When the curtain opens on Program III: Triple Threat next week, Miami City Ballet will become one of only two dance companies and the only American company to perform the Paul Taylor solo in Balanchine’s Episodes since New York City Ballet in 1986. Peter Frame — the last dancer to have performed this role and répétiteur for the solo at MCB — referred to it as a “lost work of art.” Now, 27 years later, dancer Jovani Furlan will be one of only a handful of dancers to perform this role. Here, he tells all about this rare and exciting opportunity.
26-year old Justin Peck is the artist behind our most recent commission Chutes and Ladders. Find out how this California kid is climbing the ranks at New York City Ballet and into the spotlight, as one of today’s up-and-coming choreographers. Catch his work performed live during Program II: See the Music.
Last week, répétiteur and Artistic Director of Oregon Ballet Theatre Kevin Irving visited our studios to teach our dancers Nacho Duato’s Jardí Tancat. This profoundly Spanish, soulful work challenged our dancers to move differently, breaking free from their typical ballet vocabulary. Dancer Chase Swatosh describes his experience learning Duato’s unique choreography below!
When emerging choreographer and New York City Ballet dancer Justin Peck received a call from Artistic Director Lourdes Lopez to create a new work on Miami City Ballet, he jumped at the opportunity. After choreographing several works for New York City Ballet, the young artist was eager to experience a new company, or as Justin described, “work with new paint.” For nearly two weeks, Justin immersed himself in music, dance and creation at our studios to choreograph his newest work Chutes and Ladders. Learn about Justin’s experience working with our dancers and how this exciting project came to be in the video below!
Liam Scarlett of London’s The Royal Ballet gives us the inside scoop on Euphotic — his second world premiere for Miami City Ballet to debut on January 11 at the Adrienne Arsht Center in Miami, FL, as part of Program II: Tradition and Innovation.