LOURDES LOPEZ / ARTISTIC DIRECTOR

Summer Time on Instagram

We have officially completed our 2013-2014 Season of dance and now it’s time to unwind and relax. So what do our dancers do in their free time? Find out by following them on our Instagram feed!

dancer

Patricia Delgado

Our first Instagram guest of the summer is principal dancer Patricia Delgado! Patricia has already made her way up to the Big Apple to join up-and-coming choreographer Justin Peck at the Tribeca Film Festival for the premiere of his documentary Ballet 422. Ballet 422 goes behind-the-scenes of the choreographic process for his work for New York City Ballet, Paz de la Jolla. (Watch a sneak peek of the documentary here). Patricia will make sure you catch all of the action at the festival and help you get to know this exceptionally talented, young choreographer, who will be creating a new work for us next season! To see what NYC has in store for Patricia, follow her at #PatriciaMCBphotos!

Choreography

Justin Peck works with dancers Tricia Albertson and Renato Penteado on his ballet ‘Chutes and Ladders.’

Ballet

Miami City Ballet dancers Tricia Albertson and Renato Penteado in ‘Chutes and Ladders.’

Read about the fun our dancers had last summer! Click here.

Gypsies take over Instagram!

This week we are preparing for our final performance of the 2013-2014 Season at the Kravis Center! Our dancers have fully transformed into macho bullfighters, street dancers and sensual gypsies for our full-length production of Don Quixote. In fact, a lead Gypsy lady will be taking over our Instagram feed to cover all of the action in this popular, delightfully Spanish work. Follow principal dancer Patricia Delgado at #PatriciaMCBphotos.

Patricia Delgado

Patricia Delgado

What I love most about performing Don Quixote is immersing myself in whichever character I’m playing and really committing myself whole heartedly to my role and her entire environment! The Spanish roots of this ballet fill the dancing with strength and passion that are so fun to explore on stage. 
-Patricia

Patricia Delgado backstage in her Gypsy costume.

Patricia Delgado backstage in her Gypsy costume.

See her onstage this weekend at the Kravis Center. Get tickets here!

Stories from Opening Night – Patricia Delgado

The night we have been waiting for is finally here and we not only have one, but TWO stories from Principal dancer Patricia Delgado to wrap up the Opening Night countdown. We hope that you have enjoyed the series and that tonight, when the curtain rises on Program I: First Ventures, you and our dancers will make new memories together through a shared experience in the beauty of the ballet.

Patricia Delgado

Patricia Delgado

I have two very special opening night memories that I will never forget! The first one was during one of my first years in the company. It is one of my favorite All Balanchine Programs – Ballo de la Regina, Stravinsky Violin Concerto and Stars and Stripes. Ballo de la Regina and Stravinsky Violin Concerto were company premieres, which always adds an extra sense of excitement to the evening. However, what made it so special for me was having the opportunity to dance one of my first solos in Ballo de la Regina and receiving my first bouquet of flowers on stage. I wasn’t expecting it! The surprise gave me so much energy to get back out on stage for Stravinsky Violin Concerto and then finish off in Stars and Stripes. Here I am that night when I got home from the theater still so happy and excited about it!

Patricia with her Opening Night flowers.

Patricia with her first bouquet of Opening Night flowers.

The other memory is from a couple of years ago when we brought back George Balanchine’s Who Cares? and I had the opportunity to dance one of my dream roles. I had grown up watching my favorite dancers perform this part, especially Jennifer Kronenberg, and it always seemed so glamorous and untouchable! I remember feeling so nervous before the curtain went up even after months of rehearsals! But once I got out on stage and the music and energy of opening night filled me, it was an incredibly fulfilling and unforgettable experience!

Patricia Delgado in Balanchine's 'Who Cares.'

Patricia Delgado in Balanchine’s ‘Who Cares.’

Create your own Opening Night story by joining us TONIGHT for Program I: First Ventures , and begin your journey with the ballet this season!
GET TICKETS NOW!

See Program I: First Ventures at any of our venues:
Adrienne Arsht Center: October 18-20
Broward Center: October 25-27
Kravis Center: November 15-17

Headshot: Photo © Gio Alma.
Stage shot: Patricia Delgado in Who Cares?. Choreography by George Balanchine. © The George Balanchine Trust. Photo © Alexandre Dufaur.

ABC Channel 10 covers campaign with Miami HEAT!

The coverage continues!  ABC Channel 10 released the following footage about our campaign with the Miami HEAT just before their game against the Chicago Bulls.

For more on our collaboration with the Miami HEAT, check out the following:

Exclusive interview with Dwyane Wade

MCB in TIPOFF – Miami HEAT’s official in-game program

ESPN’s Numbers Never Lie: What percent of Sports Nation wants to see Lebron James and Dwyane Wade do ballet?

