If you know and love this image, along with several other awe-inspiring dance photos, than you have probably heard of photographer Jordan Matter and his New York Times bestseller Dancers Among Us. This week, Jordan takes his talents to the Magic City to exhibit his work at Spectrum Miami and Select Fair, both running December 4-8th in Midtown and South Beach respectively. During his visit, Jordan will also partake in two live photo shoots with Miami City Ballet dancers Renan Cerdeiro, Jovani Furlan and Emily Bromberg!
The first shoot will take place during the Opening Preview of Spectrum Miami on Wednesday, December 4, from 6-10pm (come before 8pm to make sure you catch the shoot). This will be a rare opportunity to preview Jordan’s exhibit and see how he works with the dancers to capture these extraordinary shots.
The fun continues on Thursday, December 5, when Jordan and MCB dancers hit up South Beach for a live photo shoot on Ocean Drive! Follow us on Twitter #JordanShootsMCB to find our exact location and times to come out and watch the photo shoot!
Jordan already has some experience shooting MCB dancers — here’s a shot of former MCB dancer and ‘So You Think You Can Dance’ contestant Alex Wong!
While most of you are digging your nose deep into cookbooks and fighting the crowds at the local grocery store, we are preparing for Thanksgiving with rehearsals of George Balanchine’s The Nutcracker™!This weekend, we head to Naples for our first Nutcracker performance of the season!Dancer Rebecca King will be capturing the magic of this holiday classic on our Instagram feed and shares how The Nutcracker has become an annual Thanksgiving tradition in its own right below. Follow Rebecca #RebeccaMCBphotos!
We have heard that in the rest of the country the seasons are changing. Yet, here in Miami, the only thing we have noticed is a slight drop in the humidity. (We are really roughing it here in the tropics). So, for Miami City Ballet dancers, the truest indicator of the change in seasons is performing The Nutcracker in Naples. For the past seven years that I have been with MCB, Thanksgiving and Naples have always gone hand-in-hand. Most years we spend Thanksgiving together on the gulf coast in anticipation of the Nutcracker’s kickoff the next day. Being together for Thanksgiving is something that has become a tradition for all of us — creating wonderful memories of spending a very special holiday together as a family.
Nutcracker casting is up on the board in the studios, we are packing our theater cases, and drawing names for Secret Santa — the holidays are officially here in Miami.
MCB Thanksgiving 2012 in Naples!
Experience the magic of the The Nutcracker at any of our home venues located in South Florida! GET TICKETS NOW!
Adrienne Arsht Center: December 19-24
Kravis Center: December 27-30
Broward Center: January 3-5
Christopher Wheeldon breaks down the ballet that made him one of today’s most important choreographers in our latest INSIGHTS video! Catch the final performance of this work during Program I: First Ventures at the Kravis Center, November 15-17. GET TICKETS NOW!
Tonight, the worlds of Broadway and ballet literally collide during our first Open Barreof the 2013-2014 Season. The original Anita from the Broadway production of West Side Story, Chita Rivera joins us onstage to discuss working with Jerome Robbins, while the company gives a sneak peek of the “triple threat” premiere of West Side Story Suite. This will be the first time that our dancers test their signing talents in front of a live audience….and to capture it all on Instagram is dancer Jovani Furlan!
Jovani will not only be taking you behind-the-scenes of Open Barre this weekend, but will also be documenting the exciting work happening in our studios next week with Répétiteur and Artistic Director of Oregon Ballet Theatre Kevin Irving. Kevin is here to set Nacho Duato’s Jardí Tancat – the profoundly Spanish, lyrical work that allows our dancers to kickoff their pointe shoes and dance barefoot! As the former ballet master and head of the artistic department with Nacho Duato’s Compañia Nacional de Danza in Spain, Kevin has intimate knowledge of Duato’s choreography that he will instill in our dancers before we bring Jardí Tancat to the stage during Program II: See the Music.
Jeanette Delgado and Renan Cerdeiro in Jardi Tancat.
Sneak peek of the action on Instagram!
Make sure to follow Jovani on Instagram #JovaniMCBphotos to catch all of the exciting happenings here at the ballet!
Want more on Chita Rivera? Check out our Pinterest Board to see more legendary roles performed by one of Broadway’s leading ladies!
Legendary Balanchine ballerina Merrill Ashley discusses the ballet that made her a star! Discover what makes Ballo della Regina “sparkle” in our latest INSIGHTS video and see it at the Broward Center during Program I: First Ventures this weekend! Get your ticket now!
A special thanks to the Ballo della Regina Committee for helping Miami City Ballet make this timeless work possible!
Michele Herbert, Merrill Ashley, Jacqueline Kott, and Claudia Perles (left to right) after the opening performance of ‘Ballo della Regina.’
