LOURDES LOPEZ / ARTISTIC DIRECTOR

How to Revitalize Your Ballet Body

Summer is a time for our dancers to take a break from the stage for some well-deserved relaxation and recovery. However, the work never truly ends. Even during their time off, professional dancers practice healthy habits and various activities to keep their bodies and minds conditioned for the  grueling season to come. Principal dancer Patricia Delgado shares 6 tips that help her rejuvenate during the summer months off.

Ballet Body

Patricia Delgado and Renan Cerdeiro in Balanchine’s ‘Apollo.’

Every year during the summer layoff I set different goals for myself.  When we are working during the season, almost all of my focus is devoted to performing. By the end, I feel accomplished and grateful, but also physically and emotionally drained. The layoff can be a time to explore the physical rest, recovery and cross-training aspect of our work and also a time to find inspiration elsewhere such as teaching, exploring other art forms and traveling!  

Patricia’s Tips: 

Replenish Nutritionally
The layoff is a good time to make sure our muscles heal. One way of doing that is through eating healthy foods. I have had the pleasure of being in New York City during this break and have enjoyed the many delicious ethnic restaurants NYC has to offer, especially Indian and Asian cuisines which have many healing properties in their spices! With the extra energy, I’ve been exploring new recipes, for example, cooking more meats and fish. I’ve also been baking because its very therapeutic to me.  I even took a baking course to sharpen up some of my skills at the Institute of Culinary Education.  It’s great to shift your focus and work your brain in a different way!  

Sleep
I’ve made it a point to sleep in and take naps during this layoff as well. As dancers, we are “on” all the time and expected to perform our best night after night. Sleep is one thing that sometimes gets neglected.  Catching up on sleep has really helped me feel rejuvenated physically and emotionally.

Gyrotonics®
I’ve immersed myself in Gyrotonics® this break!  I have always had a love and respect for the work especially when coming back from injuries, but I never felt like I had enough time and energy during the season to continue digging deeper and understanding the work better.  Working one on one with a trainer has been helpful to address certain habits that sneak into our movement patterns.  I have found new ways of moving that I am excited to apply this season coming up!  

(Gyrotonics? Watch Patricia’s sister Jeanette Delgado in our Gyrotonics® 101 video!)

Travel
I find exploring new cities to be extremely inspiring and invigorating.  New York City is charged with creativity and stimuli!  I saw Cabaret on Broadway for the first time and was blown away.  I even biked the Williamsburg bridge!  Just roaming the streets and exploring new neighborhoods was great fun!  I was fortunate enough to visit Charleston, SC for the opening of Shepard Fairey’s “Power and Glory” art exhibit (Shepard will be collaborating with Justin Peck for his new piece on us next season).  Hearing him explain his process and thoughts on art and life inspired me not only as an artist but as an individual living in our society.  I look forward to exploring more of his work and honored to be a part of this incredible collaboration next season.  In addition, I saw Hubbard Street perform and attended several Chamber music concerts.  I left feeling extremely inspired and wanting to explore some modern and contemporary classes as well as possibly going back to taking piano lessons.

Research
One thing that has become a staple of mine during the layoff has been researching the ballets we will be performing the following season.  I’m a little bit of a nerd when it comes to researching ballets.  I love learning about the history of the work and watching old videos as well as watching performances of the ballets and how they are danced today by other companies.  The Library for the Performing Arts in NYC has an incredible array of information especially on the Balanchine ballets.  You can watch original ballerinas coach ballerinas of today.  It’s incredible the amount of details that can be passed on to keep these ballets as alive as they were when Balanchine created them!  Watching New York City Ballet and American Ballet Theatre perform live is always great inspiration! Going to the theater when on layoff is the most fulfilling because I find myself watching as a fan and an admirer.  While in season, there is a personal focus that changes the way in which I enjoy the the theater.

Ballet Class
Of course, taking class is a must!  No matter what extracurricular activities you do, nothing replaces a ballet class!  Its like eating breakfast, NECESSARY!  It’s been great to take class with different teachers around NYC!  Keeping the mind and body awake and taking in different thoughts and ideas teachers have about ballet has been helpful and stimulating!

Catch Patricia onstage when our 2014-2015 Season opens in October! 

