LOURDES LOPEZ / ARTISTIC DIRECTOR

MCB Dancers Take Italy

It’s been a couple of weeks since our dancers wrapped up rehearsals with choreographer Justin Peck. Since then, they’ve all been enjoying some additional time off this summer, getting plenty of much-needed rest and relaxation. But as we’ve learned quite well, it’s rarely all play and no work for our dancers. In fact, we recently caught up with principal dancers Tricia Albertson and Renan Cerdeiro, who, earlier this month, performed at the Florence Dance Festival at the National Museum of Bargello in Italy–the same museum that houses Donatello’s famous Statue of David.

The show, titled Stars of American Ballet, featured Tricia and Renan, along with principal couples from New York City Ballet and Boston Ballet.

National Museum of Bargello in Italy. Photo courtesy of Tricia Albertson & Renan Cerdeiro.

Screen Shot 2014-07-14 at 12.03.50 PM

Principal dancers Tricia Albertson and Renan Cerdeiro.

“It was set up in an outside courtyard with sculptures surrounding–so beautiful,” Tricia told us. “Renan and I performed excerpts from ApolloChutes and Ladders, and Who Cares?.” After the performance, the two took some time to take in the sights of Italy, along with fellow MCB dancer Jovani Furlan. Check out these gorgeous photos.

Tricia, Jovani and Renan enjoy a gondola ride.

Tricia, Renan and Jovani pose for a photo.

Thank you to Tricia, Renan and Jovani for sharing your experience with us!

Miami City Ballet Tickets on Sale Next Week!

Our 2014-2015 of season of dance is quickly approaching! That means single tickets for our full season, as well as the holiday favorite, George Balanchine’s The Nutcracker,  officially go on sale July 14th.

Marking our 29th season, we’re offering one of the most exciting ones yet, blending some classic ballet favorites with several company premieres, including a world premiere created specifically for MCB dancers by one of today’s most sought after choreographers, Justin Peck.

Check out the full 2014-2015 Season Preview below. 

Dancers Are Back!

Our dancers have returned to the studios after their 5-week break to start learning a brand new ballet by choreographer Justin Peck. This is Justin’s second ballet for MCB, which will premiere during our final program of the 2014-2015 Season in March. His new work calls for a large cast of dancers and scenery by the popular street artist Shepard Fairey – best known for his work on the Obama Hope poster and also for his large murals adorning local streets and establishments such as the Wynwood Walls and Wynwood Kitchen & Bar. To capture the creation process behind his new work on our Instagram feed is corps de ballet dancer Emily Bromberg! Follow her at #EmilyMCBphotos to get an intimate look at Justin making choreographic magic!

Dancer

Emily Bromberg

Since the end of our 2013-2014 Season I have kept myself busy by guest performing in Rhode Island, Virginia and New York.  With all of these great guest performing opportunities the last two months, I am ready to start our 2014-2015 Season!

Tinker Bell

Miami City Ballet dancer Emily Bromberg as ‘Tinker Bell’ in Festival Ballet Providence’s production of Jorden Morris’s ‘Peter Pan.’ Photo by A. Cemal Ekin/keptlight.com.

I will be taking over Miami City Ballet’s Instagram feed to share some sneak peaks of Justin Peck’s new ballet, set specifically on MCB dancers! I knew I liked Justin’s work when I first saw Chutes and Ladders,’ but I knew I loved his work when I attended our ‘Open Barre’ performances this Spring. His calm demeanor and insistence on portraying a specific idea using not only the bodies of his dancers, but also the psychological and emotional tools we all carry, inspired me a great deal! I look forward to the next few weeks to watching him create a new piece that I’m sure will be a must see for all of our audiences! – Emily


SEE ALSO: 

Get to Know Choreographer Justin Peck! 

More photos by A. Cemal Ekin: keptlight.com

Summer on Instagram

Our dancers have been everywhere this summer, making guest appearances and holding various teaching gigs at dance companies and studios across the country. This weekend, we are so lucky to have corps de ballet dancer Rebecca King taking over our Instagram feed to get an inside look at what she and our other dancers are up to this summer. Follow her at #RebeccaMCBphotos and check out what she has planned for her ‘gram-worthy’ weekend in NYC below!

