LOURDES LOPEZ / ARTISTIC DIRECTOR

Dancers’ Top Moments of 2013-2014!

With the opening of Don Quixote at the Arsht Center tomorrow, comes the closing of another season of extraordinary dance. Each ballet has created a unique experience on our journey to learn more about this rich, multifaceted art form. From the grounded, lyrical movements of Jardí Tancat to the geometric, sharp choreography of Polyphonia; from the alluring dance in the moonlight of Balanchine’s Serenade, to his atonal, yet unexpectedly harmonious Episodes; and from the ‘West Side Story’ we fell in love with years ago, to a story we are still discovering with Symphonic Dances — this season has pushed the boundaries of our audiences and dancers, alike.

As the season quickly comes to a close, dancers Ariel RoseTricia Albertson and Nathalia Arja will share their favorite moments of 2013-2014 and what this year has meant to them. First up, is this week’s Instagram guest and corps de ballet dancer Ariel Rose.

Dancer

Ariel Rose

This season has been quite a memorable one  for me. It was certainly a year in which many things came together both on and off the stage. I believe that this season has been one of tremendous growth, and despite it being my first year in Miami, it feels like more than a year’s work has been accomplished. Joining a new company is always difficult. If one is a little insecure and slightly extra anxious like I am, it can be even more difficult to make a first impression that reflects one’s true identity. There is always a slight need to prove yourself, despite past professional experience. 

To be honest, starting with ‘Polyphonia’ was a bit of a heart attack. Not only is it not a ‘corps de ballet’ work, but it is a very complex piece by none other than Christopher Wheeldon — one of the most well known choreographers in the world, who actually ended up coming in person to oversee a rehearsal or two right before Program I: First Ventures opened! I believe that this experience pushed the dancers (especially the younger, less experienced ones like myself) to grow and mature in terms of our confidence, style and artistry.

Christopher Wheeldon

MCB dancers in ‘Polyphonia.’

I believe another highlight of this season was Nacho Duato’s ‘Jardí Tancat’.  Despite this piece’s earthly and grounded beauty in its presentation, the process of learning and embodying that manner of dancing was another experience that put us dancers in a somewhat uncomfortable place. There were often struggles in terms of strength, stamina, coordination and achieving the right style and ‘look,’ not to mention all the while maintaining our more classical repertoire. I think our struggles as a ‘clan’ of sorts during this process united us more intimately, which in turn gave everyone the support they needed to get through it successfully. Perhaps the irony of this effect was that it bled onto the stage in our portrayal of farmers in the fields of Catalonia, struggling wearily together under the scorching sun, yet never once giving up because of this supportive network we created between one another.

Jardi Tancat

Ariel Rose and Jennifer Carlynn Kronenberg in Jardi Tancat

Program III: Triple Threat was incredibly rich in history. Balanchine’s Episodes is a landmark of sorts. It is a work that perhaps although misshapen, archaic and somewhat absent of lyrical sense, makes one pay even more attention to detail and visual imagery. I believe that this program, along with the company’a premiere of West Side Story Suite took us through ballets that our artistic staff and the répétiteurs had very close ties with. I felt that the repertoire on this particular program was very explicitly passed down to us dancers and that despite our achievement in performing these works, we were all mentally enlightened as well.

West Side Story

MCB dancers in West Side Story Suite

Now at the end of the season, Don Quixote feels more celebratory than anything else. Despite people’s varying opinions on the classic ballet itself, it is a somewhat fitting close to this season as we all stand on stage together during the act three wedding pas de deux, watching Basilio and Kitri accomplish the dynamic and difficult choreography. It is moments like these, standing and admiring onstage, that I feel connected. I feel part of something larger than myself. I don’t feel like it’s about my individual ballet career. I feel that we are accomplishing something together. As our director and leader Lourdes Lopez has expressed many times throughout this season, these programs have truly culminated in a journey, not just allegorically but in reality as well. A lot has been accomplished this year —  not just terms of great performances, but also in personal growth and development. I believe what is even more exciting for the audience than seeing great performances is seeing the artists themselves evolve and develop from one season or program to the next. From a personal standpoint, I could not feel more privileged or honored to have been invited to become part of this organization and contribute my small part to the journey it has embarked on. All I can say is “to be continued”. 

