LOURDES LOPEZ / ARTISTIC DIRECTOR

Season Finale on Instagram!

This weekend’s  performance of Don Quixote at the Arsht Center marks the closing of another extraordinary season of dance. With its irresistible Minkus score, lavish costumes and sets, and host of colorful characters, Don Quixote is the perfect season finale. Corps de ballet dancer Ariel Rose will make sure that you catch of the excitement behind-the-scenes as our final Instagram guest of the 2013-2014 Season. Follow him at #ArielMCBphotos!

Ariel shares his enthusiasm for this all-time popular work below!

Ariel Rose

Ariel Rose

Don Quixote was one of the very first ballets I ever saw performed. As a young boy I saw Jose Manuel [Carreño] perform Basilio with the American Ballet Theatre at the Metropolitan Opera House in New York. I remember being so enthralled by Espada and his army of toreadors. They were all so suave, powerful and masculine with a Latin flair. I wanted so badly to feel the sense of power and honor from dancing like that. Years later, not only have I been given the opportunity to dance the same ballet, but I am also now wearing the exact same costumes (from American Ballet Theatre) that I saw onstage as a kid. Talk about living and becoming one’s own dream! I now can only wonder if perhaps (as life is very cyclical), that maybe there’s a young boy out there in Fort Lauderdale, West Palm Beach or Miami who is looking up at us men onstage and wanting to be and emulate us!  -Ariel

Ariel's costume.

Marcelo Gomes, David Hallberg and Jared Matthews — famous dancers with American Ballet Theatre — wore the same costumes worn by Ariel in our production of Don Quixote.

Don Quixote

Ariel rehearsing for his Toreador role.

Don’t miss your final chance to see us this season! Get your tickets to Don Quixote here.

 

Meet the Toy Soldier!

In the first act of George Balanchine’s The Nutcracker™, Uncle Drosselmeyer reveals three large gifts. Watch our latest video to find out what’s inside!

Get your tickets soon to America’s #1 Holiday Spectacular! CLICK HERE

Adrienne Arsht Center: Dec. 19-24
Kravis Center: Dec. 27-30
Broward Center: Jan. 3-5

Balanchine Ballerina caught on Instagram!

This week, we welcome one of Balanchine’s great ballerinas to our studios to teach the company Ballo della Regina. Merrill Ashley, for whom Mr. B created the ballet, will be working with our dancers to ensure that their performance of this difficult, high-energy work appears “light, airy, effortless and refined” — as Merrill describes Ballo — when we open our 2013-2014 Season on October 18! To capture this special ballet staging is dancer Helen Ruiz! Helen will be taking over our Instagram feed for her first time to bring all of the action directly to YOU.

FUN FACT about Helen:
Her favorite thing to do is cook and favorite things to make are ceviche, shepherds pie and green chicken curry!

For those of you who may not be too familiar with Merrill Ashley, she is a quite a big deal! She had a 31 year career as a dancer with New York City Ballet and was praised for her speed, technical clarity and attack in Ballo della Regina, when the choreography was deemed revolutionary to the art form at the time of its 1978 world premiere. In a review of the ballet’s premiere from The New York Times, Anna Kisselgoff wrote, “In Miss Ashley’s phenomenal speed and outstanding technique, Mr. Balanchine has a dancer with whom may try the untried!” We are not only fortunate to have her here staging a ballet in which she originated the role, but also to have her as part of the ballet family on our Board of Trustees! Make sure to follow Helen #HelenMCBphotos to catch all of the action with Merrill and more!

Mary Carmen Catoya and Mikhail Ilyin in Ballo della Regina. Choreography by George Balanchine © The George Balanchine Trust. Photo by Joe Gato.

Follow us on Facebook, Twitter and Pinterest to discover more fun facts about Ballo della Regina and to get your backstage pass to the ballet.

Finally, don’t miss our grand season opening October 18 at the Arsht Center to see Ballo della Regina, along with Christopher Wheeldon’s Polyphonia and George Balanchine’s Serenade brought to life onstage during Program I: First Ventures!

Meet our new dancers!

Our next new dancer comes to us straight from Miami City Ballet School! Meet corps de ballet dancer Sarah McCahill!

Sarah McCahill

MCB: Where are you from?
Sarah: Harwinton, CT.
MCB: At which dance schools did you train before coming to MCB?
Sarah:  Nutmeg Conservatory for the Arts, Albano Ballet and Miami City Ballet School.

Sarah practicing for her first MCB School Student Workshop Performance with student Elias Baseman.

MCB: Describe your perfect day.
Sarah: To win the Powerball!!!!!!!!!
MCB: Proudest moment?
Sarah: When Lourdes [Lopez] informed me I would be a part of Miami City Ballet’s Corps de Ballet for this season!
MCB: Wildest dream?
Sarah: To go skydiving with the love of my life ( haven’t met him yet…).
MCB: Indulgence?
Sarah: Tres leches cake, REAL ice cream, pancakes, cupcakes, sleeping in…I have a lot.
MCB: Inspiration?
Sarah: Happy people, Sylvie Guillem, and Svetlana Zakharova.
MCB: Name one thing you couldn’t live without.
Sarah: My rock — my little sister, Kelley.
MCB: Most unforgettable onstage moment?
Sarah: The first time I fell flat on my face performing the lead in Le Sylphide within the first five minutes of being onstage.
MCB: Dream Role?
Sarah: Black Swan, no doubt.