Why did Balanchine choreograph a girl falling to the floor in Serenade? And, why did he call this entrancing work “a dance in the moonlight?” Find out the answers to these questions and more in our new INSIGHTS video series! In our first video, corps de ballet dancers Leigh-Ann Esty and Zoe Zien divulge the secrets behind this mesmerizing and iconic ballet. Make sure to see it performed lived during Program I: First Ventures!
Our next Opening Night Stories comes from corps de ballet dancer Lexie Overholt, who will also be taking over Miami City Ballet’s Instagram feed this week! Make sure to follow all of the action from now until Saturday, when the company performs a preview of George Balanchine’s Serenade at Fairchild Tropical Gardens during their Bird Festival. The 2:30pm performance is FREE with paid admission to the gardens. We hope you can make it, but if you can’t, follow Lexie at #LexieMCBphotos on Instagram! Also, catch Serenade during Program I: First Ventures. And now for Lexie’s incredible story from opening night!
My most memorable opening night was also my scariest. My junior year of high school, our studio’s Spring Show was a “mixed bill” of sorts and the variation I performed was Kitri from Don Quixote. Kitri’s solo in the first act has always been my favorite, one I have dreamed of performing. The time was finally here. The music started, the curtain rose, and within the first eight counts, in the middle of a pirouette, I was down. I tried to get up again, but could not.
Lexie performing Kitri in Don Quixote AFTER her fall!
The crew lowered the curtain and I looked down to see that my left knee cap had dislocated. I was in a lot of pain, but I knew I had to dance this role. My best friend Megan helped me gently move my knee cap back into place and we wrapped it tightly. In the mean time, the show continued until I told them I was ready. My director hesitated but agreed to let me go. I got back on that stage and performed with sheer adrenaline and tears in my eyes, but I did it! I felt like I performed better than I ever had. When the curtain went down, I went directly to my orthopedic doctor and found I had severely stretched my MCL and dislocated my knee cap, with bone bruises surrounding my knee. But I had performed my dream role, and I had never felt more exhilaration. It is still the best opening night for me.
Our next Story from Opening Night comes from corps de ballet dancer Christina Spigner!
My most memorable opening night experience was performing Balanchine’s Symphony in Three Movements with the company on opening night of the tour in Chicago when I was a student apprentice . It was special for so many reasons — first, because of course this was my very first performance with a professional company and secondly, being able to be apart of opening night is always a privilege. What also made it special was that this was the first time MCB toured to Chicago, so we got to debut and expose the Chicago audience to Miami’s dancing and talent in the company. The response we got after performing was so enthusiastic and positive — it was amazing . Lastly, what made it so special was that my extended family lives in Chicago and most of them had never seen me dance or had even gone to the ballet before. So, for them to see me in my first company performance, as well as it being their first performance, was awesome. It really touched me to have all of that support for such a big opening night for me:-) And now they are huge ballet fans !
Christina in Symphony in Three Movements
Opening night is so special because it is the night that all your work comes to fruition. It is our reward to perform onstage after all the long hours of sweat, work and rehearsals we have put in. It is the time to enjoy and give back to the audience, for the first time, in that particular ballet . It is one of the most exciting nights — you have lots of adrenaline and energy, and even the audience members have a similar anticipation and excitement — making the theater come alive with that electric energy that everyone present can sense. Opening night is a reward for us dancers and something we look forward to with excitement and anticipation
We are less than TWO WEEKS away from opening night of our 2013-2014 Season! Next up on our ‘Stories from Opening Night’ countdown is corps de ballet dancer Ariel Rose. Get your tickets to Program I: First Ventures before they go!
My scariest but also most memorable opening night experience was during my first lead in Alicia Alonso’s full-length ballet Coppélia with the Ballet Municipal de Lima. I just had a rushing moment of not believing that I was about to perform a three act ballet in an opera house in front of more than 1000 people. In the wings I started thinking about when I started ballet and all the difficult years of training, pushing myself and how far I had come from my beginnings in dance. My entire family, including those who live in Peru, who up to this point had never had the opportunity to see me dance, let alone dance in their home country and in the national theater, were in the audience (they also never truly embraced my career as a professional dancer either). It was quite overwhelming! Yet, I told myself to conquer and live in the moment (as I often do when I am nervous). Seeing my Peruvian family after the show — some in tears — was so gratifying because not only did they finally see why I had been working so hard in ballet for all these years, but also because I finally felt like I had truly begun my career as a professional dancer and artist.
Ariel performing Coppelia
Opening night is special because it represents the transition from rehearsal to performance. There are virtually always little hiccups here and there, but it is very exciting for the audience because they know they are the very first people to see that specific production. It is also exciting for the dancers because after weeks and weeks of rehearsing, repeating and polishing something we’ve practiced 50+ times, we get to show it to people for the very first time. Seeing their reaction and appreciation after a performance is incredibly gratifying.