Watch Ariel and the rest of our amazing dancers onstage during Don Quixote this weekend at the Arsht Center. More info and tickets here!

Like Ariel and Lourdes Lopez said, each season is a journey. By joining Miami City Ballet for each distinct program, a new artistic experience is created, enriching lives in unique ways. Check out what we have planned for 2014-2015 journey here!

 

Season Finale on Instagram!

This weekend’s  performance of Don Quixote at the Arsht Center marks the closing of another extraordinary season of dance. With its irresistible Minkus score, lavish costumes and sets, and host of colorful characters, Don Quixote is the perfect season finale. Corps de ballet dancer Ariel Rose will make sure that you catch of the excitement behind-the-scenes as our final Instagram guest of the 2013-2014 Season. Follow him at #ArielMCBphotos!

Ariel shares his enthusiasm for this all-time popular work below!

Ariel Rose

Ariel Rose

Don Quixote was one of the very first ballets I ever saw performed. As a young boy I saw Jose Manuel [Carreño] perform Basilio with the American Ballet Theatre at the Metropolitan Opera House in New York. I remember being so enthralled by Espada and his army of toreadors. They were all so suave, powerful and masculine with a Latin flair. I wanted so badly to feel the sense of power and honor from dancing like that. Years later, not only have I been given the opportunity to dance the same ballet, but I am also now wearing the exact same costumes (from American Ballet Theatre) that I saw onstage as a kid. Talk about living and becoming one’s own dream! I now can only wonder if perhaps (as life is very cyclical), that maybe there’s a young boy out there in Fort Lauderdale, West Palm Beach or Miami who is looking up at us men onstage and wanting to be and emulate us!  -Ariel

Ariel's costume.

Marcelo Gomes, David Hallberg and Jared Matthews — famous dancers with American Ballet Theatre — wore the same costumes worn by Ariel in our production of Don Quixote.

Don Quixote

Ariel rehearsing for his Toreador role.

Don’t miss your final chance to see us this season! Get your tickets to Don Quixote here.

 

Gypsies take over Instagram!

This week we are preparing for our final performance of the 2013-2014 Season at the Kravis Center! Our dancers have fully transformed into macho bullfighters, street dancers and sensual gypsies for our full-length production of Don Quixote. In fact, a lead Gypsy lady will be taking over our Instagram feed to cover all of the action in this popular, delightfully Spanish work. Follow principal dancer Patricia Delgado at #PatriciaMCBphotos.

Patricia Delgado

Patricia Delgado

What I love most about performing Don Quixote is immersing myself in whichever character I’m playing and really committing myself whole heartedly to my role and her entire environment! The Spanish roots of this ballet fill the dancing with strength and passion that are so fun to explore on stage. 
-Patricia

Patricia Delgado backstage in her Gypsy costume.

Patricia Delgado backstage in her Gypsy costume.

See her onstage this weekend at the Kravis Center. Get tickets here!

Becoming a Triple Threat – ACT

The process of preparing for West Side Story Suite has been entirely unique, presenting a several new challenges for our dancers. Not only must they master the jazzy, Broadway style of Jerome Robbins’ choreography, but they also must learn to act and sing in front of a live audience! Each week before the Company opens in a new theater, look out for a new video featuring our dancers’ pursuit to become true Triple Threats!

Read more about our West Side Story Suite premiere in The Miami Herald and learn about Balanchine’s Episodes — another new work in Program III — in our blog post from dancer Jovani Furlan.

For more information and tickets on on Program III: Triple Threat click here!

Get to know choreographer Justin Peck!

26-year old Justin Peck is the artist behind our most recent commission Chutes and Ladders. Find out how this California kid is climbing the ranks at New York City Ballet and into the spotlight, as one of today’s up-and-coming choreographers. Catch his work performed live during Program II: See the Music.

A Chance to Shine

Not many apprentices get the opportunity to perform a leading role in their first year with a professional ballet company. However, during Program II: See the Music, one of MCB’s newest members had that chance! Leanna Rinaldi writes about her experience learning and performing Nacho Duato’s Jardí Tancat below.