Dancer

Rebecca King

Right now, we are getting close to the end of our first summer layoff. These weeks off in the summer are extremely important for us. After 40-plus straight weeks of dancing 7 days a week during our season, this time to rest and recover is essential as we are able to take time to treat nagging injuries and cross-train. While we continue to work to strengthen our worn down bodies from a long season, we also find some time to travel! This weekend I will be joining fellow MCB dancers in a visit to New York City.

We haven’t all been together in quite sometime now, so we are all very excited to enjoy the city together. On Saturday night we are thrilled to be attending New York City Ballet’s performance of Justin Peck’s new ballet “Everywhere We Go.” This will be especially exciting for us as Justin will be joining us in Miami when we return to work on June 9th to start his new ballet set to premier during the 2014-2015 Season in Program IV: Points of Departure. I have only seen the Pas de Deux that Justin choreographed for MCB a couple of seasons ago, so I can’t wait to get another preview of what is to come for MCB!

I am so looking forward to enjoying time with great friends and I hope you enjoy following our adventures through Instagram! – Rebecca

 Check out this preview of Justin Peck’s Everywhere We Go for New York City Ballet. 

Dancers’ Picks of the Season!

We have heard from corps de ballet dancer, Michael Breeden, about the ballets that he is looking forward to performing most next season. Now, principal dancer Jeanette Delgado weighs in!

dancer

Jeanette Delgado

Next season is going to be thrilling! There are some oldies (but goodies) as well as some brand new works! I am looking forward to a lot of the ballets like Richard Alston’s ‘Carmen’ and Justin Peck’s new work, as well as ‘Raymonda Variations and ‘Allegro Brillante’, which are both beautiful Balanchine ballets the company has not performed in a while.

Richard Alston

Jeanette Delgado in ‘Carmen.’ Photo by Alberto Oviedo.

‘Raymonda Variations’ was a ballet that I performed when I was pretty young in the school. I found it to be so challenging and I remember feeling extremely nervous. The ballerina has two variations and two pas de deux and it is very challenging technically. I am looking forward to reuniting with this ballet now that I have a few more years under my belt and seeing what I can learn from it and bring to the role!

Dancer

Jeanette Delgado in ‘Raymonda Variations.’ Choreography by George Balanchine © The George Balanchine Trust. Photo by Steven Caras.

Completely opposite from that ballet is the thrilling challenge of a work that is being created on us! Two seasons ago, I was so fortunate to be able to work with Justin [Peck] on his ballet, ‘Chutes and Ladders. Even though that process was very quick, I learned so much from him and was stretched artistically by his creativity. Since then, I have been hoping to work with him again! This time around, it will be a larger ballet, so I’m very excited that more of the company will be able to experience this process! I was able to watch Chutes this season from the audience and was moved every time in a new way. I think his creative voice is remarkably new and so relative and tangible to our generation and time!

I hope you are all looking forward to next season! We promise to work as hard as ever on these ballets so that we can continue to share this great art form with you! — Jeanette

Discover our new season here

Dancers’ Picks of Next Season

Our 2013-2014 Season has just come to a close, but we are already gearing up for the new season ahead! Our dancers return to the studios on June 9th to begin learning next season’s ballets, starting with up-and-coming choreographer Justin Peck’s new work with street artist Shepard Fairey! Below, corps de ballet dancer Michael Breeden shares his excitement about the ballets he can’t wait to perform.

Dancer

Michael Breeden

As one season comes to a finish and we reflect on the transcendent moments experienced onstage, it’s impossible for us dancers to not imagine all that’s in store next year. With the 2014-2015 Season beginning in June, we don’t have to wait too long before we get our hands on the most anticipated works of the year.

For me, there are some obvious highlights. Two great Balanchine works, ‘Symphony in Three Movements’ and ‘Allegro Brillante’, are back in the repertoire for the first time since 2009. Though the two works came from one great mind, they are alike only in the fact that they are brilliant works set to genius compositions (‘Allegro’ to music by Tchaikovsky, and ‘Symphony in Three’ to music by Stravinsky). ‘Allegro’ is Balanchine’s full-out essay on classicism as captured in 12 minutes. ‘Symphony in 3′ is a massive work with kaleidoscopic formations utilizing the entire company, as the dance echoes the driving score. I’ve danced both of these works before and every time they come back, I love them more. Balanchine’s genius continually reveals itself with each performance to both dancers and audience members, and it’s an experience I never take for granted.

