Dancers’ Top Moments of 2013-2014!
With the opening of Don Quixote at the Arsht Center tomorrow, comes the closing of another season of extraordinary dance. Each ballet has created a unique experience on our journey to learn more about this rich, multifaceted art form. From the grounded, lyrical movements of Jardí Tancat to the geometric, sharp choreography of Polyphonia; from the alluring dance in the moonlight of Balanchine’s Serenade, to his atonal, yet unexpectedly harmonious Episodes; and from the ‘West Side Story’ we fell in love with years ago, to a story we are still discovering with Symphonic Dances — this season has pushed the boundaries of our audiences and dancers, alike.
As the season quickly comes to a close, dancers Ariel Rose, Tricia Albertson and Nathalia Arja will share their favorite moments of 2013-2014 and what this year has meant to them. First up, is this week’s Instagram guest and corps de ballet dancer Ariel Rose.
This season has been quite a memorable one for me. It was certainly a year in which many things came together both on and off the stage. I believe that this season has been one of tremendous growth, and despite it being my first year in Miami, it feels like more than a year’s work has been accomplished. Joining a new company is always difficult. If one is a little insecure and slightly extra anxious like I am, it can be even more difficult to make a first impression that reflects one’s true identity. There is always a slight need to prove yourself, despite past professional experience.
To be honest, starting with ‘Polyphonia’ was a bit of a heart attack. Not only is it not a ‘corps de ballet’ work, but it is a very complex piece by none other than Christopher Wheeldon — one of the most well known choreographers in the world, who actually ended up coming in person to oversee a rehearsal or two right before Program I: First Ventures opened! I believe that this experience pushed the dancers (especially the younger, less experienced ones like myself) to grow and mature in terms of our confidence, style and artistry.
I believe another highlight of this season was Nacho Duato’s ‘Jardí Tancat’. Despite this piece’s earthly and grounded beauty in its presentation, the process of learning and embodying that manner of dancing was another experience that put us dancers in a somewhat uncomfortable place. There were often struggles in terms of strength, stamina, coordination and achieving the right style and ‘look,’ not to mention all the while maintaining our more classical repertoire. I think our struggles as a ‘clan’ of sorts during this process united us more intimately, which in turn gave everyone the support they needed to get through it successfully. Perhaps the irony of this effect was that it bled onto the stage in our portrayal of farmers in the fields of Catalonia, struggling wearily together under the scorching sun, yet never once giving up because of this supportive network we created between one another.
Program III: Triple Threat was incredibly rich in history. Balanchine’s Episodes is a landmark of sorts. It is a work that perhaps although misshapen, archaic and somewhat absent of lyrical sense, makes one pay even more attention to detail and visual imagery. I believe that this program, along with the company’a premiere of West Side Story Suite took us through ballets that our artistic staff and the répétiteurs had very close ties with. I felt that the repertoire on this particular program was very explicitly passed down to us dancers and that despite our achievement in performing these works, we were all mentally enlightened as well.
Now at the end of the season, Don Quixote feels more celebratory than anything else. Despite people’s varying opinions on the classic ballet itself, it is a somewhat fitting close to this season as we all stand on stage together during the act three wedding pas de deux, watching Basilio and Kitri accomplish the dynamic and difficult choreography. It is moments like these, standing and admiring onstage, that I feel connected. I feel part of something larger than myself. I don’t feel like it’s about my individual ballet career. I feel that we are accomplishing something together. As our director and leader Lourdes Lopez has expressed many times throughout this season, these programs have truly culminated in a journey, not just allegorically but in reality as well. A lot has been accomplished this year — not just terms of great performances, but also in personal growth and development. I believe what is even more exciting for the audience than seeing great performances is seeing the artists themselves evolve and develop from one season or program to the next. From a personal standpoint, I could not feel more privileged or honored to have been invited to become part of this organization and contribute my small part to the journey it has embarked on. All I can say is “to be continued”.
Watch Ariel and the rest of our amazing dancers onstage during Don Quixote this weekend at the Arsht Center. More info and tickets here!
Like Ariel and Lourdes Lopez said, each season is a journey. By joining Miami City Ballet for each distinct program, a new artistic experience is created, enriching lives in unique ways. Check out what we have planned for 2014-2015 journey here!