Leanna Rinaldi

Leanna Rinaldi

Having the opportunity to perform Jardí Tancat, choreographed by Nacho Duato, is an absolute honor. As an apprentice, the first few days of rehearsals were a little intimidating, being around such amazing dancers. To be quite frank, learning and executing the choreography for Jardí Tancat was the most challenging thing I’ve ever done mentally, emotionally and physically. Luckily, we had répétituer Kevin Irving patiently teaching us and showing us how each meticulous movement should be executed. The steps in Jardí Tancat are unlike what we usually do at the ballet. In most ballets we almost always have to pull ourselves up and think of being weightless, while in Jardí Tancat we have to be grounded deep into the floor and be heavy with our movements. I’ve always loved this style of dance and I had a lot of modern training when I was younger, so it was refreshing to kick off those pointe shoes and have the opportunity to dance this wonderful piece. The first time I performed it onstage was very surreal. It felt like I had a deep relationship with each dancer onstage and could feel everyone’s energy and emotion. There are no wings, so there are no distractions coming from offstage. We just have each other and the music. We were so proud of what we had accomplished together. Dancing Jardí Tancat was so exhilarating that when it came time for bows, I asked myself, “What just happened?”  It was truly an amazing experience and I feel like it has pushed me as a dancer and helped with other areas of my dancing.  Jardí Tancat  is an experience that I will cherish for the rest of my career! – Leanna

Leanna rehearsing with Shimon Ito.

Leanna rehearsing with Shimon Ito. Photo by Daniel Azoulay.

Leanna and the cast of Jardi Tancat.

Leanna and the cast of Jardi Tancat.

There is still time catch Leanna perform in, what the Miami New Times called, “a gem, a major addition to the company repertory… beautiful” during Program II: See the Music at the Kravis Center. Get your tickets here!

 

INSIGHTS: Jardí Tancat

Kevin Irving — répétiteur and Artistic Director of Oregon Ballet Theatre — shares the meaning behind Nacho Duato’s profoundly Spanish work Jardí Tancat. This ballet is unlike anything you have ever seen Miami City Ballet perform! Catch it during Program II: See the Music — Jan. 24-26 (Broward Center, Ft. Lauderdale) or Jan. 31- Feb. 2 (Kravis Center, West Palm Beach).

Read the Miami New Time’s RAVE review of this work!

‘See the Music’ with Lourdes Lopez

Artistic Director Lourdes Lopez breaks down the ballets performed in our second repertory program of the season See the Music.

Make sure to catch this musically rich and visually stunning program at one of our three home venues:

Arsht Center, Miami: January 10-12
Broward Center, Ft. Lauderdale: January 24-26
Kravis Center, Palm Beach: January 31-February 2

GET TICKETS NOW!

Thanksgiving with MCB!

While most of you are digging your nose deep into cookbooks and fighting the crowds at the local grocery store, we are preparing for Thanksgiving with rehearsals of George Balanchine’s The Nutcracker™!  This weekend, we head to Naples for our first Nutcracker performance of the season! Dancer Rebecca King will be capturing the magic of this holiday classic on our Instagram feed and shares how The Nutcracker has become an annual Thanksgiving tradition in its own right below. Follow Rebecca #RebeccaMCBphotos!

Rebecca King

Rebecca King

We have heard that in the rest of the country the seasons are changing. Yet, here in Miami, the only thing we have noticed is a slight drop in the humidity.  (We are really roughing it here in the tropics). So, for Miami City Ballet dancers, the truest indicator of the change in seasons is performing The Nutcracker in Naples.  For the past seven years that I have been with MCB, Thanksgiving and Naples have always gone hand-in-hand.  Most years we spend Thanksgiving together on the gulf coast in anticipation of the Nutcracker’s kickoff the next day. Being together for Thanksgiving is something that has become a tradition for all of us — creating wonderful memories of spending a very special holiday together as a family.

Nutcracker casting is up on the board in the studios, we are packing our theater cases, and drawing names for Secret Santa — the holidays are officially here in Miami.

MCB Thanksgiving 2012 in Naples!

MCB Thanksgiving 2012 in Naples!

Experience the magic of the The Nutcracker at any of our home venues located in South Florida! GET TICKETS NOW!
Adrienne Arsht Center: December 19-24
Kravis Center: December 27-30
Broward Center: January 3-5

 

 

INSIGHTS: Polyphonia

Christopher Wheeldon breaks down the ballet that made him one of today’s most important choreographers in our latest INSIGHTS video! Catch the final performance of this work during Program I: First Ventures at the Kravis Center, November 15-17. GET TICKETS NOW!