Balanchine

Miami City Ballet dancers in Symphony in Three Movements. Choreography by George Balanchine © The George Balanchine Trust. Photo by Joe Gato.

Dancer

Jeanette Delgado in Allegro Brillante. Choreography by George Balanchine © The George Balanchine Trust. Photo © Alexandre Dufaur.

Balanchine works are a company staple that I always looks forward to, but choreography tailor made for the company is less frequent. The ballet I’m looking forward to most next season is a world premiere by Justin Peck, appearing during Program IV: Points of Departure. The company has developed a passion for new choreography in the past years, with choreographers like Alexei Ratmansky and Liam Scarlett making works on us. Justin’s new work promises to fulfill its dancers and audiences in the same way those great choreographers did. His ballets abound with fresh, exciting and innovative use of the corps and so many visually striking dance images that repeated viewings are practically a must. He has a musical response that actually enhances the score, rather than uses it for effect. Each step in his works unfolds naturally, with fluidity, grace and style.

Choreography

Justin Peck works with dancers Tricia Albertson and Renato Penteado on his ballet ‘Chutes and Ladders.’ Photo by Daniel Azoulay.

Full disclosure: Justin and I were suite mates at the School of American Ballet ten years ago, so it may be tempting to accuse me of bias. While I certainly enjoy his success as a friend and am happy to see him achieve so much at such a young age, I think a single viewing of one of his works is enough to know that bias has nothing to do with appreciating true talent. The wealth of knowledge and creativity that Justin has as a dance maker is just starting to be explored, and I couldn’t be more excited that the next step will be with Miami City Ballet.

Read the New York Time’s review of Justin Peck’s most recent work for New York City Ballet — Everywhere We Go. Discover the other ballets we are performing next season here and lookout for Michael onstage!

YOUR Top Moments!

Now that we have heard from both our fans and dancers about their favorite moments from the 2013-2014 Season, we can truly say that this has been one exceptional year of ballet! While our dancers bring this art form to life, audience members and fans like you make the hard work and dedication worthwhile — enhancing the purpose of our craft. Creating a meaningful connection between our dancers and audience is really what ballet is all about. We hope you have enjoyed the journey through our 2013-2014 Season as much as we have and can’t wait to do it all again with a range of exciting works next season!

Now, here are some of YOUR favorite moments from the season! Thanks so much for sharing these memories with us!

Rene G Cruz:
1. The return of Mary Carmen Catoya as the Sugar Plum Fairy in The Nutcracker and her Cavalier Renato…a magical moment in Broward.
2. Suzanne Limbrunner’s interpretation of ‘Coffee’…priceless.
3. Program III…outstanding….West Side Story and Sarah Esty’s voice, among others.
4. Don Quixote…superb…loved Emily Bromberg and Catoya in the Dream Scene.
5. Last but not least….Serenade.
It was a wonderful season, congratulations to all the staff, dancers and support personnel…BRAVO.

Serenade

MCB dancers in Balanchine’s ‘Serenade’ (Program I: First Ventures).

Joanna Benech:
West Side Story and Don Quixote were my favorites but the entire season rocked! I enjoyed them all. Looking forward to next season. Last time the company performed Romeo and Juliet I lost my tickets and could not make it. I cried for hours…

Candice:
My daughter is an aspiring ballerina. I took her to see The Nutcracker this Christmas. It was her first time going to the ballet to see a performance. She was mesmerized the entire time. It was one of the most amazing experiences both of us had ever had. We cannot wait to see Romeo and Juliet this year. You all are amazing! Thank you so much for a life changing moment for my daughter.

The Nutcracker

Ashley Knox in ‘Snow’ from ‘George Balanchine’s The Nutcracker.’

Mira Treatman:
My favorite moment was when my favorite young dancer, Nathalia Arja, got promoted because I had been following her career and really enjoying her youthful spirit in performance!

Jessica:
Don Quixote was great! I love it.

Heidi Rich:
Jardí Tancat and Polyphonia were splendid! I hope they stay in the rep. West Side Story was such a treat! Totally loved Ballo della Regina, which was the icing on the cake! I loved every minute of every program!

