
Program III: Triple Threat is finally here! Since the moment our dancers, staff, donors and audience members learned that we would be performing West Side Story Suite, we have not be able to contain our excitement. This ballet is pushing the artistic boundaries of both our dancers and audiences and we cannot wait to see what happens when the curtain rises this Valentine’s Day! Here to capture our dancers making their final preparations before the big premiere on Instagram is Principal Soloist Callie Manning. Follow her at #CallieMCBPhotos.
When the curtain opens on Program III: Triple Threat next week, Miami City Ballet will become one of only two dance companies and the only American company to perform the Paul Taylor solo in Balanchine’s Episodes since New York City Ballet in 1986. Peter Frame — the last dancer to have performed this role and répétiteur for the solo at MCB — referred to it as a “lost work of art.” Now, 27 years later, dancer Jovani Furlan will be one of only a handful of dancers to perform this role. Here, he tells all about this rare and exciting opportunity.
Not many apprentices get the opportunity to perform a leading role in their first year with a professional ballet company. However, during Program II: See the Music, one of MCB’s newest members had that chance! Leanna Rinaldi writes about her experience learning and performing Nacho Duato’s Jardí Tancat below.
We are extending the joy of the holidays into the New Year! This weekend we head to the Broward Center for our final run of George Balanchine’s The Nutcracker™. Corps de ballet dancer Lexie Overholt will be capturing all of the backstage action on our Instagram feed. Make sure to follow her at #LexieMCBphotos and find out why she enjoys performing this holiday classic below!
The Nutcracker may have left the Arsht Center, but Marie and her Prince are just getting started on their magical journey! We now travel north to West Palm Beach for performances of George Balanchine’s The Nutcracker™ at the Kravis Center, where corps de ballet dancer Leigh-Ann Esty will be capturing the magic on Instagram. Follow her on our feed #LeighMCBphotos to make the holidays last. Leigh-Ann shares why this beloved holiday tradition is so special to her below!
I’m so excited for the holiday season. Nutcracker means so much to me! It brings families together and really gets you in the holiday spirit. I’ve been performing in The Nutcracker since I was 7, so it’s been a huge part of my life! I love how happy it makes the audience.
There is still time to catch The Nutcracker at the Kravis Center (Dec. 27-30) and Broward Center (Jan. 3-5). GET TICKETS NOW!
It has been said that this time of the year is the most wonderful and we can’t agree more! Tomorrow, we open George Balanchine’s The Nutcracker™ at the Adrienne Arsht Center, starting our our magical journey into a world of dancing snowflakes, sweets and flowers for the next three weeks, until our final performance at the Broward Center on January 5, 2014. With every holiday tradition comes brand new memories, so to capture the special backstage moments on Instagram is corps de ballet dancer Ashley Knox.