Summer on Instagram

Our dancers have been everywhere this summer, making guest appearances and holding various teaching gigs at dance companies and studios across the country. This weekend, we are so lucky to have corps de ballet dancer Rebecca King taking over our Instagram feed to get an inside look at what she and our other dancers are up to this summer. Follow her at #RebeccaMCBphotos and check out what she has planned for her ‘gram-worthy’ weekend in NYC below!

Dancer

Rebecca King

Right now, we are getting close to the end of our first summer layoff. These weeks off in the summer are extremely important for us. After 40-plus straight weeks of dancing 7 days a week during our season, this time to rest and recover is essential as we are able to take time to treat nagging injuries and cross-train. While we continue to work to strengthen our worn down bodies from a long season, we also find some time to travel! This weekend I will be joining fellow MCB dancers in a visit to New York City.

We haven’t all been together in quite sometime now, so we are all very excited to enjoy the city together. On Saturday night we are thrilled to be attending New York City Ballet’s performance of Justin Peck’s new ballet “Everywhere We Go.” This will be especially exciting for us as Justin will be joining us in Miami when we return to work on June 9th to start his new ballet set to premier during the 2014-2015 Season in Program IV: Points of Departure. I have only seen the Pas de Deux that Justin choreographed for MCB a couple of seasons ago, so I can’t wait to get another preview of what is to come for MCB!

I am so looking forward to enjoying time with great friends and I hope you enjoy following our adventures through Instagram! – Rebecca

 Check out this preview of Justin Peck’s Everywhere We Go for New York City Ballet. 

5 Reasons to Begin Ballet as an Adult!

Have you been wanting to learn ballet but have little or no previous training? Maybe you took dance as a child or a young adult, but never pursued it seriously? Or, maybe you just never had the right opportunity to get started?

Whatever the reason, learning ballet (especially for the first time) seems like a daunting feat! Miami City Ballet School completely understands this and has developed a Ballet 101 Workshop for beginners starting this June and July. In the following post, Kris Kramer, a former professional dancer with Miami City Ballet and teacher for Miami City Ballet’s School’s Open Adult Class division, shares 5 top reasons for why this workshop is the perfect opportunity to take the plunge and start ballet!

Beginner Ballet

Students in Miami City Ballet School’s Open Adult Class division.

Reason #1: Customized Class

Ballet 101 was created for true beginners and those seeking to better understand and improve the most basic ballet positions and steps. Each class builds upon the next and after completion of the workshop, students can progress to our Beginner Ballet class with more confidence and ease.

So, why not just attend Beginner Ballet class? For Beginner Ballet, students can drop-in for a single class or come regularly each week, so they do not follow a steady progression when learning the most basic to more complex steps. First-time ballet dancers, who don’t know the basic positions and steps, could feel a little lost. In Open Adult Division classes, “Beginner” encompasses a wide range of abilities. Ballet 101 is designed for those at the entry level of “Beginner” to give students who require the extra attention necessary for starting ballet.

Reason #2: Chicken Legs

We’ve all seen them. Those guys and gals with awesomely toned bodies — muscles galore — but little old chicken legs. Ballet is one of the best workouts to not only strengthen and tone your entire body, but also to improve coordination and body awareness. Bring on the élevés and relevés to work the lower extremities, especially the calves, ankles and feet, and you too will start seeing results that no other workout can accomplish.

Reason #3: Amazing Facilities

Miami City Ballet and Miami City Ballet School are both housed in one of the few facilities in the world built from the ground up specifically for dance. The building and eight studios are unparalleled to any in South Florida. Who wants to learn ballet slipping around on a waxed, wood floor, or do jumps on hidden concrete below? That’s an injury waiting to happen! Learn ballet in one of MCB School’s state-of-the-art studios with lightly sprung marley flooring, full-length mirrors and plenty of barre space.

Reason #4: A Treat for You

Do you spend most days running around after your kids, working crazy hours or watching too much TV? It’s time to get out of the grind. Wouldn’t it be a nice change of pace to have some “you” time to move your body and learn something new? Here’s your chance to do something for you.

