LOURDES LOPEZ / ARTISTIC DIRECTOR

Dancers’ Top Moments of 2013-2014!

You have now heard from dancers Ariel Rose and Nathalia Arja about their favorite moments of the 2013-2014 Season, so to wrap up our series is principal dancer Tricia Albertson!

Dancer

Tricia Albertson

At this point in my career as a dancer, I look to be pushed outside of my comfort zone to discover as much as possible about myself and my art. This season, I was given many chances to do just that! Here are some of the highlights for me.

Jardí Tancat‘ was a highlight because it was a completely different style of dance from anything I’ve ever performed. It was barefoot, weighty and grounded, yet embraced an emotional abandon unlike anything I had ever experienced. Beyond that, there was something so raw about this piece — something that made me feel an intense bond and connection with the people with whom I danced.

Nacho Duato

Tricia Albertson and Renan Cerdeiro in Nacho Duato’s ‘Jardi Tancat’

Working with Justin Peck on ‘Chutes and Ladders’ was another highlight of my season. There is something so wonderful about working with the actual choreographer of a piece, especially one who has such a specific vision. Beyond the steps, Justin works with visuals for us to try to create with our bodies, which makes me think outside of what my body is doing. I found myself pushing my body in ways I didn’t know I could and thinking about movement as creating an illusion, a vision, not just a technical expression.

Justin Peck

Tricia Albertson and Renato Penteado in Justin Peck’s ‘Chutes and Ladders.’

When I heard we were doing ‘West Side Story Suite my first thought was, “How can I get myself into that ballet?!” ‘West Side Story’ is my favorite musical of all time. Mostly, I loved watching the men of MCB transform into Sharks and Jets and break out their tough sides. I love to be a part of productions that make people transform. I love to be in rehearsal and see that transformation happen gradually. I suspected that ‘West Side Story Suite’ would be one of those works that would really bring the company together, and it did — it was a true team effort.

Jerome Robbins

Miami City Ballet dancers in Jerome Robbins’ ‘West Side Story Suite.”

Polyphonia‘ was my greatest personal challenge and a major highlight of my season. That role was nothing like anything I had ever confronted before. It forced me to grow up a little, to get over certain insecurities and to embrace a part of me that until then I thought I should try to hide.

Christopher Wheeldon

Tricia Albertson and Reyneris Reyes in Christopher Wheeldon’s ‘Polyphonia.’

But really, the highlight of my season and every season for that matter was sharing the stage with so many wonderful artists. As I get older I cherish these bonds more and more. – Tricia

We hope enjoyed hearing from our dancers about their favorite moments of the season! Lookout for a chance to share your top moments of the 2013-2014 Season coming soon…

Find out the ballets we are bringing to the stage next season by clicking here!

A Chance to Shine

Not many apprentices get the opportunity to perform a leading role in their first year with a professional ballet company. However, during Program II: See the Music, one of MCB’s newest members had that chance! Leanna Rinaldi writes about her experience learning and performing Nacho Duato’s Jardí Tancat below.

Leanna Rinaldi

Leanna Rinaldi

Having the opportunity to perform Jardí Tancat, choreographed by Nacho Duato, is an absolute honor. As an apprentice, the first few days of rehearsals were a little intimidating, being around such amazing dancers. To be quite frank, learning and executing the choreography for Jardí Tancat was the most challenging thing I’ve ever done mentally, emotionally and physically. Luckily, we had répétituer Kevin Irving patiently teaching us and showing us how each meticulous movement should be executed. The steps in Jardí Tancat are unlike what we usually do at the ballet. In most ballets we almost always have to pull ourselves up and think of being weightless, while in Jardí Tancat we have to be grounded deep into the floor and be heavy with our movements. I’ve always loved this style of dance and I had a lot of modern training when I was younger, so it was refreshing to kick off those pointe shoes and have the opportunity to dance this wonderful piece. The first time I performed it onstage was very surreal. It felt like I had a deep relationship with each dancer onstage and could feel everyone’s energy and emotion. There are no wings, so there are no distractions coming from offstage. We just have each other and the music. We were so proud of what we had accomplished together. Dancing Jardí Tancat was so exhilarating that when it came time for bows, I asked myself, “What just happened?”  It was truly an amazing experience and I feel like it has pushed me as a dancer and helped with other areas of my dancing.  Jardí Tancat  is an experience that I will cherish for the rest of my career! – Leanna

Leanna rehearsing with Shimon Ito.

