LOURDES LOPEZ / ARTISTIC DIRECTOR

Dancers’ Picks of the Season!

We have heard from corps de ballet dancer, Michael Breeden, about the ballets that he is looking forward to performing most next season. Now, principal dancer Jeanette Delgado weighs in!

dancer

Jeanette Delgado

Next season is going to be thrilling! There are some oldies (but goodies) as well as some brand new works! I am looking forward to a lot of the ballets like Richard Alston’s ‘Carmen’ and Justin Peck’s new work, as well as ‘Raymonda Variations and ‘Allegro Brillante’, which are both beautiful Balanchine ballets the company has not performed in a while.

Richard Alston

Jeanette Delgado in ‘Carmen.’ Photo by Alberto Oviedo.

‘Raymonda Variations’ was a ballet that I performed when I was pretty young in the school. I found it to be so challenging and I remember feeling extremely nervous. The ballerina has two variations and two pas de deux and it is very challenging technically. I am looking forward to reuniting with this ballet now that I have a few more years under my belt and seeing what I can learn from it and bring to the role!

Dancer

Jeanette Delgado in ‘Raymonda Variations.’ Choreography by George Balanchine © The George Balanchine Trust. Photo by Steven Caras.

Completely opposite from that ballet is the thrilling challenge of a work that is being created on us! Two seasons ago, I was so fortunate to be able to work with Justin [Peck] on his ballet, ‘Chutes and Ladders. Even though that process was very quick, I learned so much from him and was stretched artistically by his creativity. Since then, I have been hoping to work with him again! This time around, it will be a larger ballet, so I’m very excited that more of the company will be able to experience this process! I was able to watch Chutes this season from the audience and was moved every time in a new way. I think his creative voice is remarkably new and so relative and tangible to our generation and time!

I hope you are all looking forward to next season! We promise to work as hard as ever on these ballets so that we can continue to share this great art form with you! — Jeanette

Discover our new season here

Dancers’ Picks of Next Season

Our 2013-2014 Season has just come to a close, but we are already gearing up for the new season ahead! Our dancers return to the studios on June 9th to begin learning next season’s ballets, starting with up-and-coming choreographer Justin Peck’s new work with street artist Shepard Fairey! Below, corps de ballet dancer Michael Breeden shares his excitement about the ballets he can’t wait to perform.

Dancer

Michael Breeden

As one season comes to a finish and we reflect on the transcendent moments experienced onstage, it’s impossible for us dancers to not imagine all that’s in store next year. With the 2014-2015 Season beginning in June, we don’t have to wait too long before we get our hands on the most anticipated works of the year.

For me, there are some obvious highlights. Two great Balanchine works, ‘Symphony in Three Movements’ and ‘Allegro Brillante’, are back in the repertoire for the first time since 2009. Though the two works came from one great mind, they are alike only in the fact that they are brilliant works set to genius compositions (‘Allegro’ to music by Tchaikovsky, and ‘Symphony in Three’ to music by Stravinsky). ‘Allegro’ is Balanchine’s full-out essay on classicism as captured in 12 minutes. ‘Symphony in 3′ is a massive work with kaleidoscopic formations utilizing the entire company, as the dance echoes the driving score. I’ve danced both of these works before and every time they come back, I love them more. Balanchine’s genius continually reveals itself with each performance to both dancers and audience members, and it’s an experience I never take for granted.

Balanchine

Miami City Ballet dancers in Symphony in Three Movements. Choreography by George Balanchine © The George Balanchine Trust. Photo by Joe Gato.

Dancer

Jeanette Delgado in Allegro Brillante. Choreography by George Balanchine © The George Balanchine Trust. Photo © Alexandre Dufaur.

Balanchine works are a company staple that I always looks forward to, but choreography tailor made for the company is less frequent. The ballet I’m looking forward to most next season is a world premiere by Justin Peck, appearing during Program IV: Points of Departure. The company has developed a passion for new choreography in the past years, with choreographers like Alexei Ratmansky and Liam Scarlett making works on us. Justin’s new work promises to fulfill its dancers and audiences in the same way those great choreographers did. His ballets abound with fresh, exciting and innovative use of the corps and so many visually striking dance images that repeated viewings are practically a must. He has a musical response that actually enhances the score, rather than uses it for effect. Each step in his works unfolds naturally, with fluidity, grace and style.

Choreography

Justin Peck works with dancers Tricia Albertson and Renato Penteado on his ballet ‘Chutes and Ladders.’ Photo by Daniel Azoulay.

Full disclosure: Justin and I were suite mates at the School of American Ballet ten years ago, so it may be tempting to accuse me of bias. While I certainly enjoy his success as a friend and am happy to see him achieve so much at such a young age, I think a single viewing of one of his works is enough to know that bias has nothing to do with appreciating true talent. The wealth of knowledge and creativity that Justin has as a dance maker is just starting to be explored, and I couldn’t be more excited that the next step will be with Miami City Ballet.

Read the New York Time’s review of Justin Peck’s most recent work for New York City Ballet — Everywhere We Go. Discover the other ballets we are performing next season here and lookout for Michael onstage!