Sean Chambers:
There were so many [ballets] I couldn’t possibly narrow it down to just one!

Fiona Scott:
Absolutely loved West Side Story, as I have never seen a ballet before where the dancers sang. Jeanette Delgado was spectacular!

West Side Story

Jeanette Delgado and Reyneris Reyes in Jerome Robbins’ ‘West Side Story Suite’ (Program III: Triple Threat).

Nicole Hatch:
I attended a performance of Don Quixote in Miami and was thrilled to see Mary Carmen Catoya performing once again. The performance was stunning on all levels. The stage setting, scenery and costumes were beautiful. The artistry and technical ability of the dancers was impeccable. I feel so fortunate to have such a strong ballet company as my own local company. 

Susan Mark:
I especially enjoyed Ballo della Regina with the lovely ballerina, Nathalia Arja. I originally saw Merrill Ashley dance it with the New York City Ballet.

Joelle Parra:
My top moment was getting to see the Miami City Ballet perform Don Quixote. It was my first time EVER seeing MCB live — and it was even more mesmerizing than I had imagined. Thanks for a magical night of art in motion.

Don Quixote

Jennifer Kronenberg and Reyneris Reyes in ‘Don Quixote’.

Dancer Appearances this Summer!

For most of us, summertime means relaxing vacations, spending time with friends and family, or simply slowing down to relish in the lazy summer heat. For our dancers, summertime means something quite different! While many take advantage of a quick trip for travel or sentimental homecoming, most of them ramp up for a series of guest appearances with other dance companies and teaching gigs at dance studios nationwide. Here is a look at where some of our dancers are performing and teaching this summer!

Thursday, May 1 from 6:15pm-8:15pm:
Rebecca King will be teaching a master class at The Dancers Studio in Stuart, FL. She will also be teaching students sections for George Balanchine’s beloved classic, Serenade. For more information, call 722.692.7125 or visit their Facebook page! We asked Rebecca why she enjoys teaching during her summer months off, and here is what she had to say:

As professional dancers we spend most of our time in the studio.  But, it’s not every day that we get to stand in the front of the studio, essentially switching roles. It may seem that students get the most from their teachers, but in my case, I always find that I learn so much from these young pupils. Watching their thought process and work ethic is not only inspiring to me, but educational as well.  Seeing them take a correction and apply it to their dancing and witnessing a change, is extraordinarily rewarding. I am so looking forward to this collaborative learning experience.  


Saturday, May 3 and Sunday, May 4:
Reyneris Reyes
and Tricia Albertson will be performing Cinderella in Fredrick, MD with the Maryland Regional Ballet. For more information click here.

Christopher Wheeldon

Tricia Albertson and Reyneris Reyes in ‘Polyphonia.’


Monday, May 5:
Patricia Delgado
will be performing at the 4th Annual Dance Against Cancer Benefit in New York City. She is dancing Justin Peck’s Sea Change — a ballet to a touching piano piece by Shubert that he choreographed on Patricia and three dancers from New York City Ballet last summer in Nantucket. Read more about the benefit here.

Patricia has also been guest teaching at the Manhattan Youth Ballet in New York City. Here’s what she had to say about her teaching experience, “Had my first classes this week and had the best time! I love getting to work with young and energetic driven kids who are so enthusiastic and eager for information. It’s so inspiring!”

Dance teacher

Patricia teaching at MCB School’s 2012 Summer Intensive.

Monday, May 5 – Sunday, June 1:
Shimon Ito and Emily Bromberg will make guest appearances together in a series of performances, including Festival Ballet Providence’s production of Peter Pan (May 16-18), a performance of Liam Scarlett’s Viscera with Route 11 Dance Festival in Virginia (May 5-10), and Act III of Sleeping Beauty in New York City with Asaka Ito Ballet School — Shimon’s mother’s dance studio (June 1)! And the best part, Emily’s four-legged friend ‘Puck’ will be joining them for the entire adventure!

Ballet jump

‘Puck’ is used to hanging out with dancers. Here he is with dancer Jovani Furlan from our photo shoot with photographer Jordan Matter.

