LOURDES LOPEZ / ARTISTIC DIRECTOR

Welcome to Miami Jordan Matter!

Anyone recognize this photo?

Jordan Matter's 'Dancers Among Us'

Jordan Matter’s ‘Dancers Among Us’

If you know and love this image, along with several other awe-inspiring dance photos, than you have probably heard of photographer Jordan Matter and his New York Times bestseller Dancers Among Us. This week, Jordan takes his talents to the Magic City to exhibit his work at Spectrum Miami and Select Fair, both running December 4-8th in Midtown and South Beach respectively. During his visit, Jordan will also partake in two live photo shoots with Miami City Ballet dancers Renan Cerdeiro, Jovani Furlan and Emily Bromberg!

The first shoot will take place during the Opening Preview of Spectrum Miami on Wednesday, December 4, from 6-10pm (come before 8pm to make sure you catch the shoot). This will be a rare opportunity to preview Jordan’s exhibit and see how he works with the dancers to capture these extraordinary shots.

The fun continues on Thursday, December 5, when Jordan and MCB dancers hit up South Beach for a live photo shoot on Ocean Drive! Follow us on Twitter #JordanShootsMCB to find our exact location and times to come out and watch the photo shoot!

Jordan already has some experience shooting MCB dancers -- here's a shot of former MCB dancer and 'Dancing with the Stars' contestant Alex Wong!

Jordan already has some experience shooting MCB dancers — here’s a shot of former MCB dancer and ‘So You Think You Can Dance’ contestant Alex Wong!

‘Polyphonia’ from Behind the Lens

It’s another Monday at Miami City Ballet and we are kicking off the week with the arrival of Répétiteur Jason Fowler, who will be teaching the company Christopher Wheeldon’s Polyphonia. Corps de ballet dancer Zoe Zien will bring you inside our studios as she takes over our Instagram feed during the 7-day rehearsal process.  Follow her #ZoeMCBphotos as she documents the company’s journey to the premiere of Polyphonia during Program I: First Ventures.

Zoe Zien

Polyphonia is considered Christopher Wheeldon’s breakthrough contemporary work.  After his hauntingly beautiful Liturgy pas de deux, Polyphonia will be the second Wheeldon work that MCB adds to its repetoire. The ballet adds six more dancers to the stage, who dance together as a group as the work opens, then transitions into a series of duets and solos that evoke distinct character and flair — we can’t wait to see how our dancers incorporate their unique personalities into the choreography! Here to teach it all is one of the original cast members from the 2001 New York City Ballet world premiere — Jason Fowler. Jason will help the dancers match their movement to the intense piano music of György Ligeti, and ensure that no choreographic detail is lost in preparation for our 2013-2014 Season opening in October, when the ballet premieres during Program I: First Ventures.

Dancers Emily Bromberg and Chase Swatosh.

Follow us on Facebook and Twitter as we reveal interesting facts about Polyphonia during the rehearsal process. Watch the dancers in action as Zoe captures Polyphonia and daily MCB life on Instagram!

Check out our latest Pinterest board for a visual journey through Polyphonia.

Flexible subscription packages and single tickets to Polyphonia are on sale now as part of Program I: First Ventures.
Photo credits:
Headshot © Gio Alma.
Miami City Ballet dancers Emily Bromberg and Chase Swatosh in Polyphonia. Photo © Gio Alma.

From Our Dancers to YOU!

We can’t believe that its already our final program of the 2012-2013 Season!  While we feel like the year has just flown by, many of us have been anxiously awaiting the opening of Program IV: Broadway and Balletespecially our dancers who can’t wait to get onstage.  Find out why!

Emily Bromberg

Emily Bromberg, Corps de Ballet, on Program IV: Broadway and Ballet – I’ve been looking forward to Program IV since last July [2012] when we started rehearsing for both ballets!  I was overjoyed when I saw that I would be learning the “mauve” girl in Dances at a Gathering.  For me, this part has a lot of meaning. From what I understand, her character is portrayed as a bit internal and full of thought.  Finding my own way of portraying this has been my favorite part of the rehearsal process because everyday I get to go into the studio and experiment with how I want to feel, while dancing each movement.  This experimentation along with the personal molding of each of the difficult, but liberating steps is such a fulfilling process.  I couldn’t look more forward to performing such a role!  Slaughter on Tenth Avenue is so much fun to perform with the audience! We use their energy, applause and reactions to fuel our every step!  I’m happy to get the chance to be a part of it!

