LOURDES LOPEZ / ARTISTIC DIRECTOR

Stories from Opening Night – Patricia Delgado

The night we have been waiting for is finally here and we not only have one, but TWO stories from Principal dancer Patricia Delgado to wrap up the Opening Night countdown. We hope that you have enjoyed the series and that tonight, when the curtain rises on Program I: First Ventures, you and our dancers will make new memories together through a shared experience in the beauty of the ballet.

Patricia Delgado

Patricia Delgado

I have two very special opening night memories that I will never forget! The first one was during one of my first years in the company. It is one of my favorite All Balanchine Programs – Ballo de la Regina, Stravinsky Violin Concerto and Stars and Stripes. Ballo de la Regina and Stravinsky Violin Concerto were company premieres, which always adds an extra sense of excitement to the evening. However, what made it so special for me was having the opportunity to dance one of my first solos in Ballo de la Regina and receiving my first bouquet of flowers on stage. I wasn’t expecting it! The surprise gave me so much energy to get back out on stage for Stravinsky Violin Concerto and then finish off in Stars and Stripes. Here I am that night when I got home from the theater still so happy and excited about it!

Patricia with her Opening Night flowers.

Patricia with her first bouquet of Opening Night flowers.

The other memory is from a couple of years ago when we brought back George Balanchine’s Who Cares? and I had the opportunity to dance one of my dream roles. I had grown up watching my favorite dancers perform this part, especially Jennifer Kronenberg, and it always seemed so glamorous and untouchable! I remember feeling so nervous before the curtain went up even after months of rehearsals! But once I got out on stage and the music and energy of opening night filled me, it was an incredibly fulfilling and unforgettable experience!

Patricia Delgado in Balanchine's 'Who Cares.'

Patricia Delgado in Balanchine’s ‘Who Cares.’

Create your own Opening Night story by joining us TONIGHT for Program I: First Ventures , and begin your journey with the ballet this season!
GET TICKETS NOW!

See Program I: First Ventures at any of our venues:
Adrienne Arsht Center: October 18-20
Broward Center: October 25-27
Kravis Center: November 15-17

Headshot: Photo © Gio Alma.
Stage shot: Patricia Delgado in Who Cares?. Choreography by George Balanchine. © The George Balanchine Trust. Photo © Alexandre Dufaur.

Stories from Opening Night – Jovani Furlan

We are keeping the Opening Night stories coming right up until the curtain rises tomorrow evening at the Arsht Center! Next, corps de ballet dancer Jovani Furlan brings us his most memorable story from Opening Night. 

Jovani Furlan

Jovani Furlan

One of my favorite opening nights with Miami City Ballet was during Program II of our 2011-2012 season, when we performed Viscera, Ballet Imperial and In The Night. That night was really special because my best friend from Brazil, Amanda Gomes, who was supposed to join MCB with me was in the audience watching. I just felt so happy to know that she was there cheering for me. I also really enjoyed performing the world premiere of Liam Scarlett’s Viscera! It felt great on my body and I found myself playing with the steps. I had also just been promoted to company apprentice — so everything summed up to a very special opening night!

Jovani's good friend Amanda snapped this shot of him performing Viscera!

Jovani’s good friend Amanda snapped this shot of him performing Viscera!

Create your own Opening Night story by joining us on October 18 for Program I: First Ventures , and begin your journey with the ballet this season!
GET TICKETS NOW!

See Program I: First Ventures at any of our venues:
Adrienne Arsht Center: October 18-20
Broward Center: October 25-27
Kravis Center: November 15-17

Headshot: Photo © Gio Alma.

Stories from Opening Night – Suzanne Limbrunner

We are only THREE DAYS AWAY from opening night, so get your tickets soon! The countdown continues with another exciting Opening Night story from corps de ballet dancer Suzanne Limbrunner

Suzanne Limbrunner

Suzanne Limbrunner

The energy and excitement backstage was electric. We were focused and ready to perform but the anticipation of our Paris debut made this opening night exceptional. We were 16 girls all dressed  in white leotards, pink tights and pointe shoes, making a perfect diagonal line across the stage. The curtain went up and I heard the audience take a deep breath from the beautiful opening image of Balanchine’s Symphony In Three Movements. No one moved, all eyes were on our conductor Gary Sheldon. He lifted his baton and dropped it down for the first note of music and we began to dance. It felt like we were one unit moving together in perfect grace and harmony. This was an opening night I will remember and cherish forever!