Reason #5: Awesome Teacher

When you think of ballet, do you conjure up images of an old Madame eerily pacing the studio,  barking out counts to the dancers, “five, six, seven, eight,” as she swings her cane haphazardly around? Here’s a little shameless self-promotion that I think most of my students would agree with. As a teacher, I am welcoming, encouraging, insanely passionate about ballet, and enjoy having a light-hearted, fun and exciting class. If you are feeling a little intimidated about the whole prospect of learning ballet, I’m the teacher for you. - Kris

Beginning Ballet

MCB School teacher Kris Kramer instructs a student in our Open Division.

Have more questions about Ballet 101 or our Open Adult Division? Leave a comment below or contact Kris directly by clicking here!

MCB School Promotions!

In March, news broke that Miami City Ballet School students Ellen Grocki and Alex Manning had been invited to join the company. JUST IN —  two more students from MCB School are slated to join the professional ranks of the company! We are proud to announce that Raechel Sparreo and Émilien Rivoire will be joining MCB as corps de ballet members when the 2014-2015 Season opens in October. Read about each dancer’s reaction to the exciting news below!

WECOME TO MCB RAECHEL SPARREO!

Balanchine

Raechel Sparreo in MCB School’s performance of Balanchine’s ‘Serenade.’ Photo by Mitchell Zachs/MagicalPhotos.com

I am from Buffalo Grove, Illinois. I started ballet when I was 3 at Bataille Academy of Danse. At 11 years old, I began training at Faubourg School of Ballet under Watmora Casey, Tatyana Mazur, Ernesto Quenedit, Victor Alexander and Maray Gutierrez. I also trained at Fox Ballet with Terry Fox. I first came to Miami City Ballet School in 2010 for the 5-Week Summer Intensive. I loved it so much that I returned the following summer. At the end of the intensive, I was lucky enough to be invited to attend Miami City Ballet School for the 2011-2012 School- Year Program. I had unforgettable experiences that year and the next, performing not only with the school, but also with the company in the Nutcracker, Giselle, and Coppélia. This year, my third year with the school, I was very fortunate to study with MCB as a student apprentice.

The day I found out I was being promoted, the other students and I had end-of-year conferences with Ms. Callaghan and our teachers. My classmates and I had similar meetings in December in which we discussed our futures and were given advice on our dancing, so I was expecting something identical. When Ms. Callaghan gave me the news, I immediately burst into tears of joy! Émilien’s meeting was actually right after mine and he was the first person I told. I then called my mom to give her the big news to which she replied “Shut up!” and cried too.  When Emilien came out of his meeting and told me that he had received the same news, we hugged and cried! I cannot wait for this coming season and to live my dream! -Raechel

WELCOME TO MCB ÉMILIEN RIVOIRE!

Dance Student

Recently promoted corps de ballet member Emilien Rivoire.

I come from Lille, a city in Northern France. I started ballet when I was 8 at the Ballet du Nord of Roubaix and the Conservatory of Lille. When I was 12, I studied at the Paris Opera Ballet School for a year. I later studied at the Conservatoire National Superieur de Music et de Danse de Paris until I was 16. In 2011, I attended the School of American Ballet summer intensive and was invited to stay for the year round program. I first came to Miami City Ballet School for the 2013 summer course. During the last week of the program, I was offered a position as a student apprentice with the Miami City Ballet.

My teachers told me about my contract during our end of the year meetings. At first my jaw dropped, I couldn’t believe it! After all these years of training I finally reached my goal. I was so exited I immediately called my mom to tell her the great news. I’m really proud to be part of the MCB Family! - Émilie

Read about our Company Promotions here!

Dancers’ Picks of the Season!

We have heard from corps de ballet dancer, Michael Breeden, about the ballets that he is looking forward to performing most next season. Now, principal dancer Jeanette Delgado weighs in!

dancer

Jeanette Delgado

Next season is going to be thrilling! There are some oldies (but goodies) as well as some brand new works! I am looking forward to a lot of the ballets like Richard Alston’s ‘Carmen’ and Justin Peck’s new work, as well as ‘Raymonda Variations and ‘Allegro Brillante’, which are both beautiful Balanchine ballets the company has not performed in a while.

Richard Alston

Jeanette Delgado in ‘Carmen.’ Photo by Alberto Oviedo.

