Legendary Met Mike Piazza To Take Stage With Miami City Ballet Next Month

MIAMI BEACH, Fla. (AP) – Mike Piazza knows that some people think it’s funny for a baseball player to take up ballet, but the former catcher hopes to turn whoever is jeering him now into dance fans when he takes the stage with Miami City Ballet next month.You gotta sometimes have the courage to go out there and do something like this, and I think the overall effect will be positive, Piazza said Tuesday after his costume fitting for the role of a gangster in Slaughter on Tenth Avenue….read more

New World Symphony, Miami City Ballet Collaborate On Evening Of New Works

Two young artists are at the center of the adventurous ‘New Work’ program the New World Symphony will present April 20. Choreographer Justin Peck, 25, created a pas de deux for Miami City Ballet for the occasion, and Zosha Di Castri, 28, composed a piece the orchestra will premiere. Rather than a traditional night at the symphony, ‘New Work’ will be a whirlwind tour of the contemporary arts world, with a fresh palette of commissioned dance, poetry, music and video works. ‘The inspiration was those evenings like the ones you have in Wynwood or [the New York gallery district] Chelsea, when you know the galleries will all be open and you know it will be all new work in lots of different areas,’ says NWS artistic director Michael Tilson Thomas…read more

Miami City Ballet Dazzles In Final Program

Miami City Ballet saved the best for last, dazzling the audience at West Palm Beach’s Kravis Center last weekend with both classical ballet and a little Broadway in the closing program of the 2012-13 season. Program IV, planned last year before the departure of founding Artistic Director Edward Villella but executed by his successor Lourdes Lopez, began with Jerome Robbins’ Dances at a Gathering. Set to a series of 14 mazurkas, waltzes, etudes and a nocturne by Polish Romantic pianist Frederic Chopin, Dances at a Gathering is not so much a programmatic work, but rather a series of joyous vignettes featuring five couples, perhaps at a spring festival. Like Chopin’s music, Robbins’ choreography draws heavily on the distinctive folk dances of Eastern Europe, a nod to classic ballet without the bourgeois pretense…read more


Dances at a Gathering has earned the reputation of being one of the greatest ballets of the second half of the twentieth century. When Miami City Ballet first did it in 2006, the audience response was not especially positive. It is a beautiful work but it has neither the enormous size nor a score that knocks people out. The choreography is proudly and honestly subtle and the score is simply a series of Chopin piano works so that alone explains that one had better not be looking for something the size of a Tchaikovsky or even Stravinsky. Dances at a Gathering might then seem like a sort of ‘thinking man’s’ ballet, but it is not; it is simply a large collection of relatively small pieces. When the company did it a couple of seasons later the response was better and with this revival, it seems as if the work is now a company benchmark…read more

Timeless, Beautiful ‘Dances’ Closes Out MCB Season

On Friday at the Kravis Center, Miami City Ballet finished off its 2012-2013 season by presenting an evening that crisscrossed Broadway with ballet, and ballet with Broadway. The program featured two works of two great choreographers, Jerome Robbins and George Balanchine. The works were created by colleagues who seemed to have traded their signature dancing shoes for each other’s. Broadway choreographer Robbins chose pointe shoes and tights and master ballet choreographer Balanchine opted for tap shoes and high heels…read more

Review:Strength Of Program IV Lies In Two Ballets’ Differences

Miami City Ballet presented its Program IV Friday night at the Kravis Center, closing the season with a two-act evening of dance aptly titled Broadway & Ballet. While the program was well-rehearsed, expertly performed and easily endured, it lacked the wow factor that has made some of the company’s recent offerings so thrilling.

Former Mets Catcher Mike Piazza Making His Miami City Ballet Debut In May

On May 3, Mike Piazza, will make his ballet debut at the Ziff Ballet Opera House when he appears as the Gangster in Miami City Ballet’s production of George Balanchine’s Slaughter on Tenth Avenue at the Adrienne Arsht Center for the Performing Arts in downtown Miami. But Piazza won’t be doing any pas de deux or even catching ballerinas. According to a ballet rep, he’ll be throwing out a few lines Al Capone-style and then sitting back and watching the stage come alive with dazzling dance routines, a gorgeous Strip Tease Girl, a tap-dancing Hoofer and the colorful Ladies of the Ballet. So how’d he score this gig? Piazza’s six-year-old daughter Nicoletta is a student at the Miami City Ballet School and conspired with the ballet’s artistic director Lourdes Lopez to get him involved…read more

Mike Piazza To Make Ballet Debut In Miami

Having failed to gain entrance to baseball’s Hall of Fame in his first try, perhaps Mike Piazza now has eyes on a Tony or an Oscar.Piazza will make his ballet debut as ‘The Gangster’ in Miami City Ballet’s production of George Balanchine’s ‘Slaughter on Tenth Avenue’ on Friday, May 3, at the Adrienne Arsht Center for the Performing Arts in downtown Miami.According to the MCB’s press release, Piazza ‘will not be dancing, leaping or catching ballerinas. But he will be sporting a 1920s-era gangster costume, throwing out a few lines Al Capone-style and then sitting back and watching the stage come alive ….’…read more

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