These days, if you’re not on Facebook and Twitter, you’re getting left behind in the virtual dust. Need some help navigating the ever-expanding online world? Look to Miami City Ballet dancer Sara Esty, who is quickly becoming one of ballet’s must-watch, must-read-about and must-know performers,thanks not only to her solid technique and vibrant stage presence but also to her social media savvy.
Edward Villella, who turned 75 on Oct. 1, is slowly stepping away from his role as artisitic director of Miami City Ballet (he’ll retain the position until mid 2013). The transition comes at an especially rewarding time for the company, which this summer spent three weeks in Paris for performances that exceeded even the lofty standards of its longtime taskmaster. The opening-night standing ovation was repeated each night, Villella said, culminating in a closing-night love-in that lasted for 10 minutes of applause and screams.
MIAMI CITY BALLET FLORIDA’S INTERNATIONALLY ACCLAIMED COMPANYANNOUNCES ITS 2011-12 SEASON!A CELEBRATION OF DANCE FEATURING ONE WORLD PREMIERE AND TWO FULL-LENGTH CLASSICS!THE OPUS ONE LIVE ORCHESTRA RETURNS!Miami Beach, FL (Oct. 17, 2011):
CALENDAR ALERTMIAMI CITY BALLET 2011-2012 SEASON OPENS!PROGRAM I FEATURESSQUARE DANCE, AFTERNOON OF A FAUN, LITURGY and IN THE UPPPER ROOM WHO:
Miami City Ballet fans will have to wait for this season’s world premieres
George Balanchine paved the way for The Nutcracker to become an American holiday tradition when the New York City Ballet debuted his version in 1954.With that in mind, it might seem strange that Miami City Ballet, one of Balanchine’s heirs and the sole dance company to perform a season at the Kravis Center, performs its Balanchine Nutcracker so sporadically at the center.The Nutcracker accounts for about a quarter of Miami City Ballet’s ticket sales. Most years, it’s the company’s biggest seller.Nationwide, for companies in Miami City Ballet’s budget bracket, the ballet provides about 15 percent of total revenues, according to a 2010 Dance/USA survey.’The Nutcracker for almost any ballet company is considered a cash cow,’ said Bill Miller, Miami City Ballet’s marketing and communications director. ‘That’s why they do it.’
Listen to Edward Villella interviewed on WLRN-FM/91.3 on South Florida Arts Beat on Friday, October 7, 2011 at 1 pm.
Miami City Ballet dancers, staff, supporters and friends celebrated the 75th birthday of legendary Founding Artistic Director, Edward Villella, with cocktails, dinner, dancing and a pre-screening of the company’s National PBS special!(MIAMI BEACH, FL) On Saturday, October 1st, Miami City Ballet dancers, staff, friends and supporters gathered together to celebrate and honor America’s most renowned male ballet dancer, Company Founding Artistic Director, Edward Villella. The celebration, a special 75th birthday bash for Villella, took place at Miami City Ballet studios (Ophelia and Juan Js. Roca Center) in Miami Beach. The evening’s festivities included cocktails, dinner, dancing and a pre-screening of the ballet’s WNET/ PBS National television special. The evening began with a cocktail reception sponsored by Bacardi U.S.A., followed by dinner in the 225-seat studio theater, and a special pre-screening of the WNET/PBS program: PBS Arts from Miami: Great Performances: ‘Miami City Ballet Dances Balanchine & Tharp’. The program features a trio of signature works by George Balanchine and Twyla Tharp that showcase the company’s critically acclaimed performances of Balanchine’s Square Dance and Western Symphony and Tharp’s ‘The Golden Section.’Dancing and tributes followed. Friends and supporters in attendance included Company co-founder Toby Lerner Ansin, Ana-Marie and Robert Barlick, Tina and Dan Carlo, Charlie Cinnamon, James and Bobi Eroncig, Ron and Charlene Esserman, Marvin Ross Friedman and Adrienne bon Haes, Darla and John Karlton, Rose Miniaci and family and Henry and Harriet Pownall. Miami Beach City Commissioner Michael Gongora read a special proclamation declaring October 1st ‘Edward Villella Day.’ The evening ended with a room-wide, standing ovation Happy Birthday serenade as Edward blew out the candles on his cake. A special video montage played highlighting many of the most memorable and outstanding moments of his illustrious career. Corporate sponsorship was provided by Bacardi U.S.A., Brooks Brothers, Aventura Worldwide Transportation Service and Jenny’s Flowers, Inc. Print sponsorship courtesy of Selecta Magazine. The event was a fund-raiser to support the artistic efforts of Miami City Ballet. PBS Arts from Miami: Great Performances: ‘Miami City Ballet Dances Balanchine & Tharp’ is a production of THIRTEEN in association with WNET, one of America’s most prolific and respected public media providers. The program airs on PBS stations across the country on Friday, October 28 at 9 p.m. ET and locally in Miami on WPBT2. Edward Villella is regarded as the greatest American-born male ballet dancer of our time. He proved that a tough, brash kid out of Maritime College could become a major artist, and in doing so, changed the way men danced in America and the way male dancers were perceived. He currently serves on the Board of Trustees for the School of American Ballet. His biggest accomplishment is co-founding Miami City Ballet with philanthropist Toby Lerner Ansin in 1985. Villella has taken the renowned company to dizzying heights, winning critical acclaim in South Florida, New York and around the world. This July, the company made its Paris debut performing for three-weeks to sold-out houses and standing ovations at the world-famous Th
Miami City Ballet has earned raves from performances in Miami, New York City and Paris, but it was a different kind of performance that brought the company mainstream fame.’One of the things that I think helped us to start dispelling the image of what the ballet is was Alex Wong’s appearance on [Fox TV show] So You Think You Can Dance,’ said Bill Miller, the company’s director of marketing and communications. ‘His appearance did more for us over last summer than maybe any other single initiative that we put into place and I would say that his appearance only helped us send our message out.’…