‘Raymonda Variations’ was a ballet that I performed when I was pretty young in the school. I found it to be so challenging and I remember feeling extremely nervous. The ballerina has two variations and two pas de deux and it is very challenging technically. I am looking forward to reuniting with this ballet now that I have a few more years under my belt and seeing what I can learn from it and bring to the role!

Dancer

Jeanette Delgado in ‘Raymonda Variations.’ Choreography by George Balanchine © The George Balanchine Trust. Photo by Steven Caras.

Completely opposite from that ballet is the thrilling challenge of a work that is being created on us! Two seasons ago, I was so fortunate to be able to work with Justin [Peck] on his ballet, ‘Chutes and Ladders. Even though that process was very quick, I learned so much from him and was stretched artistically by his creativity. Since then, I have been hoping to work with him again! This time around, it will be a larger ballet, so I’m very excited that more of the company will be able to experience this process! I was able to watch Chutes this season from the audience and was moved every time in a new way. I think his creative voice is remarkably new and so relative and tangible to our generation and time!

I hope you are all looking forward to next season! We promise to work as hard as ever on these ballets so that we can continue to share this great art form with you! — Jeanette

Discover our new season here

Making it on Jeopardy!

Not many people can say that they’ve been on “America’s Favorite Quiz Show” Jeopardy! But, our very own Grants Associate Leah Blumenfeld can! We asked Leah to give us the inside scoop on this unique, once in a lifetime experience!

See how Leah does on Jeopardy! Tune-in Monday, May 19th at 7:30pm!

Jeopardy

MCB Grants Associate Leah Blumenfeld with Alex Trebek on the set of Jeopardy!

Getting to be a contestant on Jeopardy! is a long process. You could say it took me about ten years. I really started making the effort as soon as they began using the online test as part of the process. It’s about 30 questions and takes roughly five minutes and then that’s it. You wait and hope you did well enough to go into the contestant pool, and if you’re really lucky, you become one of the 2,000-3,000 hopefuls who get called for an in-person audition.

After taking the online test in January 2013, I got an email offering me an in-person audition in Tampa in March. I got up really early to make the drive to Tampa, where 15 other contestants and I were given a written test of 60 questions and then called-up three at a time to play a mock game. During the mock game, you get to use the signaling device and the staff people ask you questions to get an idea of your personality for the show — do you speak well? do you have interesting things to share in an interview with Alex? and so on.  The people who qualify for the in-person tryouts then go into the contestant pool for the next 18 months — but only about 400 are actually called for taping each season.  

Several months passed after my in-person audition.  I had just arrived at the Arsht Center to work at the ballet’s lobby table on opening night of Program II when my phone rang. I didn’t recognize the number, but thought it might be one of the ballet’s volunteers so I answered. It was a Jeopardy contestant coordinator asking if I would be available for a taping during the first week of February. I immediately said yes!  

I had just four weeks to get ready to go to California to play.  How does one prepare to be a contestant on Jeopardy? I don’t know! How do you study everything? I would say I’d been preparing my whole life! I’ve always liked trivia and I’ve been watching Jeopardy for all of its 30 seasons. I did decide it would be a good idea to review facts that seemed to be covered on the show — like world and state capitals or the presidents.  I asked my friends to quiz me on trivia questions on Facebook or whenever they saw me. Mostly I just tried to read and pay attention to the news and pop culture, while trying to remain calm.

Jeopardy

Leah arriving at the Jeopardy! studios with a bus full of other hopefuls.

Now that I’ve been on Jeopardy!, there are certain things about being a contestant that I would say you really can’t prepare for.  Being at the studio, in front of the cameras, playing with other contestants — this can’t be replicated at home!  While I can’t disclose the outcome, I also can’t remember all of the details. They tape five shows per day, two days a week. The contestants go through a briefing and a rehearsal on stage, but the pace of the actual game is extremely fast.  You not only have to recall the information quickly, but also ring-in first (and not too soon either), keep track of your score and remember where to look, and not let the cameras or the audience get to you!  The breaks between rounds are much faster than the commercials you see during the broadcast.  It literally flew by!

