Program Three juxtaposes the old and the new, featuring George Balanchine’s classic masterpiece Theme and Variations, with soaring music by Tchaikovsky, as well as Jerome Robbins’ lighthearted The Concert (Or, the Perils of Everybody), universally acclaimed as the funniest of all comic ballets. This program also features a world premiere by contemporary choreographer Brian Brooks, with a commissioned score by American composer Michael Gordon.
Theme and Variations
Balanchine / Tchaikovsky
Set in a spectacular 19th-century ballroom to the soaring music of Tchaikovsky, this is classical ballet at its grandest. The cast is large, the costumes lavish, the dancing technically demanding yet joyous and serene – and with a thrilling finale. Long recognized as a Balanchine masterpiece.
George Balanchine © The George Balanchine Trust
Pyotr Ilyich Tchaikovsky
World Premiere One Line Drawn by Brian Brooks
Brooks / Gordon
Known for his contemporary work in dance and theater, choreographer Brian Brooks expands his adventurous collaborations with classically trained dancers in his first piece for Miami City Ballet. This new work, One Line Drawn, is conceived and choreographed by Brooks, Inaugural Choreographer in Residence at Chicago’s Harris Theater for Music and Dance, with a commissioned score by Michael Gordon, American composer and co-founder of Bang on a Can.
The Concert (Or, The Perils of Everybody)
Robbins / Chopin
Jerome Robbins’ The Concert (Or, The Perils of Everybody) is universally acclaimed as the funniest of all comic ballets, a light-hearted exploration of human relationships – and the surprising tricks the mind can play while enjoying the simple pleasures of an outdoor concert, complete with folding chairs, rain that comes and goes and an enraged pianist.