Behind-the-scenes of our photo shoot with the Miami HEAT!

Patricia Delgado is back on Instagram!

Principal Patricia Delgado enjoyed guesting on Instagram so much that she is back for her second time this season! Patricia will be snapping shots of the dancers rehearsing Jerome Robbins’ Dances at a Gathering and George Balanchine’s Slaughter on Tenth Avenue as we prepare for our final program of the season Broadway and Ballet.  This weekend, Patricia will also be sharing all of the action at Open Barre: Behind the Curtain, held at our studio theater on Miami Beach. Follow #PatriciaMCBPhotos!

Patricia Delgado

Patricia also told us why she can’t wait to get onstage to perform BOTH of the ballets featured in Program IV: Broadway and Ballet.

Dances at a Gathering and Slaughter on Tenth Avenue are such different ballets on so many levels — for the dancers and for the audience.  Dances is very human and has an enormous amount of subtle details to pay attention to, which makes performing the ballet extra special. Slaughter is a big broadway number that calls for a lot of energy and fun!  I love being able to channel such different parts of myself artistically and technically all in one evening!

-Patricia

Patricia Delgado in Jerome Robbins' Dances at a Gathering

Catch Patricia during Open Barre this weekend and Program IV: Broadway and Ballet (Kravis Center April 5-7, Broward Center Apr. 26-28, Adrienne Arsht Center May 3-5)

Headshot © Gio Alma
Stage shot © Alexandre Dufaur

Happy Valentine’s Day!

We are feeling the ROMANCE at Miami City Ballet! In the spirit of Valentine’s Day, we caught up with dancers Michael Breeden, Jennifer Carlynn Kronenberg, and  Patricia Delgado to learn about their favorite ballet LOVE stories.  Here is what they had to say!

Michael Breeden, Jennifer Carlynn Kronenberg and Patricia Delgado

Michael Breeden, Corps de Ballet – My favorite ballet love story is La Sonnambula. Tragic love stories always have major issues separating their leads, like a curse or feuding families, but in Sonnambula, your heroine is literally in another state of consciousness, unable to fully grasp the poet before her. It’s immensely sad, and the ending where she carries him off into eternity is heartwrenching. Not exactly an uplifting Valentine’s Day story, but beautiful nonetheless!

Jennifer Carlynn Kronenberg and Carlos Guerra in Balanchine's La Sonnambula

Jennifer Carlynn Kronenberg, Principal – My favorite ballet love story is Romeo and Juliet. It is so incredibly romantic – they fall in love at first sight, risk everything to be together, are so deeply bound that they can’t bear to live without one another, and eventually sacrifice their lives for each other. I think it’s ultimately the deepest, most profound and tragic love story there is.

Patricia Delgado, Principal – My favorite ballet love story is Romeo and Juliet.  It has always been a favorite of mine to watch.  But when I got the opportunity to dance Juliet when Miami City Ballet did Cranko’s version a couple years ago, it touched my heart even more!  The ballet takes you on a journey through so many aspects of love; innocent and naive love at first sight, painful and passionate love, tragic love and in the end sadness, with a glimmer of hope that true love never dies!  I will treasure that experience forever!

Carlos Guerra and Jennifer Carlynn Kronenberg in Cranko's Romeo and Juliet

Photos: Dancer Headshots © Gio Alma. La Sonnombula and Romeo and Juliet © Kyle Froman.

Exclusive Interview with Dwyane Wade!

Between photo shoots, basketball practice and  beating the L.A. Lakers last Sunday, Miami HEAT superstar Dywane Wade was able to catch up with us to discuss his experience working with MCB principal dancers Patricia Delgado and Jeanette Delgado.  Here is what he had to say!

Dwyane Wade and Patricia Delgado

Q:  Professional ballet dancers consider themselves artists first and athletes second. As top professional athlete at the top of your game, do you consider yourself an artist?

No. I don’t, but I could see where athletes can be artistic.  We both have to be very creative and we share something especially with our moves. The motion of us jumping in the air is of the same nature, so I can see why that comparison can be made.

Dwyane Wade and Jeanette Delgado

Q:  Professional ballet dancers must be strong, fast, possess great stamina, have great balance, be flexible, have quick reflexes, sometimes perform while injured, have the ability to jump high – all within a thin body type – and do this before huge live audiences. How do you relate to what ballet dancers go through?

We share a lot of the same traits. Obviously for us, it’s the same thing. We have to be strong and very flexible to prevent injury. There are a lot of similar things when it comes to the motion of how we are in the air. I’m not sure if it’s true, but I remember hearing about Dr. J. possibly doing ballet in the off-season, because it helps with the things that he did on the court.  I wish I had asked him about it.

Q: Describe how it was doing a photo shoot with Miami City Ballet principal dancers Jeanette Delgado and Patricia Delgado?

