While most of you are digging your nose deep into cookbooks and fighting the crowds at the local grocery store, we are preparing for Thanksgiving with rehearsals of George Balanchine’s The Nutcracker™!This weekend, we head to Naples for our first Nutcracker performance of the season!Dancer Rebecca King will be capturing the magic of this holiday classic on our Instagram feed and shares how The Nutcracker has become an annual Thanksgiving tradition in its own right below. Follow Rebecca #RebeccaMCBphotos!
We have heard that in the rest of the country the seasons are changing. Yet, here in Miami, the only thing we have noticed is a slight drop in the humidity. (We are really roughing it here in the tropics). So, for Miami City Ballet dancers, the truest indicator of the change in seasons is performing The Nutcracker in Naples. For the past seven years that I have been with MCB, Thanksgiving and Naples have always gone hand-in-hand. Most years we spend Thanksgiving together on the gulf coast in anticipation of the Nutcracker’s kickoff the next day. Being together for Thanksgiving is something that has become a tradition for all of us — creating wonderful memories of spending a very special holiday together as a family.
Nutcracker casting is up on the board in the studios, we are packing our theater cases, and drawing names for Secret Santa — the holidays are officially here in Miami.
MCB Thanksgiving 2012 in Naples!
Experience the magic of the The Nutcracker at any of our home venues located in South Florida! GET TICKETS NOW!
Adrienne Arsht Center: December 19-24
Kravis Center: December 27-30
Broward Center: January 3-5
Nothing brings in the holidays better than Miami City Ballet’s production of George Balanchine’s The Nutcracker™! With Thanksgiving just days away, here’s a special preview of the magic we’ll be making onstage to officially kickoff the holiday season. Enjoy!
Last week, répétiteur and Artistic Director of Oregon Ballet TheatreKevin Irving visited our studios to teach our dancers Nacho Duato’s Jardí Tancat. This profoundly Spanish, soulful work challenged our dancers to move differently, breaking free from their typical ballet vocabulary. Dancer Chase Swatosh describes his experience learning Duato’s unique choreography below!
Rehearsing Jardí Tancat and trying to learn Nacho Duato’s distinctive movement vocabulary was an awesome experience. I feel like every time I learn a new dance style, a new technique, or a new physical activity I gain a deeper knowledge about my own physicality and the amazing multitude of ways in which our bodies can move. There were many challenges for me in learning this new style of movement that is so different from classical technique. The movement in Jardí Tancat is characterized by parallel positions, a low center of gravity, fluidity, and gestures of sowing seeds, harvesting, and yearning for raindrops (Jardí Tancat means “enclosed garden” in Catalan). The movement has a heaviness to it, requiring the dancers to stay low to the ground and use the momentum of their body weight and head to link steps together, instead of maintaining an upright center the whole time. This can be disorienting to the dancer in certain moments, but perfectly necessary in order to achieve the right movement quality that creates the atmosphere of Jardí Tancat. We were fortunate to have the ins and outs of this piece taught to us patiently and articulately by répétiteur Kevin Irving. He was a pleasure to work with and really gave us a sense of the spirit of Jardí Tancat and the purpose behind the movement. I can’t wait to perform this piece and share it with our audience as part of an incredible Program II. I hope that you will get as much out of it as I do!
Chase getting partnering tips from Kevin Irving
Renan Cerdeiro and Jeanette Delgado in Jardi Tancat.
Christopher Wheeldon breaks down the ballet that made him one of today’s most important choreographers in our latest INSIGHTS video! Catch the final performance of this work during Program I: First Ventures at the Kravis Center, November 15-17. GET TICKETS NOW!
We are back in performance mode this week, as we prepare for our Season Opening at the Kravis Center this weekend! First Ventures has been the perfect way to start the new season. From George Balanchine’s Serenade — the first ballet he created in America — to Christopher Wheeldon’s “edgy and electrifying Polyphonia“, as described by the Miami Herald, and Balanchine’s joyful, virtuoso Ballo della Regina, each ballet inspires a sense of excitement and anticipation for the rest of the season. To create lasting memories and capture our final performances of Program I: First Ventures on Instagram is corps de ballet dancer Suzette Logue!
We asked Suzette what ballets she is most excited to perform this weekend. Here’s what she said!
‘Ballo Della Regina’ and ‘Serenade’ are two of my favorite ballets to perform. There is such great energy in Ballo and Serenade has a soft but commanding presence that captures you from the moment the curtain goes up!
Look for Suzette onstage this weekend!
Suzette and Adrianne Carter having a ‘merde’ moment before ‘Serenade’ backstage.