Symphony in Three Movements

Symphony in Three Movements

Suzanne rehearsing for Opening Night!

Suzanne rehearsing for Opening Night!

Create your own Opening Night story by joining us on October 18 for Program I: First Ventures , and begin your journey with the ballet this season!
GET TICKETS NOW!

See Program I: First Ventures at any of our venues:
Adrienne Arsht Center: October 18-20
Broward Center: October 25-27
Kravis Center: November 15-17

 
Headshot: Photo © Gio Alma.
Performance shot: Miami City Ballet dancers in Symphony in Three Movements. Choreography by George Balanchine © The George Balanchine Trust.  Photo by Joe Gato.

Stories from Opening Night – Michael Breeden

With T minus FOUR DAYS until the opening of our 2013-2014 Season, we are continuing our countdown with even more amazing Opening Night stories from our dancers! You are in for a treat with our next story from corps de ballet dancer Michael Breeden!  GET YOUR SEAT TODAY!

Michael Breeden

Michael Breeden

Opening night is the moment all of the work and passion we’ve put into the ballets finally gets a chance to breathe. We’ve agonized over trouble steps, rehearsed religiously and gone over the counts endless times. The reason we put ourselves through such grueling work is for the moment when the curtain rises on opening night. The cold air rushes in and the orchestra sounds its first notes. We are no longer people in a studio, but dancers making art, immersing ourselves in the music and contributing to something greater than ourselves.

My most memorable opening night remains the first night we performed in Paris. We were on the brink of an unprecedented tour, with the most demanding repertoire and performing schedule we had ever had. We had no idea what the Parisian audience would think of us, being that they were used to watching a completely different balletic ideal and aesthetic. Yet, all of these seeming challenges merely made the determination all the greater, and then, the success all the more satisfying.

Michael at the historic Théâtre du Châtelet in Paris.

Michael at the historic Théâtre du Châtelet in Paris.

The ballets we performed were in our bones and we showed the Parisians every detail, every thought and care we had added to them over the years. They responded with the most rapturous reception we had ever received. Symphony in Three Movements shocked them with its full-out energy and shifting formations, and they applauded after every movement of Square Dance as if it was its own mini-ballet, deserving of a loud and full applause. The magic of opening night was never so apparent as it was in Paris, but each opening night provides its own pleasures and surprises, and this year’s opening night will prove no exception.

Michael with Zoe Zien after Symphony in Three Movements

Michael with Zoe Zien after Symphony in Three Movements

Create your own Opening Night story by joining us on October 18 for Program I: First Ventures , and begin your journey with the ballet this season!
GET TICKETS NOW!

See Program I: First Ventures at any of our venues:
Adrienne Arsht Center: October 18-20
Broward Center: October 25-27
Kravis Center: November 15-17

 

Stories from Opening Night – Lexie Overholt

Our next Opening Night Stories comes from corps de ballet dancer Lexie Overholt, who will also be taking over Miami City Ballet’s Instagram feed this week! Make sure to follow all of the action from now until Saturday, when the company performs a preview of George Balanchine’s Serenade at Fairchild Tropical Gardens during their Bird Festival.  The 2:30pm performance is FREE with paid admission to the gardens. We hope you can make it, but if you can’t, follow Lexie at #LexieMCBphotos on Instagram! Also, catch Serenade during Program I: First Ventures. And now for Lexie’s incredible story from opening night!

Lexie Overholt

My most memorable opening night was also my scariest. My junior year of high school, our studio’s Spring Show was a “mixed bill” of sorts and the variation I performed was Kitri from Don Quixote. Kitri’s solo in the first act has always been my favorite, one I have dreamed of performing. The time was finally here. The music started, the curtain rose, and within the first eight counts, in the middle of a pirouette, I was down. I tried to get up again, but could not.

Lexie performing Kitri in Don Quixote AFTER her fall!