Rehearsing William Forsythe's 'In the Middle Somewhat Elevated.' Sarah admits, "I will always be proud to have had the opportunity and the rights to perform!"

MCB: Why Miami City Ballet?
Sarah: When I was 13 I told my mother I was going to dance with Miami City Ballet someday (I don’t remember this but she does). She helped me to fulfill this dream by taking the first step and setting up my audition for their summer program. I guess it was fate and a lot of hard work but I finally got in!

See Sarah onstage at the Arsht Center when our 2013-2014 Season opens on October 18!

Meet our new dancers!

Our next new dancer has been busy learning the Paul Taylor solo in George Balanchine’s Episodes this week. Get to know corps de ballet member Ariel Rose here on our blog, before he hits the stage next season!

Ariel Rose

MCB: Where are you from?

Ariel: New York, New York, but recently moved from Richmond, Virginia, where I was previously dancing with Richmond Ballet.

MCB: At which dance schools did you train before coming to MCB?

Ariel: I trained at Ballet Academy East, Fiorello LaGuardia High School for Arts and Performing Arts, Jacqueline Kennedy Onassis School at American Ballet Theatre and Boston Ballet School.

MCB: What companies have you danced with professionally?

Ariel: Boston Ballet, Ballet Municipal de Lima and Richmond Ballet.

Ariel performing Coppélia as a guest soloist with the Ballet Municipal in Lima, Peru.

MCB: Describe your perfect day.

Ariel: Spending the day outside in any way possible during which I can write, draw and casually spend time with friends. Then also cooking up something new and interesting at the end of the day.

MCB: Proudest moment?

Ariel: Dancing onstage in London at Covent Garden in the Linbury Theatre last year with the Richmond Ballet felt like I had really accomplished something. Performing for a foreign audience really felt like we were showing people something for the very first time.

MCB: Wildest dream?

Ariel: I’d love one day to take a really long international ballet tour like many companies used to do in the 80’s and 90’s. Traveling is so important in developing ones own perspective on life and the world. One always comes back a little wiser and more knowledgeable.

Ariel in Sorrento, Italy -- one of the European destinations he backpacked to after Richmond Ballet's tour in London.

MCB: Indulgence?

Ariel: My favorite food is definitely sushi, but all my friends know that I have an absolute obsession with Belgian waffles!

MCB: Inspiration?

Ariel: Some of today’s leading dancers such as Joaquin De Luz, Marcelo Gomes, Jeffrey Cirio and Jaime Diaz.

MCB: Name one thing you couldn’t live without.

Ariel: My friends and family. Having people that you know are there for you, for all of your successes and failures, makes life feel a bit safer and better. Especially in a career like professional ballet, life can be difficult at times, but the people one chooses to hold close in their life can really help you through.

He spent the whole night waiting for the Great Pumpkin! (Charlie Brown reference ;-))

MCB: Most unforgettable onstage moment?

Ariel: The silence following the end of a performance of Salvatore Aiello’s The Rite of Spring this past May, on the exact day of the 100th anniversary of Stravinsky composing the score.  After the piece’s conclusion, there was a moment of silence because the people were still in shock and absorbing what they had just seen. Then all of a sudden, there was an uproar of cheers and all 2,000 people were up standing out of their seats. It was indescribable.

MCB: Dream role?

Ariel: “The Prodigal Son”, the slave in Le Corsaire and Twyla Tharp’s In the Upper Room — (watch an excerpt performed by MCB!)

MCB: Why Miami City Ballet?

Ariel: For the experience of performing new, but also historic repertoire and to also grow technically and artistically to my personal next level.

See Ariel Rose onstage when our 2013-2014 Season opens at the Arsht Center in October!

Capturing Balanchine’s ‘Episodes’ on Instagram

Returning from summer vacation and a fun trip home to Brazil, corps de ballet dancer Jovani Furlan is back on Instagram as this week’s guest photographer.

Jovani Furlan

Our studios are exceptionally busy this week, with the arrival of two répétiteurs from the George Balanchine Trust — Patricia Neary and Peter Frame — who will be staging the company premiere of Episodes. Patricia Neary was hand-picked by Balanchine to join the New York City Ballet, where he later created two key roles on her — in Raymonda Variations and in Jewels. She will use her personal experience dancing several roles to stage Episodes and preserve every last detail of the choreography.

Peter Frame has an exceptionally close tie to Episodes as he was the first dancer to perform the Paul Taylor solo after Paul Taylor himself. In fact, Paul Taylor reconstructed the solo on Peter in 1986 when he was a dancer with NYCB. We are privileged and excited to have both Patricia and Peter with us at MCB to bring this boldly modern masterwork to life this season, as part of Program III: Triple Threat.

Pat Neary with Balanchine and sister Coleen (right).

Callie Manning and Neil Marshall in Balanchine's Episodes.

