Now that we have heard from both our fans and dancers about their favorite moments from the 2013-2014 Season, we can truly say that this has been one exceptional year of ballet! While our dancers bring this art form to life, audience members and fans like you make the hard work and dedication worthwhile — enhancing the purpose of our craft. Creating a meaningful connection between our dancers and audience is really what ballet is all about. We hope you have enjoyed the journey through our 2013-2014 Season as much as we have and can’t wait to do it all again with a range of exciting works next season!
You have now heard from dancers Ariel Rose and Nathalia Arja about their favorite moments of the 2013-2014 Season, so to wrap up our series is principal dancer Tricia Albertson!
At this point in my career as a dancer, I look to be pushed outside of my comfort zone to discover as much as possible about myself and my art. This season, I was given many chances to do just that! Here are some of the highlights for me.
‘Jardí Tancat‘ was a highlight because it was a completely different style of dance from anything I’ve ever performed. It was barefoot, weighty and grounded, yet embraced an emotional abandon unlike anything I had ever experienced. Beyond that, there was something so raw about this piece — something that made me feel an intense bond and connection with the people with whom I danced.
Our final performance of Don Quixote last weekend was the perfect closing to another fantastic season of dance. Now that you have heard dancer Ariel Rose’s top moments of the 2013-2014 Season, we continue to reflect on this momentous year with our next post from recently promoted Soloist Nathalia Arja.
This season was extremely challenging for me. Not only was I given many difficult parts, but to also learn, rehearse and maintain them all at the same time throughout the season proved to be a marathon of stamina. There were many times that I felt as if my body had no more to give. It was in these moments that it was often difficult to muster up the strength from inside to run another ballet or do a second performance in a day.
Looking back at this season, I feel like I have grown and matured through the challenges I have had to face. I feel very privileged to have worked on all these ballets and with the repetiteurs who staged them. Despite each ballet being very unique, I loved dancing every one of them.
With the opening of Don Quixote at the Arsht Center tomorrow, comes the closing of another season of extraordinary dance. Each ballet has created a unique experience on our journey to learn more about this rich, multifaceted art form. From the grounded, lyrical movements of Jardí Tancat to the geometric, sharp choreography of Polyphonia; from the alluring dance in the moonlight of Balanchine’s Serenade, to his atonal, yet unexpectedly harmonious Episodes; and from the ‘West Side Story’ we fell in love with years ago, to a story we are still discovering with Symphonic Dances — this season has pushed the boundaries of our audiences and dancers, alike.
As the season quickly comes to a close, dancers Ariel Rose, Tricia Albertson and Nathalia Arja will share their favorite moments of 2013-2014 and what this year has meant to them. First up, is this week’s Instagram guest and corps de ballet dancer Ariel Rose.
This weekend’s performance of Don Quixote at the Arsht Center marks the closing of another extraordinary season of dance. With its irresistible Minkus score, lavish costumes and sets, and host of colorful characters, Don Quixote is the perfect season finale. Corps de ballet dancer Ariel Rose will make sure that you catch of the excitement behind-the-scenes as our final Instagram guest of the 2013-2014 Season. Follow him at #ArielMCBphotos!
Ariel shares his enthusiasm for this all-time popular work below!
Our 2013-2014 Season has completely flown by! The Company is now preparing for its final program of the season — the full-length production of Don Quixote. This ballet dates back to 1869, when choreographer Marius Petipa created it for the Bolshoi Ballet in Moscow. Having danced in Spain himself, Petipa’s choreography reflects the local culture by incorporating the Spanish dance idiom into the movements and bringing Cervantes’ sensual gypsies and macho bullfighters to life onstage.
Our dancers kicked off their pointe shoes and slipped into sneakers and heels for the premiere of West Side Story Suite. Watch how they learned Jerome Robbins’ big, Broadway dance moves in our final video of the ‘Triple Threat’ series. There is only one more chance to catch West Side Story Suite during Program III: Triple Threat at the Kravis Center (Palm Beach) this weekend – Feb. 28-Mar. 2.
Not only did our dancers have to sharpen their acting skills for the premiere of West Side Story Suite, but they also had to learn SING! Yes, ballerinas singing! Watch the latest video in our Triple Threat series to find out if our dancers can actually carry a tune.
Program III: Triple Threat is finally here! Since the moment our dancers, staff, donors and audience members learned that we would be performing West Side Story Suite, we have not be able to contain our excitement. This ballet is pushing the artistic boundaries of both our dancers and audiences and we cannot wait to see what happens when the curtain rises this Valentine’s Day! Here to capture our dancers making their final preparations before the big premiere on Instagram is Principal Soloist Callie Manning. Follow her at #CallieMCBPhotos.