Friday, May 16 – Sunday, May 18:
Ariel Rose will be returning to his home studio Ballet Academy East for a guest performance with their studio company in Balanchine’s La Source. For more information click here.

Friday, June 6 – Sunday, June 8:
Michael Breeden will be performing A Midsummer Night’s Dream with Pennsylvania Ballet at the Kennedy Center. Michael is particularly excited for this performance, as he will be back onstage with several Miami City Ballet and School of American Ballet alum who he hasn’t danced with in years! For more information click here.

Monday, July 14 – Friday, July 18:
Tricia Albertson will be teaching at the Toledo Ballet in Toledo, OH, followed by Renato Penteado, who will also be teaching there from Monday, July 28 – Friday, August 1.

As you see, our dancers are very busy over the next couple of months. We can’t wait until they return to our studios on June 9th to start learning Justin Peck’s new work, which will debut next season! Learn more about the new season here.

 

 

 

 

 

We want to hear from YOU!

Our dancers told us their top moments for the 2013-2014 Season and now we want to hear from YOU!  Share your top moments by filling out the form below, to be entered to win two tickets to Opening Night of Romeo and Juliet next season!

We want to hear about what ballets were your favorites and why! Once we receive your entry, we will post it on the Miami City Ballet Blog and share on Twitter and Facebook, for all of our fans to see. Your submission must be received by Friday, May 2nd to be entered into the Romeo and Juliet ticket sweepstakes, and the winner will be announced on Monday, May 5th.

Romeo and Juliet

Principal dancers Patricia Delgado and Renan Cerdeiro in ‘Romeo and Juliet.’

Looking forward to hearing from you!

Dancers’ Top Moments of 2013-2014!

You have now heard from dancers Ariel Rose and Nathalia Arja about their favorite moments of the 2013-2014 Season, so to wrap up our series is principal dancer Tricia Albertson!

Dancer

Tricia Albertson

At this point in my career as a dancer, I look to be pushed outside of my comfort zone to discover as much as possible about myself and my art. This season, I was given many chances to do just that! Here are some of the highlights for me.

Jardí Tancat‘ was a highlight because it was a completely different style of dance from anything I’ve ever performed. It was barefoot, weighty and grounded, yet embraced an emotional abandon unlike anything I had ever experienced. Beyond that, there was something so raw about this piece — something that made me feel an intense bond and connection with the people with whom I danced.

Nacho Duato

Tricia Albertson and Renan Cerdeiro in Nacho Duato’s ‘Jardi Tancat’

Working with Justin Peck on ‘Chutes and Ladders’ was another highlight of my season. There is something so wonderful about working with the actual choreographer of a piece, especially one who has such a specific vision. Beyond the steps, Justin works with visuals for us to try to create with our bodies, which makes me think outside of what my body is doing. I found myself pushing my body in ways I didn’t know I could and thinking about movement as creating an illusion, a vision, not just a technical expression.

Justin Peck

Tricia Albertson and Renato Penteado in Justin Peck’s ‘Chutes and Ladders.’

When I heard we were doing ‘West Side Story Suite my first thought was, “How can I get myself into that ballet?!” ‘West Side Story’ is my favorite musical of all time. Mostly, I loved watching the men of MCB transform into Sharks and Jets and break out their tough sides. I love to be a part of productions that make people transform. I love to be in rehearsal and see that transformation happen gradually. I suspected that ‘West Side Story Suite’ would be one of those works that would really bring the company together, and it did — it was a true team effort.

Jerome Robbins

Miami City Ballet dancers in Jerome Robbins’ ‘West Side Story Suite.”

Polyphonia‘ was my greatest personal challenge and a major highlight of my season. That role was nothing like anything I had ever confronted before. It forced me to grow up a little, to get over certain insecurities and to embrace a part of me that until then I thought I should try to hide.

Christopher Wheeldon

Tricia Albertson and Reyneris Reyes in Christopher Wheeldon’s ‘Polyphonia.’

But really, the highlight of my season and every season for that matter was sharing the stage with so many wonderful artists. As I get older I cherish these bonds more and more. – Tricia

We hope enjoyed hearing from our dancers about their favorite moments of the season! Lookout for a chance to share your top moments of the 2013-2014 Season coming soon…

Find out the ballets we are bringing to the stage next season by clicking here!