LOURDES LOPEZ / ARTISTIC DIRECTOR

Dancers’ Top Moments of 2013-2014!

You have now heard from dancers Ariel Rose and Nathalia Arja about their favorite moments of the 2013-2014 Season, so to wrap up our series is principal dancer Tricia Albertson!

Dancer

Tricia Albertson

At this point in my career as a dancer, I look to be pushed outside of my comfort zone to discover as much as possible about myself and my art. This season, I was given many chances to do just that! Here are some of the highlights for me.

Jardí Tancat‘ was a highlight because it was a completely different style of dance from anything I’ve ever performed. It was barefoot, weighty and grounded, yet embraced an emotional abandon unlike anything I had ever experienced. Beyond that, there was something so raw about this piece — something that made me feel an intense bond and connection with the people with whom I danced.

Nacho Duato

Tricia Albertson and Renan Cerdeiro in Nacho Duato’s ‘Jardi Tancat’

Working with Justin Peck on ‘Chutes and Ladders’ was another highlight of my season. There is something so wonderful about working with the actual choreographer of a piece, especially one who has such a specific vision. Beyond the steps, Justin works with visuals for us to try to create with our bodies, which makes me think outside of what my body is doing. I found myself pushing my body in ways I didn’t know I could and thinking about movement as creating an illusion, a vision, not just a technical expression.

Justin Peck

Tricia Albertson and Renato Penteado in Justin Peck’s ‘Chutes and Ladders.’

When I heard we were doing ‘West Side Story Suite my first thought was, “How can I get myself into that ballet?!” ‘West Side Story’ is my favorite musical of all time. Mostly, I loved watching the men of MCB transform into Sharks and Jets and break out their tough sides. I love to be a part of productions that make people transform. I love to be in rehearsal and see that transformation happen gradually. I suspected that ‘West Side Story Suite’ would be one of those works that would really bring the company together, and it did — it was a true team effort.

Jerome Robbins

Miami City Ballet dancers in Jerome Robbins’ ‘West Side Story Suite.”

Polyphonia‘ was my greatest personal challenge and a major highlight of my season. That role was nothing like anything I had ever confronted before. It forced me to grow up a little, to get over certain insecurities and to embrace a part of me that until then I thought I should try to hide.

Christopher Wheeldon

Tricia Albertson and Reyneris Reyes in Christopher Wheeldon’s ‘Polyphonia.’

But really, the highlight of my season and every season for that matter was sharing the stage with so many wonderful artists. As I get older I cherish these bonds more and more. – Tricia

We hope enjoyed hearing from our dancers about their favorite moments of the season! Lookout for a chance to share your top moments of the 2013-2014 Season coming soon…

Find out the ballets we are bringing to the stage next season by clicking here!

INSIGHTS: Polyphonia

Christopher Wheeldon breaks down the ballet that made him one of today’s most important choreographers in our latest INSIGHTS video! Catch the final performance of this work during Program I: First Ventures at the Kravis Center, November 15-17. GET TICKETS NOW!

Suzette Logue gets behind the lens!

We are back in performance mode this week, as we prepare for our Season Opening at the Kravis Center this weekend! First Ventures has been the perfect way to start the new season. From George Balanchine’s Serenade — the first ballet he created in America — to Christopher Wheeldon’s “edgy and electrifying Polyphonia“, as described by the Miami Herald, and Balanchine’s  joyful, virtuoso Ballo della Regina, each ballet inspires a sense of excitement and anticipation for the rest of the season. To create lasting memories and capture our final performances of Program I: First Ventures on Instagram is corps de ballet dancer Suzette Logue!

Suzette Logue

Suzette Logue

We asked Suzette what ballets she is most excited to perform this weekend. Here’s what she said!

‘Ballo Della Regina’ and ‘Serenade’ are two of my favorite ballets to perform. There is such great energy in Ballo and Serenade has a soft but commanding presence that captures you from the moment the curtain goes up!

Look for Suzette onstage this weekend!

Suzette and Adrianne Carter having a 'merde' moment before 'Serenade' backstage.

Suzette and Adrianne Carter having a ‘merde’ moment before ‘Serenade’ backstage.

For a sneak peek at the ballets we are performing this weekend, check out the following blog posts!

Catch Program I: First Ventures at the Kravis Center this weekend, Friday, November 15 – Sunday, November 17! GET TICKETS NOW!

Headshot © Gio Alma.

 

 

 

The Man Behind ‘Polyphonia’

A very important guest is paying MCB a visit! He happens to be the artistic genius behind one of the ballets that is making its company premiere during Program I: First Ventures.  You guessed it! The mastermind behind Polyphonia – Christopher Wheeldon!

Christopher Wheeldon via timeout.com

Christopher Wheeldon via timeout.com

Polyphonia was Christopher Wheeldon’s first ballet that he choreographed after retiring from a successful dance career with New York City Ballet to become the company’s first-ever Artist in Residence. Keeping in line with our theme of “firsts” for First VenturesPolyphonia was also Wheeldon’s first breakthrough work, propelling him into the choreographic spotlight. Wheeldon has now choreographed countless ballets for companies across the country and around the world, including The Royal Ballet, San Francisco Ballet, The Hamburg Ballet, New York City Ballet and several others. He also co-founded the New York-based dance company Morphoses with our very own Artistic Director Lourdes Lopez  in 2007. Currently he is the Artistic Associate at The Royal Ballet. Critics have deemed Wheeldon as one of the principle, 21st century choreographers actively defining the future of ballet — and we CAN’T WAIT to see what that looks like!

While only time will tell what the future of ballet looks like, we are so fortunate to have Wheeldon here for two days to work with our dancers and witness this progression take place. Capturing it all on Instagram is Rebecca King!

Rebecca King

Rebecca King

We asked Rebecca to share her excitement about having Wheeldon in our studios to work on Polyphonia and here is what she had to say:

Having Christopher Wheeldon in studio with us this week is an absolute honor.  We began rehearsing ‘Polyphonia’ in August and have been working on it regularly since.  Now that we are so familiar with the steps and the music, it will be an amazing and special experience to have the ballet’s creator come in to coach us.  We will be able to hear about the intentions of the steps and the purpose of the work as a whole, which will bring a very special perspective to Miami City Ballet’s interpretation of ‘Polyphonia.’  We can’t wait to see what is in store for us! Stay tuned for sneak peaks into the rehearsal process.

See Rebecca and the rest of the company perform this milestone work during Program I: First Ventures! Get your tickets now!

Adrienne Arsht Center: October 18-20
Broward Center: October 25-27
Kravis Center: November 15-17

Headshot © Rebecca King.

Discover ‘First Ventures’ with Lourdes Lopez

Artistic Director Lourdes Lopez shares the meaning behind First Ventures and why the first program of our 2013-2014 Season is not to be missed!

Begin your journey with Miami City Ballet by joining us for Program I: First Ventures!

Adrienne Arsht Center: Oct. 18-20
Broward Center: Oct. 25-27
Kravis Center: Nov. 15-17

2013-2014 Season Preview!

Check out our latest video to discover what exciting dance masterworks Artistic Director Lourdes Lopez has in store for Miami City Ballet’s 2013-2014 Season. What ballet(s) are you most excited to see next season?

Subscription packages and single tickets are on sale now! Visit miamicityballet.org or call 305.929.7010 for more information and tickets.