We have such a busy week ahead! Today, we head to Naples to perform an all-Balanchine program including Ballo della Regina, Tschaikovsky Pas de Deux and Episodes. Then, we turn back around and travel east to West Palm Beach for our final performances of Program III: Triple Threatat the Kravis Center. During our travels, its nice to reflect upon the journey our dancers have taken as artists, exploring the realms of singing and acting for West Side Story Suite. While it has been challenging, frustrating, and at times, just plain scary, our dancers have achieved a tremendous artistic feat.
We get an inside look at this extraordinary journey through the eyes of our dancers, when a different Company takes over our Instagram feed each week. For our final performances of Triple Threat, MCB newcomer Brianna Abruzzo will take over the feed for her first time! We can’t wait to get her fresh perspective on all of the excitement surrounding this week’s performances. Follow her at #BriannaMCBphotos.
Program III: Triple Threat is a thrill to perform and watch. It’s such a diverse program with so much to offer. West Side Story Suite is my favorite piece because I love to act and sing. To be able to incorporate that into my dancing is so exciting! — Brianna
Brianna poses with dancer Christina Spigner in their West Side Story Suite costumes.
Get to know more about Brianna in the following blog post!
LOVE was in the air during our Valentine’s Day opening ofProgram III: Triple Threatat the Arsht Center this past weekend. Despite heightened nerves, the dancers confronted their fears of acting and singing onstage, casting a love spell on the audience and critics alike! “Fierce and fresh, Miami City Ballet claimed the vibrant territory of musical theater for its own Friday night with the company debut of West Side Story Suite,” wrote The Miami Herald. We can’t wait to do it all again at the Broward Center this weekend, and to capture it all on Instagram is JET lady — aka dancer Jennifer Lauren! Follow her at #JenLaurenMCBphotos.
I love being onstage with my fellow jets, but I find it particularly special when we overcome our differences with the Sharks, and we all become united at the end of the ballet. It’s a wonderful feeling to look into my friend’s eyes with pleasure, after so much conflict. – Jennifer Lauren
Jennifer as a Jet in the ‘Dance at the Gym’. Photo by Daniel Azoulay.
MCB in the ballet finale, singing ‘Somewhere.’ Photo by Daniel Azoulay.
Find out what went on BACKSTAGE during our Valentine’s Day gala HERE!’
Program III: Triple Threat is finally here! Since the moment our dancers, staff, donors and audience members learned that we would be performing West Side Story Suite, we have not be able to contain our excitement. This ballet is pushing the artistic boundaries of both our dancers and audiences and we cannot wait to see what happens when the curtain rises this Valentine’s Day! Here to capture our dancers making their final preparations before the big premiere on Instagram is Principal Soloist Callie Manning. Follow her at #CallieMCBPhotos.
In some ways we have been preparing for West Side Story for almost an entire year — from the photo shoot last January to the staging in June, and throughout the season, the excitement in our studios has only been building! Hopefully this week I can give everyone an inside peek at the final days before the premiere, the opening night, and the fabulous gala celebration afterwards. - Callie
Calllie and dancers posing for West Side Story Suite.
Here is a behind-the-scenes look at how the above image was created during last season’s photo shoot.
Learn more about our West Side Story Suite premiere by checking out this previewfrom The Miami Herald!
Returning from summer vacation and a fun trip home to Brazil, corps de ballet dancer Jovani Furlan is back on Instagram as this week’s guest photographer.
Our studios are exceptionally busy this week, with the arrival of two répétiteurs from the George Balanchine Trust — Patricia Neary and Peter Frame — who will be staging the company premiere of Episodes. Patricia Neary was hand-picked by Balanchine to join the New York City Ballet, where he later created two key roles on her — in Raymonda Variations and in Jewels. She will use her personal experience dancing several roles to stage Episodes and preserve every last detail of the choreography.
Peter Frame has an exceptionally close tie to Episodes as he was the first dancer to perform the Paul Taylor solo after Paul Taylor himself. In fact, Paul Taylor reconstructed the solo on Peter in 1986 when he was a dancer with NYCB. We are privileged and excited to have both Patricia and Peter with us at MCB to bring this boldly modern masterwork to life this season, as part of Program III: Triple Threat.
Pat Neary with Balanchine and sister Coleen (right).
Callie Manning and Neil Marshall in Balanchine's Episodes.
Learn more about the interesting history of Balanchine’s Episodes and how it came to be the ballet performed today.