For a sneak peek at the ballets we are performing this weekend, check out the following blog posts!
Tonight, the worlds of Broadway and ballet literally collide during our first Open Barreof the 2013-2014 Season. The original Anita from the Broadway production of West Side Story, Chita Rivera joins us onstage to discuss working with Jerome Robbins, while the company gives a sneak peek of the “triple threat” premiere of West Side Story Suite. This will be the first time that our dancers test their signing talents in front of a live audience….and to capture it all on Instagram is dancer Jovani Furlan!
Jovani will not only be taking you behind-the-scenes of Open Barre this weekend, but will also be documenting the exciting work happening in our studios next week with Répétiteur and Artistic Director of Oregon Ballet Theatre Kevin Irving. Kevin is here to set Nacho Duato’s Jardí Tancat – the profoundly Spanish, lyrical work that allows our dancers to kickoff their pointe shoes and dance barefoot! As the former ballet master and head of the artistic department with Nacho Duato’s Compañia Nacional de Danza in Spain, Kevin has intimate knowledge of Duato’s choreography that he will instill in our dancers before we bring Jardí Tancat to the stage during Program II: See the Music.
Jeanette Delgado and Renan Cerdeiro in Jardi Tancat.
Sneak peek of the action on Instagram!
Make sure to follow Jovani on Instagram #JovaniMCBphotos to catch all of the exciting happenings here at the ballet!
Want more on Chita Rivera? Check out our Pinterest Board to see more legendary roles performed by one of Broadway’s leading ladies!
Legendary Balanchine ballerina Merrill Ashley discusses the ballet that made her a star! Discover what makes Ballo della Regina “sparkle” in our latest INSIGHTS video and see it at the Broward Center during Program I: First Ventures this weekend! Get your ticket now!
A special thanks to the Ballo della Regina Committee for helping Miami City Ballet make this timeless work possible!
Michele Herbert, Merrill Ashley, Jacqueline Kott, and Claudia Perles (left to right) after the opening performance of ‘Ballo della Regina.’
Anyone who attended opening night at the Arsht Center last Friday can agree that the energy and excitement was at an all-time high for the opening of our 2013-2014 Season! We can’t wait to do it all again at the Broward Center for the opening of Program I: First Ventures on October 25-27. While the PAPARAZZI will be snapping shots of our glamorous audience members on the red carpet, dancer Leigh-Ann Esty will be behind-the-scenes capturing the backstage action on opening night and throughout the weekend on Instagram. Find out why she is excited for our opening program at the Broward Center and follow her at #LeighMCBphotos!
I’m excited for this weekends performance because there will be three different casts dancing! I can’t wait to see various people explore different roles!
GET YOUR TICKETS to Program I: First Ventures at the Broward Center to begin your journey with Miami City Ballet. If you can’t make it this weekend, join us at the Kravis Center from November 15-17 for our season opening there!
Check out some of the backstage shots caught by dancer Adrienne Carter on Instagram from our opening at the Arsht Center:
Pointe shoe prep before Balanchine’s ‘Ballo della Regina.’
Kleber Rebello and Sara Esty in Wheeldon’s ‘Polyphonia.’
The night we have been waiting for is finally here and we not only have one, but TWO stories from Principal dancer Patricia Delgado to wrap up the Opening Night countdown. We hope that you have enjoyed the series and that tonight, when the curtain rises on Program I: First Ventures, you and our dancers will make new memories together through a shared experience in the beauty of the ballet.
I have two very special opening night memories that I will never forget! The first one was during one of my first years in the company. It is one of my favorite All Balanchine Programs – Ballo de la Regina, Stravinsky Violin Concerto and Stars and Stripes. Ballo de la Regina and Stravinsky Violin Concerto were company premieres, which always adds an extra sense of excitement to the evening. However, what made it so special for me was having the opportunity to dance one of my first solos in Ballo de la Regina and receivingmy first bouquet of flowers on stage. I wasn’t expecting it! The surprise gave me so much energy to get back out on stage for Stravinsky Violin Concerto and then finish off in Stars and Stripes. Here I am that night when I got home from the theater still so happy and excited about it!
Patricia with her first bouquet of Opening Night flowers.
The other memory is from a couple of years ago when we brought back George Balanchine’s Who Cares? and I had the opportunity to dance one of my dream roles. I had grown up watching my favorite dancers perform this part, especially Jennifer Kronenberg, and it always seemed so glamorous and untouchable! I remember feeling so nervous before the curtain went up even after months of rehearsals! But once I got out on stage and the music and energy of opening night filled me, it was an incredibly fulfilling and unforgettable experience!