Ballet BC presents Miami City Ballet Balanchine

For the first time in the company’s history, Ballet BC presents Miami City Ballet in a program of George Balanchine’s revolutionary choreography at the Queen Elizabeth Theatre. Performed by Miami City Ballet, one of America’s finest Balanchine interpreters, Balanchine is a triple bill of acclaimed George Balanchine works: Serenade, Symphony in Three Movements, and Ballo della Regina.

In an evening that displays Balanchine’s inspiring marriage of ground-breaking ballet with classical music, each piece is choreographed in dynamic relation to some of the world’s most celebrated scores.

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Miami City Ballet excels in three world-class ballets

From Stravinsky to Sinatra, Miami City Ballet’s Hear the Dance has everything for a memorable night of great theater.

Three world-class ballets burst on to the Kravis Center’s Dreyfoos Hall stage Friday night demonstrating the tasteful bravura and vast technical prowess contained in this jewel of South Florida’s cultural crown.

At the helm of this jewel sits Miami’s own, Artistic Director Lourdes Lopez. Since taking the reins in 2012, she has compiled and nurtured a new crop of virtuosic dancers who can deliver artistically technical performances worthy of these esteemed choreographers’ visions.

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Gala Gal – Ana Codina Barlick Miami City Ballet Gala heads to Wynwood

Miami City Ballet presents its 2015 Gala with a fusion of art, dance and music at Wynwood’s Soho Studios.

Chaired by Ana and Robert Barlick, the highly anticipated event will feature a one-night only, unique video art installation combining classical ballet with the street art that makes Wynwood such a uniquely Miami locale.

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Miami City Ballet Teases Gala and Performance with Street-Chic Video by Justin Peck

Miami City Ballet Director Lordes Lopez has injected new life into MCB. Evidenced by this year’s performance for Program IV, which includes a piece of art by Shepard Fairey. Ahead of that performance, called Heatscape, an amazing video by Justin Peck of the MCB dancers has been released ahead of a movie about the dance world superstar to be released in theaters on February 6th.

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Dance Evolution

Artistic Director Lourdes Lopez came to Miami City Ballet in 2012 with the plan of pushing the company into the future. So when the opportunity arose last year to invite New York City Ballet dancer and choreographer Justin Peck to create a work for MCB, her immediate response was a resounding “Yes!”

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Considering Choreography?

Could an intensive’s repertoire offerings be the key to your summer growth?

Ballet students live for “aha” moments, those little revelations that change the way you dance. And surprisingly often, those moments come outside of technique class, when you’re pushing yourself in a new direction with a challenging piece of repertoire.

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“Why I Dance” – by Patricia Delgado

Principal dancer Patricia Delgado shares what keeps her passionate about dance.

Lying in the bathtub one night after back-to back matinee and evening performances, I remember asking myself if I was cut out for this. It was one of my first programs with Miami City Ballet, performing Balanchine’s Concerto Barocco, Scotch Symphony and Who Cares? I was completely overwhelmed. Muscles I didn’t realize existed were in pain. My mind didn’t know how to handle the pressure: I’d been scared out on stage, which had never happened to me before. The challenges of a ballet career felt impossible.

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In a Preview of Justin Peck’s Heatscape, Miami City Ballet Takes to the Streets

It was while exploring Miami’s vibrant Wynwood Walls that choreographer Justin Peck found inspiration for his new piece, Heatscape, which premieres at Miami City Ballet in March. Judging from this preview, you couldn’t call it a fever dream—the movements are too precise, the music too jaunty—but the colors whir all the same, mirroring the murals by Shepard Fairey and others that first caught Peck’s eye. “He works with these mandala images that start from the center and build outward,” Peck says, “and that way of working interests me choreographically.”

That murals signify community-mindedness was not lost on Peck, who seeks to break down walls when it comes to ballet’s reputation as elitist and inaccessible. Fittingly, dancers wear bright basics (their own) and take synchronized leaps in an elevated echo of Gap’s West Side Story ads from 2000. Codirector Ezra Hurwitz says they drew quite a crowd while filming, which might have bolstered the performers as much as the art. “In post-production, we had to color-correct every image, because the dancers would be purple from the light cast off the walls,” Hurwitz says. “Everything affects everything.”

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Why We Love December in Miami

Between miracles happening on 34th Street and Bing Crosby dreaming of a white Christmas, movies have distorted the world’s view of winter. But picture this scene for a second: a leading man driving across the Julia Tuttle Causeway with the top down, sweat dripping off his brow as he braves the 80-degree weather (well, to be totally accurate, Miami hit a high of 78 on Christmas Day 2013), and heading into the bright blue yonder beyond the white sands of South Beach. Now that’s an Oscar worthy December. Sure, you won’t be dashing through the snow or walking in a winter wonderland, but in Miami you can throw on a pair of flip-flops, sip a martini at the Raleigh pool, and be laughing all the way, while your blizzard-ridden relatives up north realize winter isn’t as glamorous as in the movies.

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Miami City Ballet Spreads its Artistic Wings

For years, Miami City Ballet has rivaled other industry leaders when it comes to performing works of neoclassical ballet. The troupe’s presentation of Balanchine’s repertoire, for example, is exceptional, with militaristic precision and intrinsic musicality that could be the envy of any ballet company in the world.

The same levels of consistency, quality and predictability have not been evident when the company has presented dramatic, evening-length story ballets in the past. This season’s delivery of John Cranko’s Romeo and Juliet, one of the most iconic and beloved dance versions of Shakespeare’s tragic play, demonstrates how much Miami City Ballet is sinking its teeth into these types of works and spreading its artistic wings. In the company’s opening-night performance Friday at the Kravis Center, it was notable how much the artists have grown into this ballet since its premiere several years ago, particularly in stage acting.

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Girl-Meets-Boy on MCB’s Big Stage

Nathalia Arja and Renan Cerdeiro have been doing this kind of thing since they were kids. Before that, even. Because they’ve really never been apart.

Twenty-two years ago, their mothers were friends and pregnant at the same time. The moms joked about how their children would dance together one day. It served as a prediction.

Now, Nathalia and Renan are among the top dancers at the Miami City Ballet.

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