Learn more about the interesting history of Balanchine’s Episodes and how it came to be the ballet performed today.

Flexible subscription packages and single tickets to Episodes are on sale now as part of Program III: Triple Threat.

Photo credits:
Headshot © Gio Alma.
Miami City Ballet dancers Callie Manning and Neil Marshall in Episodes. Choreography by George Balanchine, © The George Balanchine Trust. Photo © Gio Alma.

Meet our new dancers!

As we prepare for the opening of the 2013-2014 Season, Miami City Ballet welcomes several new faces to the company! Over the next few weeks, we are getting up close and personal with our “newbies” on our blog before they take the stage in October. So without further ado, we introduce you to MCB corps de ballet member Brianna Abruzzo!

Brianna Abruzzo

MCB: Where are you from?

Brianna: New York, NY

MCB: At which dance schools did you train before coming to MCB?

Brianna: School of American Ballet (11 years), San Francisco Ballet Summer Program, MCB Summer Program, Pacific Northwest Ballet Summer Program, Exploring Ballet with Suzanne Farrell, and the Chautauqua Festival.

MCB: What companies have you trained professionally with?

Brianna: As a student, I trained with New York City Ballet.

MCB: Describe your perfect day.

Brianna: Meet some friends at a local café for brunch, pamper myself with a mani/pedi (I’m a real girly girl). Take a walk around Central Park (I could never get tired of exploring the park). End the day with going to the movies.

Brianna in Central Park

MCB: Proudest moment?

Brianna: When I got offered a position in MCB. I said to myself “I did it!” I couldn’t believe it.

MCB: Wildest dream?

Brianna: Living, dancing, singing, acting and baking in Paris.

MCB: Indulgence?

Brianna: Mac and Cheese.

MCB: Inspiration?

Brianna: Misty Copeland and Tiler Peck inspire me because they are impeccable dancers who continue to improve daily. Wendy Whelan also inspires me because she is world renowned, yet she is still down to earth and genuine.

MCB: Name one thing you couldn’t live without.

Brianna: My cat Armani. He is the most affectionate cat I’ve ever met. People who normally dislike cats like Armani.

MCB: Most unforgettable onstage moment?

Brianna: Performing at the Costume Gala in New York’s Metropolitan Museum of Art surrounded by water in the Egyptian exhibit. It was such a glamorous night and the beautifully dressed celebrities treated us dancers as if we were the celebrities.

Brianna rehearsing with her choreographer for the SAB Student Choreography Workshop

MCB: Dream role?

Brianna: Titania from A Midsummer Night’s Dream (I cry every time).

MCB: Why Miami City Ballet?

Brianna: MCB has a bit of everything; the amazing Balanchine rep that I couldn’t live without and contemporary ballets. MCB also has choreographers coming and staging new ballets quite often. I love that process and it was an important factor for me in choosing a dance company. MCB is also not too far from home, it’s a city (a fun one too), I have relatives close by, and who can say no to days off relaxing on the beach? Everyone in the company was immediately nice and welcoming. This made it one of the easiest decisions for me.

Brianna leaped at the opportunity to join MCB:-)

2013-2014 Season Preview!

Check out our latest video to discover what exciting dance masterworks Artistic Director Lourdes Lopez has in store for Miami City Ballet’s 2013-2014 Season. What ballet(s) are you most excited to see next season?

Subscription packages and single tickets are on sale now! Visit miamicityballet.org or call 305.929.7010 for more information and tickets.

Nathalia Arja takes a stab at Instagram!

This week, we welcome corps dancer Nathalia Arja as our guest photographer on Instagram. Nathalia will take us backstage at the Broward Center this weekend for Program IV: Broadway and Ballet, featuring George Balanchine’s wildly entertaining Slaughter on Tenth Avenue and Jerome Robbins’ delightfully beautiful Dances at a Gathering. For all of the action as we wrap up our 2012-2013 Season, follow Nathalia at #NathaliaMCBPhotos.

Nathalia Arja

Fun Fact about Nathalia: She has not always been a big ballet fan…When she was a child, right before her mom picked her up to go to ballet class, she would undo her hair on purpose just to skip class! We are glad to see that she enjoys it now!

See Nathalia perform LIVE onstage at the Broward Center this weekend, April 26-27, or at the Adrienne Arsht Center, May 3-5.

For a SNEAK PEEK at Slaughter on Tenth Avenue click here!

Also, check out Baseball All-Star MIKE PIAZZA rehearsing for his cameo as the Gangster in our May 3rd performance of Slaughter on Tenth Avenue here.

Behind the Ballet: George Balanchine’s Slaughter on Tenth Avenue

Our studio seems to be looking more and more like a New York dive, as we continue rehearsals for George Balanchine’s Slaughter on Tenth Avenue.  For a sneak peek at this wildly entertaining work and to see how we are getting along with our tap dancing skills, check out this new VIDEO!

See Slaughter on Tenth Avenue LIVE during Program IV: Broadway and Ballet.

Kravis Center: April 5-7
Broward Center: April 26-28
Adrienne Arsht Center: May 3-5