LOURDES LOPEZ / ARTISTIC DIRECTOR

Dancers’ Picks of the Season!

We have heard from corps de ballet dancer, Michael Breeden, about the ballets that he is looking forward to performing most next season. Now, principal dancer Jeanette Delgado weighs in!

dancer

Jeanette Delgado

Next season is going to be thrilling! There are some oldies (but goodies) as well as some brand new works! I am looking forward to a lot of the ballets like Richard Alston’s ‘Carmen’ and Justin Peck’s new work, as well as ‘Raymonda Variations and ‘Allegro Brillante’, which are both beautiful Balanchine ballets the company has not performed in a while.

Richard Alston

Jeanette Delgado in ‘Carmen.’ Photo by Alberto Oviedo.

‘Raymonda Variations’ was a ballet that I performed when I was pretty young in the school. I found it to be so challenging and I remember feeling extremely nervous. The ballerina has two variations and two pas de deux and it is very challenging technically. I am looking forward to reuniting with this ballet now that I have a few more years under my belt and seeing what I can learn from it and bring to the role!

Dancer

Jeanette Delgado in ‘Raymonda Variations.’ Choreography by George Balanchine © The George Balanchine Trust. Photo by Steven Caras.

Completely opposite from that ballet is the thrilling challenge of a work that is being created on us! Two seasons ago, I was so fortunate to be able to work with Justin [Peck] on his ballet, ‘Chutes and Ladders. Even though that process was very quick, I learned so much from him and was stretched artistically by his creativity. Since then, I have been hoping to work with him again! This time around, it will be a larger ballet, so I’m very excited that more of the company will be able to experience this process! I was able to watch Chutes this season from the audience and was moved every time in a new way. I think his creative voice is remarkably new and so relative and tangible to our generation and time!

I hope you are all looking forward to next season! We promise to work as hard as ever on these ballets so that we can continue to share this great art form with you! — Jeanette

Discover our new season here

Dancers’ Picks of Next Season

Our 2013-2014 Season has just come to a close, but we are already gearing up for the new season ahead! Our dancers return to the studios on June 9th to begin learning next season’s ballets, starting with up-and-coming choreographer Justin Peck’s new work with street artist Shepard Fairey! Below, corps de ballet dancer Michael Breeden shares his excitement about the ballets he can’t wait to perform.

Dancer

Michael Breeden

As one season comes to a finish and we reflect on the transcendent moments experienced onstage, it’s impossible for us dancers to not imagine all that’s in store next year. With the 2014-2015 Season beginning in June, we don’t have to wait too long before we get our hands on the most anticipated works of the year.

For me, there are some obvious highlights. Two great Balanchine works, ‘Symphony in Three Movements’ and ‘Allegro Brillante’, are back in the repertoire for the first time since 2009. Though the two works came from one great mind, they are alike only in the fact that they are brilliant works set to genius compositions (‘Allegro’ to music by Tchaikovsky, and ‘Symphony in Three’ to music by Stravinsky). ‘Allegro’ is Balanchine’s full-out essay on classicism as captured in 12 minutes. ‘Symphony in 3′ is a massive work with kaleidoscopic formations utilizing the entire company, as the dance echoes the driving score. I’ve danced both of these works before and every time they come back, I love them more. Balanchine’s genius continually reveals itself with each performance to both dancers and audience members, and it’s an experience I never take for granted.

Balanchine

Miami City Ballet dancers in Symphony in Three Movements. Choreography by George Balanchine © The George Balanchine Trust. Photo by Joe Gato.

Dancer

Jeanette Delgado in Allegro Brillante. Choreography by George Balanchine © The George Balanchine Trust. Photo © Alexandre Dufaur.

Balanchine works are a company staple that I always looks forward to, but choreography tailor made for the company is less frequent. The ballet I’m looking forward to most next season is a world premiere by Justin Peck, appearing during Program IV: Points of Departure. The company has developed a passion for new choreography in the past years, with choreographers like Alexei Ratmansky and Liam Scarlett making works on us. Justin’s new work promises to fulfill its dancers and audiences in the same way those great choreographers did. His ballets abound with fresh, exciting and innovative use of the corps and so many visually striking dance images that repeated viewings are practically a must. He has a musical response that actually enhances the score, rather than uses it for effect. Each step in his works unfolds naturally, with fluidity, grace and style.

Choreography

Justin Peck works with dancers Tricia Albertson and Renato Penteado on his ballet ‘Chutes and Ladders.’ Photo by Daniel Azoulay.

Full disclosure: Justin and I were suite mates at the School of American Ballet ten years ago, so it may be tempting to accuse me of bias. While I certainly enjoy his success as a friend and am happy to see him achieve so much at such a young age, I think a single viewing of one of his works is enough to know that bias has nothing to do with appreciating true talent. The wealth of knowledge and creativity that Justin has as a dance maker is just starting to be explored, and I couldn’t be more excited that the next step will be with Miami City Ballet.

Read the New York Time’s review of Justin Peck’s most recent work for New York City Ballet — Everywhere We Go. Discover the other ballets we are performing next season here and lookout for Michael onstage!

Lourdes Lopez breaks down ‘Triple Threat’

What makes our third program of the season a Triple Threat? Find out in our latest video featuring Artistic Director Lourdes Lopez and see the program performed live. Click here to learn more!

Holiday Magic on Instagram

The Nutcracker may have left the Arsht Center, but Marie and her Prince are just getting started on their magical journey! We now travel north to West Palm Beach for performances of George Balanchine’s The Nutcracker™ at the Kravis Center, where corps de ballet dancer Leigh-Ann Esty will be capturing the magic on Instagram. Follow her on our feed #LeighMCBphotos to make the holidays last.  Leigh-Ann shares why this beloved holiday tradition is so special to her below!