I don’t know how they do some of the things they do. It’s amazing! I respect everyone’s talents, because we all have different talents. I respect it. It was different, but definitely not a bad different for us.

Q:  Have you ever studied dance – or enjoy going out dancing?

No. Unfortunately I didn’t get that gene.

For more on our campaign with the Miami HEAT visit miamiballetandbasketball.com!

Showcasing the world class athleticism of Ballet and Basketball!

For those of you who didn’t make it to the Miami HEAT vs. L.A. Lakers game last night, we picked up a copy of TIPOFF — the official in-game program book for the MiamiHEAT!

Patricia Delgado with Dywane Wade on the cover of TIPOFF. Jeanette Delgado and LeBron James also made the inside cover!

Read the full story inside TIPOFF here!

Patricia Delgado on Duo Concertant

When asked what ballet she was most excited about performing this season, Principal Patricia Delgado knew right away that it was George Balanchine’s Duo Concertant.

Patricia Delgado

Patricia recounts, “I remember seeing the ballet when I was a student at Miami City Ballet School, and thinking, ‘I have never seen anything like this!’  The dancers simply stand and listen to the music onstage, admiring and respecting it, which sets the mood of the piece so beautifully.  It is unlike any of Balanchine’s other ballets. The spotlighting effects and stylized choreography evoke drama and love, making the piece completely mesmerizing.  Although I have been with Miami City Ballet for 12 years, I have never had the opportunity to perform the ballet, until now.  I always thought it would be a dream to dance that pas de deux, so when I saw it selected for Program II, I thought, ‘I can’t wait!’ Knowing Duo Concertant was in the programming inspired me to get me through my injury last season.”

Patricia also explained the significant role that a répétiteur — someone who teaches a ballet’s steps and interpretation of roles —  plays to the process of bringing specific works to the stage. “Répétiteurs often have personal experience working with a ballet’s original choreographer and are charged with keeping the ballets alive.  The Balanchine Foundation sent répétiteur Ben Huys to stage Duo Concertant and perfect our movement so that it reflects the original intent of “Mr. B” himself.  It’s the most rewarding process for the dancers to work with the répétiteur because we get all of the backstage stories and details of the choreography.  Then you can do the ballet justice onstage and make it your own.”

Ben Huys checking Patricia's costume before performing Duo Concertant at the Arsht Center

See Patricia perform in George Balanchine’s Duo Concertant as part of Program II: Tradition and Innovation, January 18-20, at the Broward Center for the Performing Arts.

Photos: Headshot © Gio Alma. Stage shot by Rebecca King.

From Our Dancers to You on Opening Night!

We are thrilled for tonight’s opening of Program II: Tradition and Innovation.  We caught up with some of the dancers before the curtain so that they could share their excitement about the ballets they are performing with you!

Michael Breeden

Michael Breeden, Corps de Ballet, on George Balanchine’s Divertimento No. 15 — “Dancing to Mozart is what I love most about Divertimento No. 15. Balanchine rarely choreographed to Mozart, but the marriage of these two geniuses in the ballet provides a wonderful experience for audience and dancer alike.”

Tricia Albertson

Tricia Albertson, Principal, on George Balanchine’s Divertimento No. 15“I love dancing Divertimento No. 15 because there are so many opportunities to interact with my friends and colleagues.  I have at least one special moment with each principal!”

Patricia Delgado

Patricia Delgado, Principal, on George Balanchine’s Duo Concertant — “To be able to share the stage so intimately not only with my wonderful partner Renan, but with with our incredible Pianist and Violinist is what I look forward to most tonight.  It is a dream for me to be able to dance this ballet and I can’t wait!”

Renato Penteado

Renato Penteado, Principal, on Don Quixote Pas de Deux after Marius Petipa — “What I like most about dancing this ballet is that Don Q is a very strong male character with a lot of powerful moments like jumps and turns that are very exciting.”

Mary Carmen Catoya

Mary Carmen Catoya

Mary Carmen Catoya, Principal, on Don Quixote Pas de Deux after Marius Petipa “When I dance Don Quixote I feel like I’m connected to my spanish family — I can feel it in my blood.”

Jeanette Delgado

Jeanette Delgado, Principal, on Liam Scarlett’s Euphotic — “Dancing Euphotic feels like an intimate journey. The movement Liam has created along with the mesmerizing music has taken on a life of its own. I am so excited to share this special work with the audience!”

Sara Esty

Sara Esty, Soloist, on Liam Scarlett’s Euphotic — “I cannot believe opening night is here! I thought this day would never come and I can’t wait to show the world our hard work. Being apart of this ballet means the world to me and I’ve loved watching it grow into a masterpiece. Working with Liam has been a dream come true.  I hope everyone enjoys it as much as we enjoy dancing it!! I’m so excited!”