Nov 21, 2012 0
It was a rigorous but rewarding week at Miami City Ballet’s studios. The renowned choreographer from Russia Alexei Ratmansky visited the company to prepare his work Symphonic Dances for its return to the stage in Program III: The Masters. During his first visit to Miami last season, Ratmansky set out to create a new ballet — using the dancers as instruments that through various movements, formations, musical cues, and emotions would bring his artistic vision to life. After a three whirlwind weeks of artistic creation, Ratmansky gave us Symphonic Dances, which enjoyed a one-night only gala premiere at the Adrienne Arsht Center in Miami.
When Ratmansky returned this past week, his mission was entirely different. He was here to fine-tune and perfect his creation, shaping it into the masterpiece he envisioned. ”This time, he is paying attention to the all of the smallest details,” said corps dancer Nathalia Arja who landed a leading role in the ballet. Principal Jeanette Delgado seconded Arja saying that our dancers are being “pushed out of their comfort-zones.” Ratmansky changed dancers’ roles, experimented with different casts, and persistently demanded more out of each unique dancer.
Principal Ballet Mistress Roma Sosenko and Ballet Mistress Joan Latham observed rehearsals and shared the following comments on their experience, “We love having Alexei back in Miami working on Symphonic Dances. He is so committed to the work and we love watching his quality of movement. He is so generous and giving and his coaching is as expansive as his heart.”
We are sure that our dancers’ hard work will pay off when the curtain rises on Symphonic Dances during Program III: The Masters, opening February 22 at Kravis Center, March 1 at Broward Center and March 8 at Adrienne Arsht Center.
Alexei Ratamansky’s Symphonic Dances is made possible in part by the support of the John S. and James L. Knight Foundation, as part of its Knight Arts Challenge.
Below are some photos of our dancers rehearsing Ratmansky’s Symphonic Dances.