Leanna rehearsing with Shimon Ito. Photo by Daniel Azoulay.

Leanna and the cast of Jardi Tancat.

Leanna and the cast of Jardi Tancat.

There is still time catch Leanna perform in, what the Miami New Times called, “a gem, a major addition to the company repertory… beautiful” during Program II: See the Music at the Kravis Center. Get your tickets here!

 

INSIGHTS: Jardí Tancat

Kevin Irving — répétiteur and Artistic Director of Oregon Ballet Theatre — shares the meaning behind Nacho Duato’s profoundly Spanish work Jardí Tancat. This ballet is unlike anything you have ever seen Miami City Ballet perform! Catch it during Program II: See the Music — Jan. 24-26 (Broward Center, Ft. Lauderdale) or Jan. 31- Feb. 2 (Kravis Center, West Palm Beach).

Read the Miami New Time’s RAVE review of this work!

‘See the Music’ with Lourdes Lopez

Artistic Director Lourdes Lopez breaks down the ballets performed in our second repertory program of the season See the Music.

Make sure to catch this musically rich and visually stunning program at one of our three home venues:

Arsht Center, Miami: January 10-12
Broward Center, Ft. Lauderdale: January 24-26
Kravis Center, Palm Beach: January 31-February 2

GET TICKETS NOW!

Mastering the Duato Style

Last week, répétiteur and Artistic Director of Oregon Ballet Theatre Kevin Irving visited our studios to teach our dancers Nacho Duato’s Jardí Tancat. This profoundly Spanish, soulful work challenged our dancers to move differently, breaking free from their typical ballet vocabulary. Dancer Chase Swatosh describes his experience learning Duato’s unique choreography below!

Chase Swatosh

Chase Swatosh

Rehearsing Jardí Tancat and trying to learn Nacho Duato’s distinctive movement vocabulary was an awesome experience. I feel like every time I learn a new dance style, a new technique, or a new physical activity I gain a deeper knowledge about my own physicality and the amazing multitude of ways in which our bodies can move. There were many challenges for me in learning this new style of movement that is so different from classical technique. The movement in Jardí Tancat is characterized by parallel positions, a low center of gravity, fluidity, and gestures of sowing seeds, harvesting, and yearning for raindrops (Jardí Tancat means “enclosed garden” in Catalan). The movement has a heaviness to it, requiring the dancers to stay low to the ground and use the momentum of their body weight and head to link steps together, instead of maintaining an upright center the whole time. This can be disorienting to the dancer in certain moments, but perfectly necessary in order to achieve the right movement quality that creates the atmosphere of Jardí Tancat. We were fortunate to have the ins and outs of this piece taught to us patiently and articulately by répétiteur Kevin Irving. He was a pleasure to work with and really gave us a sense of the spirit of Jardí Tancat and the purpose behind the movement. I can’t wait to perform this piece and share it with our audience as part of an incredible Program II. I hope that you will get as much out of it as I do!

Chase getting partnering tips from Kevin Irving

Chase getting partnering tips from Kevin Irving

Renan Cerdeiro and Jeanette Delgado in Jardi Tancat.

Renan Cerdeiro and Jeanette Delgado in Jardi Tancat.

Catch Chase and the rest of our dancers perform this work live during Program II: See the Music!

Arsht Center: January 10-12
Broward Center: January 24-26
Kravis Center: January 31-February 2

GET TICKETS NOW!