Bradley Dunlap

Bradley Dunlap, Corps de Ballet, on George Balanchine’s Slaughter on Tenth Avenue –  For the first time I am performing a pre-dominantly, comically-driven “character” role.  This new experience has given me a chance to take a break from my technique and just have fun. Without Slaughter I wouldn’t have realized the satisfaction of an audience responding to my work with laughter.

Callie Manning

Callie Manning, Principal Soloist, on Program IV: Broadway and Ballet – Personally, this program is like visiting old friends.  I’ve performed in both Dances at a Gathering and Slaughter on Tenth Avenue before and have very fond memories of both.  They are roles I love and can’t wait to dance them again. The part I do in Dances, “Green Girl”, is a really special part to me.  She’s a little cooky, flirtatious, reminiscent and quite complex.  I love diving into her character and discovering new things about her.  Every performance I do brings out something different.  Slaughter satisfies me in a completely different way.  Don’t tell anyone, but I always secretly wanted to be a Fosse dancer on Broadway.  The “Strip Tease Girl” in Slaughter, is the epitome of Broadway — high kicks, jazz hands and all!

Jennifer Carlynn Kronenberg

Jennifer Carlynn Kronenberg, Principal, on Program IV: Broadway and BalletSlaughter on Tenth Avenue and Dances at a Gathering are ballets that are very dear to me since I’ve had the great opportunity to “grow into” my roles in both — having danced them since the company premiered them years ago.  The “Striptease Girl” in Slaughter is such fun to dance onstage.  I learned it back when it was staged for us by Susan Hendl, and it was very different than anything I had yet danced with MCB – almost more Broadway than ballet!  It was a great chance to let go, have fun and even show a little of my wild side in the jazzy, upbeat second pas de deux.  It was especially fun to dance years later with Carlos [Guerra] as the “Hoofer”!

Dances is another ballet that I learned from Ms. Hendl back when she staged it for the company.  I was originally cast, fittingly, as the “Mauve” girl – a role that seems, to me, much like the older sister.  She is a bit more serious, pensive and mature than the pink, blue and yellow girls.  After dancing that role for years, it seems natural to now move on and transition into the role of the “Green” girl, who has an unusual cameo sort of part in the ballet.  Her solo, originally choreographed for Violette Verdy, is one that portrays an older, nostalgic, maybe even retired dancer reflecting on the joys of her career as a great ballerina.  Though I’m not not yet retired (I’m confident I have more than a few good dancing years left in me), I’m certainly at a point in my career where I can identify with the idea of “reflection”.  With each step of the solo I can really bring myself back to a special moment I had onstage — engaging the audience or getting lost in the steps, the music, the lights and the special perfume of a  ballet. With a flick of the foot, the solo ends with the “Green” girl simply walking offstage with a unique satisfaction.  She seems very proud of what she has accomplished …. not necessarily in that specific moment, but in general throughout her career.  That is something I can definitely relate to.

See Emily, Bradley, Callie and Jennifer  in our final program of the season Program IV: Broadway and Ballet!

Kravis Center: April 5-7
Broward Center: April 26-27
Adrienne Arsht Center: May 3-5

Emily Bromberg Guests on Instagram

This week we open our 2012-2013 Season at Adrienne Arsht Center, and corps dancer Emily Bromberg will bring us the pre-opening action on Instagram!
Don’t miss out on all the great moments leading up to Program I: Fire and Ice!

© Gio Alma

Fun fact about Emily: she earned a psychology degree in just four years…
while dancing professionally!
Talk about dedication!

Meet the Dancers – Emily Bromberg

Me and my dog Puck kayaking this past July in New York.