The crew lowered the curtain and I looked down to see that my left knee cap had dislocated. I was in a lot of pain, but I knew I had to dance this role. My best friend Megan helped me gently move my knee cap back into place and we wrapped it tightly. In the mean time, the show continued until I told them I was ready. My director hesitated but agreed to let me go. I got back on that stage and performed with sheer adrenaline and tears in my eyes, but I did it! I felt like I performed better than I ever had. When the curtain went down, I  went directly to my orthopedic doctor and found I had severely stretched my MCL and dislocated my knee cap, with bone bruises surrounding my knee. But I had performed my dream role, and I had never felt more exhilaration. It is still the best opening night for me.

Create your own Opening Night story by joining us on October 18 for Program I: First Ventures , and begin your journey with the ballet this season!
GET TICKETS NOW!

See Program I: First Ventures at any of our venues:
Adrienne Arsht Center: October 18-20
Broward Center: October 25-27
Kravis Center: November 15-17

Headshot – Photo © Gio Alma.

Stories from Opening Night – Christina Spigner

Our next Story from Opening Night comes from corps de ballet dancer Christina Spigner

Christina Spigner

Christina Spigner

My most memorable opening night experience was performing Balanchine’s Symphony in Three Movements with the company on opening night of the tour in Chicago when I was a student apprentice . It was special for so many reasons — first, because of course this was my very first performance with a professional company and secondly, being able to be apart of opening night is always a privilege. What also made it special was that this was the first time MCB toured to Chicago, so we got to debut and expose the Chicago audience to Miami’s dancing and talent in the company.  The response we got after performing was so enthusiastic and positive — it was amazing . Lastly, what made it so special was that my extended family lives in Chicago and most of them had never seen me dance or had even gone to the ballet before. So, for them to see me in my first company performance, as well as it being their first performance, was awesome.  It really touched me to have all of that support for such a big opening night for me:-)  And now they are huge ballet fans !

Christina in Symphony in Three Movements

Christina in Symphony in Three Movements

Opening night is so special because it is the night that all your work comes to fruition. It is our reward to perform onstage after all the long hours of sweat, work and rehearsals we have put in. It is the time to enjoy and give back to the audience, for the first time, in that particular ballet . It is one of the most exciting nights — you have lots of adrenaline and energy, and even the audience members have a similar anticipation and excitement — making the theater come alive with that electric energy that everyone present can sense. Opening night is a reward for us dancers and something we  look forward to with excitement and anticipation :)

Create your own Opening Night story by joining us on October 18 for Program I: First Ventures , and begin your journey with the ballet this season!
GET TICKETS NOW!

See Program I: First Ventures at any of our venues:
Adrienne Arsht Center: October 18-20
Broward Center: October 25-27
Kravis Center: November 15-17

Headshot – Photo © Daniel Azoulay.

Stories from Opening Night – Ariel Rose

We are less than TWO WEEKS away from opening night of our 2013-2014 Season! Next up on our ‘Stories from Opening Night’ countdown is corps de ballet dancer Ariel Rose. Get your tickets to Program I: First Ventures before they go!

Ariel Rose

Ariel Rose

My scariest but also most memorable opening night experience was during my first lead in Alicia Alonso’s full-length ballet Coppélia with the Ballet Municipal de Lima. I just had a rushing moment of not believing that I was about to perform a three act ballet in an opera house in front of more than 1000 people. In the wings I started thinking about when I started ballet and all the difficult years of training, pushing myself and how far I had come from my beginnings in dance. My entire family, including those who live in Peru, who up to this point had never had the opportunity to see me dance, let alone dance in their  home country and in the national theater, were in the audience (they also never truly embraced my career as a professional dancer either). It was quite overwhelming! Yet, I told myself to conquer and live in the moment (as I often do when I am nervous). Seeing my Peruvian family after the show — some in tears — was so gratifying because not only did they finally see why I had been working so hard in ballet for all these years, but also because I finally felt like I had truly begun my career as a professional dancer and artist.

Ariel performing Coppelia

Ariel performing Coppelia

Opening night is special because it represents the transition from rehearsal to performance. There are virtually always little hiccups here and there, but it is very exciting for the audience because they know they are the very first people to see that specific production. It is also exciting for the dancers because after weeks and weeks of rehearsing, repeating and polishing something we’ve practiced 50+ times, we get to show it to people for the very first time. Seeing their reaction and appreciation after a performance is incredibly gratifying.