Leigh-Ann Esty

Leigh-Ann Esty

I’m so excited for the holiday season. Nutcracker means so much to me! It brings families together and really gets you in the holiday spirit. I’ve been performing in The Nutcracker since I was 7, so it’s been a huge part of my life! I love how happy it makes the audience. 

Lead Marzipan

Leigh-Ann as Lead Marzipan Shepherdess. Photo © Kyle Froman

There is still time to catch The Nutcracker at the Kravis Center (Dec. 27-30) and Broward Center (Jan. 3-5). GET TICKETS NOW!

 

Making Nutcracker Memories on Instagram

It has been said that this time of the year is the most wonderful and we can’t agree more! Tomorrow, we open George Balanchine’s The Nutcracker™ at the Adrienne Arsht Center, starting our our magical journey into a world of dancing snowflakes, sweets and flowers for the next three weeks, until our final performance at the Broward Center on January 5, 2014. With every holiday tradition comes brand new memories, so to capture the special backstage moments on Instagram is corps de ballet dancer Ashley Knox.

Ashley Knox

Ashley Knox

For audiences and dancers alike, The Nutcracker holds a special place in our hearts as a beloved holiday tradition. Here, Ashley tells us what makes The Nutcracker so meaningful to her:

Ever since I was a little girl I would get so excited for The Nutcracker — the holidays wouldn’t be the same without it! All of the rehearsals and the chance to perform made it such a magical time. I still get that same nostalgic feeling every Nutcracker season. 

Ashley performing in 'Marzipan'.

Ashley performing in ‘Marzipan’.

Join Ashley and the rest of our dancers on a magical journey with George Balanchine’s The Nutcracker™.

Adrienne Arsht Center – December 19-24
Kravis Center – December 27-30
Broward Center – January 3-5

GET TICKETS NOW!

 

 

 

 

 

 

Meet the Toy Soldier!

In the first act of George Balanchine’s The Nutcracker™, Uncle Drosselmeyer reveals three large gifts. Watch our latest video to find out what’s inside!

Get your tickets soon to America’s #1 Holiday Spectacular! CLICK HERE

Adrienne Arsht Center: Dec. 19-24
Kravis Center: Dec. 27-30
Broward Center: Jan. 3-5

Suzette Logue gets behind the lens!

We are back in performance mode this week, as we prepare for our Season Opening at the Kravis Center this weekend! First Ventures has been the perfect way to start the new season. From George Balanchine’s Serenade — the first ballet he created in America — to Christopher Wheeldon’s “edgy and electrifying Polyphonia“, as described by the Miami Herald, and Balanchine’s  joyful, virtuoso Ballo della Regina, each ballet inspires a sense of excitement and anticipation for the rest of the season. To create lasting memories and capture our final performances of Program I: First Ventures on Instagram is corps de ballet dancer Suzette Logue!

Suzette Logue

Suzette Logue

We asked Suzette what ballets she is most excited to perform this weekend. Here’s what she said!

‘Ballo Della Regina’ and ‘Serenade’ are two of my favorite ballets to perform. There is such great energy in Ballo and Serenade has a soft but commanding presence that captures you from the moment the curtain goes up!

Look for Suzette onstage this weekend!

Suzette and Adrianne Carter having a 'merde' moment before 'Serenade' backstage.

Suzette and Adrianne Carter having a ‘merde’ moment before ‘Serenade’ backstage.

For a sneak peek at the ballets we are performing this weekend, check out the following blog posts!

Catch Program I: First Ventures at the Kravis Center this weekend, Friday, November 15 – Sunday, November 17! GET TICKETS NOW!

Headshot © Gio Alma.

 

 

 

INSIGHTS: George Balanchine’s ‘Ballo della Regina’

Legendary Balanchine ballerina Merrill Ashley discusses the ballet that made her a star! Discover what makes Ballo della Regina “sparkle” in our latest INSIGHTS video and see it at the Broward Center during Program I: First Ventures this weekend! Get your ticket now!

A special thanks to the Ballo della Regina Committee for helping Miami City Ballet make this timeless work possible!

Michele Herbert, Merrill Ashley, Jacqueline Kott, and Claudia Perles (left to right)

Michele Herbert, Merrill Ashley, Jacqueline Kott, and Claudia Perles (left to right) after the opening performance of ‘Ballo della Regina.’

INSIGHTS: George Balanchine’s ‘Serenade’

Why did Balanchine choreograph a girl falling to the floor in Serenade? And, why did he call this entrancing work “a dance in the moonlight?” Find out the answers to these questions and more in our new INSIGHTS video series! In our first video, corps de ballet dancers Leigh-Ann Esty and Zoe Zien divulge the secrets behind this mesmerizing and iconic ballet. Make sure to see it performed lived during Program I: First Ventures!

Catch the live performance of Serenade during  Program I: First Ventures  and begin your journey with the ballet this season!
GET TICKETS NOW!

See Program I: First Ventures at any of our venues:
Adrienne Arsht Center: October 18-20
Broward Center: October 25-27
Kravis Center: November 15-17

 

2013-2014 Season Preview!

Check out our latest video to discover what exciting dance masterworks Artistic Director Lourdes Lopez has in store for Miami City Ballet’s 2013-2014 Season. What ballet(s) are you most excited to see next season?

Subscription packages and single tickets are on sale now! Visit miamicityballet.org or call 305.929.7010 for more information and tickets.