I’m really looking forward to seeing myself on TV and recalling how it all played out. Having actually been through the entire Jeopardy process, I have a greater appreciation not only for the people who are long-term champions, but also for those who seemingly crash and burn.  It’s a lot harder than it looks!

See how Leah does on Jeopardy! when her episode airs on Monday, May 19th at 7:30pm!

Dancers’ Picks of Next Season

Our 2013-2014 Season has just come to a close, but we are already gearing up for the new season ahead! Our dancers return to the studios on June 9th to begin learning next season’s ballets, starting with up-and-coming choreographer Justin Peck’s new work with street artist Shepard Fairey! Below, corps de ballet dancer Michael Breeden shares his excitement about the ballets he can’t wait to perform.

Dancer

Michael Breeden

As one season comes to a finish and we reflect on the transcendent moments experienced onstage, it’s impossible for us dancers to not imagine all that’s in store next year. With the 2014-2015 Season beginning in June, we don’t have to wait too long before we get our hands on the most anticipated works of the year.

For me, there are some obvious highlights. Two great Balanchine works, ‘Symphony in Three Movements’ and ‘Allegro Brillante’, are back in the repertoire for the first time since 2009. Though the two works came from one great mind, they are alike only in the fact that they are brilliant works set to genius compositions (‘Allegro’ to music by Tchaikovsky, and ‘Symphony in Three’ to music by Stravinsky). ‘Allegro’ is Balanchine’s full-out essay on classicism as captured in 12 minutes. ‘Symphony in 3′ is a massive work with kaleidoscopic formations utilizing the entire company, as the dance echoes the driving score. I’ve danced both of these works before and every time they come back, I love them more. Balanchine’s genius continually reveals itself with each performance to both dancers and audience members, and it’s an experience I never take for granted.

Balanchine

Miami City Ballet dancers in Symphony in Three Movements. Choreography by George Balanchine © The George Balanchine Trust. Photo by Joe Gato.

Dancer

Jeanette Delgado in Allegro Brillante. Choreography by George Balanchine © The George Balanchine Trust. Photo © Alexandre Dufaur.

Balanchine works are a company staple that I always looks forward to, but choreography tailor made for the company is less frequent. The ballet I’m looking forward to most next season is a world premiere by Justin Peck, appearing during Program IV: Points of Departure. The company has developed a passion for new choreography in the past years, with choreographers like Alexei Ratmansky and Liam Scarlett making works on us. Justin’s new work promises to fulfill its dancers and audiences in the same way those great choreographers did. His ballets abound with fresh, exciting and innovative use of the corps and so many visually striking dance images that repeated viewings are practically a must. He has a musical response that actually enhances the score, rather than uses it for effect. Each step in his works unfolds naturally, with fluidity, grace and style.

Choreography

Justin Peck works with dancers Tricia Albertson and Renato Penteado on his ballet ‘Chutes and Ladders.’ Photo by Daniel Azoulay.

Full disclosure: Justin and I were suite mates at the School of American Ballet ten years ago, so it may be tempting to accuse me of bias. While I certainly enjoy his success as a friend and am happy to see him achieve so much at such a young age, I think a single viewing of one of his works is enough to know that bias has nothing to do with appreciating true talent. The wealth of knowledge and creativity that Justin has as a dance maker is just starting to be explored, and I couldn’t be more excited that the next step will be with Miami City Ballet.

Read the New York Time’s review of Justin Peck’s most recent work for New York City Ballet — Everywhere We Go. Discover the other ballets we are performing next season here and lookout for Michael onstage!

A Real Dance Mom Tells All!

Principal dancers Patricia and Jeanette Delgado are two of Miami City Ballet’s brightest stars. Born and raised in Miami, these sisters flourished as aspiring dancers at Miami City Ballet School and quickly climbed the ranks of the company. Now, the road to becoming principal dancers is certainly not easy, requiring sacrifice, patience, perseverance and a lot of hard work. So, who was behind this dancing duo to encourage and support them through it all? Their family!

In honor of Mother’s Day, we asked Patricia and Jeanette’s mother Millie Figueredo what it was like raising two sibling ballerinas. Check out her responses in our Q & A below!

Mothers Day

The Delgado Family! Patricia, Zeke, Millie and Jeanette backstage during The Nutcracker.

