The process of preparing for West Side Story Suite has been entirely unique, presenting a several new challenges for our dancers. Not only must they master the jazzy, Broadway style of Jerome Robbins’ choreography, but they also must learn to act and sing in front of a live audience! Each week before the Company opens in a new theater, look out for a new video featuring our dancers’ pursuit to become true Triple Threats!
Read more about our West Side Story Suite premiere in The Miami Herald and learn about Balanchine’s Episodes — another new work in Program III — in our blog post from dancer Jovani Furlan.
For more information and tickets on on Program III: Triple Threat click here!
26-year old Justin Peck is the artist behind our most recent commission Chutes and Ladders. Find out how this California kid is climbing the ranks at New York City Ballet and into the spotlight, as one of today’s up-and-coming choreographers. Catch his work performed live during Program II: See the Music.
Not many apprentices get the opportunity to perform a leading role in their first year with a professional ballet company. However, during Program II: See the Music, one of MCB’s newest members had that chance! Leanna Rinaldi writes about her experience learning and performing Nacho Duato’s Jardí Tancat below.
Having the opportunity to perform Jardí Tancat, choreographed by Nacho Duato, is an absolute honor. As an apprentice, the first few days of rehearsals were a little intimidating, being around such amazing dancers. To be quite frank, learning and executing the choreography for Jardí Tancatwas the most challenging thing I’ve ever done mentally, emotionally and physically. Luckily, we had répétituer Kevin Irving patiently teaching us and showing us how each meticulous movement should be executed. The steps in Jardí Tancat are unlike what we usually do at the ballet. In most ballets we almost always have to pull ourselves up and think of being weightless, while in Jardí Tancat we have to be grounded deep into the floor and be heavy with our movements. I’ve always loved this style of dance and I had a lot of modern training when I was younger, so it was refreshing to kick off those pointe shoes and have the opportunity to dance this wonderful piece. The first time I performed it onstage was very surreal. It felt like I had a deep relationship with each dancer onstage and could feel everyone’s energy and emotion. There are no wings, so there are no distractions coming from offstage. We just have each other and the music. We were so proud of what we had accomplished together. Dancing Jardí Tancat was so exhilarating that when it came time for bows, I asked myself, “What just happened?” It was truly an amazing experience and I feel like it has pushed me as a dancer and helped with other areas of my dancing. Jardí Tancat is an experience that I will cherish for the rest of my career! – Leanna
Leanna rehearsing with Shimon Ito. Photo by Daniel Azoulay.
Kevin Irving — répétiteur and Artistic Director of Oregon Ballet Theatre — shares the meaning behind Nacho Duato’s profoundly Spanish work Jardí Tancat. This ballet is unlike anything you have ever seen Miami City Ballet perform! Catch it during Program II: See the Music — Jan. 24-26 (Broward Center, Ft. Lauderdale) or Jan. 31- Feb. 2 (Kravis Center, West Palm Beach).
Read the Miami New Time’s RAVE reviewof this work!
While most of you are digging your nose deep into cookbooks and fighting the crowds at the local grocery store, we are preparing for Thanksgiving with rehearsals of George Balanchine’s The Nutcracker™!This weekend, we head to Naples for our first Nutcracker performance of the season!Dancer Rebecca King will be capturing the magic of this holiday classic on our Instagram feed and shares how The Nutcracker has become an annual Thanksgiving tradition in its own right below. Follow Rebecca #RebeccaMCBphotos!
We have heard that in the rest of the country the seasons are changing. Yet, here in Miami, the only thing we have noticed is a slight drop in the humidity. (We are really roughing it here in the tropics). So, for Miami City Ballet dancers, the truest indicator of the change in seasons is performing The Nutcracker in Naples. For the past seven years that I have been with MCB, Thanksgiving and Naples have always gone hand-in-hand. Most years we spend Thanksgiving together on the gulf coast in anticipation of the Nutcracker’s kickoff the next day. Being together for Thanksgiving is something that has become a tradition for all of us — creating wonderful memories of spending a very special holiday together as a family.
Nutcracker casting is up on the board in the studios, we are packing our theater cases, and drawing names for Secret Santa — the holidays are officially here in Miami.