 

Create your own Opening Night story by joining us on October 18 for Program I: First Ventures , and begin your journey with the ballet this season! GET TICKETS NOW!

See Program I: First Ventures at any of our venues:
Adrienne Arsht Center: October 18-20
Broward Center: October 25-27
Kravis Center: November 15-17

Headshot – Photo © Daniel Azoulay.

Stories from Opening Night – Nicole Stalker

Our next opening night story comes from corps de ballet dancer Nicole Stalker, sharing her scariest, but most memorable opening night!

Nicole Stalker

Nicole Stalker

I danced my very first Square Dance corps performance on opening night in Paris!! Square Dance is one of the most notoriously difficult Balanchine ballets in terms of both technique and stamina. I was so incredibly nervous, as I was the only one in the cast who had never performed the ballet before. I was worried about making it through the ballet while still maintaining good technique and stage presence. I don’t think I will ever forget the feeling I had when the curtain went up and we waited in silence for that first violin note! Although I was terrified, I also consider it one of my most memorable performance experiences. We were all together in one of the most amazing cities in the world getting to do what we love! It is a memory I will cherish forever!

Nicole Stalker with former dancer Ezra Hurwitz

Nicole Stalker with former dancer Ezra Hurwitz

Create your own Opening Night story by joining us on October 18 for Program I: First Ventures , and begin your journey with the ballet this season! GET TICKETS NOW!

See Program I: First Ventures at any of our venues:
Adrienne Arsht Center: October 18-20
Broward Center: October 25-27
Kravis Center: November 15-17

Headshot – Photo © Gio Alma.
Stage shot – Photo © Leigh-Ann Esty.

Stories from Opening Night – Sara Esty

The next story up on our opening night countdown comes from soloist Sara Esty!

Sara Esty

Sara Esty

I think one of my most memorable opening nights was for Liam Scarlett’s Euphotic. It was not only a world premiere, but it was my first opening night in a principal role that I originated. Standing next to Liam for the bow was an incredible moment that i’ll never forget. He is such a good friend and I’m so proud of all he has accomplished! We both had tears in our eyes. Luckily someone captured the moment…

Sara Esty with Liam Scarlett right after performing the world premiere of Euphotic.

Sara Esty with Liam Scarlett right after performing the world premiere of Euphotic.

Join us on Opening Night, October 18, for Program I: First Ventures to create more lasting memories and begin your journey with the ballet this season! GET TICKETS NOW!

See Program I: First Ventures at any of our venues:
Adrienne Arsht Center: October 18-20
Broward Center: October 25-27
Kravis Center: November 15-17

Stories from Opening Night – Jennifer Kronenberg

As we count down the days to opening night of the 2013-2014 Season, dancers are sharing their favorite stories from past opening nights and explaining why performing on this particular night is so special. To kick-off the series is principal dancer Jennifer Kronenberg! Don’t forget to get your tickets!

Jennifer Kronenberg

Jennifer Kronenberg

Opening Romeo & Juliet was probably my most exciting and memorable opening night. It is such a romantic and monumental ballet — one that I had looked forward to dancing for so long. Then, to be lucky enough to dance it with my husband Carlos, and have it be for MCB’s 25th Anniversary, made it all the more special!

Jennifer Kronenberg and Carlos Guerra in Romeo and Juliet.

Jennifer Kronenberg and Carlos Guerra in Romeo and Juliet.

Opening nights are particularly significant because there is always a unique sense of anticipation leading up to them. As we dancers are performing a role or ballet for the first time, the audience will most likely be experiencing it for the first time as well. That fleeting parallel and common ground with the audience is an experience that, for me, always sets opening nights apart from other performances.

Join us on Opening Night, October 18, for Program I: First Ventures to create more lasting memories and begin your journey with the ballet this season!

See Program I: First Ventures at any of our venues:
Adrienne Arsht Center: October 18-20
Broward Center: October 25-27
Kravis Center: November 15-17

Headshot © Gio Alma.
Performance shot © Kyle Froman.