“Miami City Ballet proved that it belongs in the festival. An offshoot of City Ballet, the Miami company understands what Balanchine discovered and taught: how exactitude needn’t sacrifice warmth; how even in Romanticism, rhythmic accuracy allows momentum to build.”
In good and dark days, the arts are a salve, providing joy, inspiration, comfort, and healing. And that’s certainly something we all need right now. Please consider making a contribution today to the Dancer Support Fund.
A collection of essential activities for dance lovers, including online dance classes led by MCB dancers or MCB School Faculty Herman Payne.
Discover how Miami City Ballet’s Firebird and Nine Sinatra Songs went from studio to stage on our ‘making of’ online hubs, including interviews with dancers and creatives.
Places is a new digital work by renowned choreographer Claudia Schreier is our gift to our community, featuring six MCB dancers and an original composition by acclaimed Miami-based composer, Jorge Mejia.
Single tickets have just been released for George Balanchine’s The Nutcracker. Get your tickets early and enjoy the best available seats!
Location courtesy of Four Seasons Hotel at the Surf Club
Photo © Karolina Kuras
“Without the complex musicality, Balanchine seems wooden, pointless. No surprise, then, that the companies on the first two programmes most steeped in his work were the ones that most illuminated it. “
“The Miami dancers pushed through the air almost hungrily. City Ballet is assertive, stylish, and sharp; the Miamians dance with drive. It’s fascinating to see the two companies side by side, like siblings with different temperaments.”
The way — breathtaking — that this company performs works by George Balanchine is an enormous point in its favor. But its artistic director, Lourdes Lopez, always has a treat in store: This year it’s the company premiere of “Brahms/Handel,” the 1984 choreographic collaboration between Twyla Tharp and Jerome Robbins.