MCB Thanksgiving 2012 in Naples!
Experience the magic of the The Nutcracker at any of our home venues located in South Florida! GET TICKETS NOW!
Adrienne Arsht Center: December 19-24
Kravis Center: December 27-30
Broward Center: January 3-5
Christopher Wheeldon breaks down the ballet that made him one of today’s most important choreographers in our latest INSIGHTS video! Catch the final performance of this work during Program I: First Ventures at the Kravis Center, November 15-17. GET TICKETS NOW!
We are back in performance mode this week, as we prepare for our Season Opening at the Kravis Center this weekend! First Ventures has been the perfect way to start the new season. From George Balanchine’s Serenade — the first ballet he created in America — to Christopher Wheeldon’s “edgy and electrifying Polyphonia“, as described by the Miami Herald, and Balanchine’s joyful, virtuoso Ballo della Regina, each ballet inspires a sense of excitement and anticipation for the rest of the season. To create lasting memories and capture our final performances of Program I: First Ventures on Instagram is corps de ballet dancer Suzette Logue!
We asked Suzette what ballets she is most excited to perform this weekend. Here’s what she said!
‘Ballo Della Regina’ and ‘Serenade’ are two of my favorite ballets to perform. There is such great energy in Ballo and Serenade has a soft but commanding presence that captures you from the moment the curtain goes up!
Look for Suzette onstage this weekend!
Suzette and Adrianne Carter having a ‘merde’ moment before ‘Serenade’ backstage.
For a sneak peek at the ballets we are performing this weekend, check out the following blog posts!
Anyone who attended opening night at the Arsht Center last Friday can agree that the energy and excitement was at an all-time high for the opening of our 2013-2014 Season! We can’t wait to do it all again at the Broward Center for the opening of Program I: First Ventures on October 25-27. While the PAPARAZZI will be snapping shots of our glamorous audience members on the red carpet, dancer Leigh-Ann Esty will be behind-the-scenes capturing the backstage action on opening night and throughout the weekend on Instagram. Find out why she is excited for our opening program at the Broward Center and follow her at #LeighMCBphotos!
I’m excited for this weekends performance because there will be three different casts dancing! I can’t wait to see various people explore different roles!
GET YOUR TICKETS to Program I: First Ventures at the Broward Center to begin your journey with Miami City Ballet. If you can’t make it this weekend, join us at the Kravis Center from November 15-17 for our season opening there!
Check out some of the backstage shots caught by dancer Adrienne Carter on Instagram from our opening at the Arsht Center:
Pointe shoe prep before Balanchine’s ‘Ballo della Regina.’
Kleber Rebello and Sara Esty in Wheeldon’s ‘Polyphonia.’
The night we have been waiting for is finally here and we not only have one, but TWO stories from Principal dancer Patricia Delgado to wrap up the Opening Night countdown. We hope that you have enjoyed the series and that tonight, when the curtain rises on Program I: First Ventures, you and our dancers will make new memories together through a shared experience in the beauty of the ballet.
I have two very special opening night memories that I will never forget! The first one was during one of my first years in the company. It is one of my favorite All Balanchine Programs – Ballo de la Regina, Stravinsky Violin Concerto and Stars and Stripes. Ballo de la Regina and Stravinsky Violin Concerto were company premieres, which always adds an extra sense of excitement to the evening. However, what made it so special for me was having the opportunity to dance one of my first solos in Ballo de la Regina and receivingmy first bouquet of flowers on stage. I wasn’t expecting it! The surprise gave me so much energy to get back out on stage for Stravinsky Violin Concerto and then finish off in Stars and Stripes. Here I am that night when I got home from the theater still so happy and excited about it!
Patricia with her first bouquet of Opening Night flowers.
The other memory is from a couple of years ago when we brought back George Balanchine’s Who Cares? and I had the opportunity to dance one of my dream roles. I had grown up watching my favorite dancers perform this part, especially Jennifer Kronenberg, and it always seemed so glamorous and untouchable! I remember feeling so nervous before the curtain went up even after months of rehearsals! But once I got out on stage and the music and energy of opening night filled me, it was an incredibly fulfilling and unforgettable experience!