How did Jeanette and Patricia get started with ballet? 

Patricia was around three or four years old when after watching a classic ballet on the public TV channel, she said she wanted to do that.  I told her she had to be older to take lessons. When she was five years old, while visiting my mother, she saw some old pictures of me in my ballet class and she told my mom that she wanted to take lessons too.  My mother went ahead and found a ballet studio near our home and told me I should enroll Patricia.  I really wanted her to be older, but I was outnumbered!  Of course, when Jeanette saw what her sister was doing, she wanted to do it too!

ballerina

Patricia and Jeanette as baby ballerinas!

When did you realize that they were really talented? 

I always saw the girls enjoying themselves while dancing!  In their adolescence, they both became very focused and passionate as well as hard workers.  I did notice they loved to perform and their hearts were completely open and free when on stage.  I guess, I had to start believing their teachers and others when they praised their talent and dedication.

Balanchine

Patricia Delgado in ‘Western Symphony.’ Choreography by George Balanchine © The George Balanchine Trust. Photo © Kyle Froman.

Ballet can create a competitive environment as young dancers strive for leading roles, teacher’s attention, etc. Did you ever worry about the sisters getting jealous of each other? How did you prevent them from avoiding these pitfalls?

Zeke and I made a conscious effort to treat them [Patricia and Jeanette] fairly and we encouraged them to help each other.  We praised their individuality — never comparing, but rather encouraging them to develop their unique strengths and recognize their weaknesses as opportunity for growth.  Even though they shared similar interests, they also had different ones.  For example, Patricia enjoyed taking piano lessons and playing sports, while Jeanette liked taking acting and singing lessons.

Ballet takes so much discipline, sacrifice and hard work, how did you encourage the girls to continue pursuing ballet through the rough times?

I must admit that we actually maintained a more neutral position during these times because we never thought they would become professional dancers.  We recognized the tough road ahead, and thus, the decision to pursue ballet training had to be completely their own.  Although, we obviously supported their passion and encouraged them to follow their dreams, we never underestimated the difficulty of pursuing this career.

Liam Scarlett

Jeanette Delgado in Liam Scarlett’s ‘Viscera.’ Photo by Kyle Froman.

What was the best memory you have about each of your daughters regarding their ballet careers? Was there a special performance, moment or memory you have that stands out? 

There are many wonderful memories — the first time I saw them perform with a professional company, the first time I saw them perform a leading role, or the first time they received flowers onstage. But, the best was the first time I was no longer nervous to watch them perform and I could really enjoy it!

Mother's Day

Millie with Patricia.

Mom

Millie with Jeanette.

 This Sunday, create Mother’s Day memories with the gift of dance! Check out the ballets onstage next season!

Summertime on Instagram

With their summer downtime, our dancers have split from Miami and spread out all over the world! The latest dancer update comes from Joinville, Brazil, where corps de ballet dancer Jovani Furlan takes over our Instagram feed this week. Follow Jovani at #JovaniMCBphotos for a snapshot of his life back in Brazil! 

Dancer

Jovani Furlan

When I’m in Brazil, I’ll be taking class at my old ballet school, The Bolshoi Theater School in Brazil – the only affiliate of the Bolshoi Theater of Moscow. I’m also doing some physical therapy,  working out, spending a lot of time with the family, and enjoying the beaches around my state! - Jovani

Balanchine

Jovani Furlan in Balanchine’s ‘Episodes.’

Read more posts from Jovani here!

Excited about next season? Check out the ballets that we will be working on this summer, when our dancers return to the studio on June 9th!

YOUR Top Moments!

Now that we have heard from both our fans and dancers about their favorite moments from the 2013-2014 Season, we can truly say that this has been one exceptional year of ballet! While our dancers bring this art form to life, audience members and fans like you make the hard work and dedication worthwhile — enhancing the purpose of our craft. Creating a meaningful connection between our dancers and audience is really what ballet is all about. We hope you have enjoyed the journey through our 2013-2014 Season as much as we have and can’t wait to do it all again with a range of exciting works next season!

Now, here are some of YOUR favorite moments from the season! Thanks so much for sharing these memories with us!

Rene G Cruz:
1. The return of Mary Carmen Catoya as the Sugar Plum Fairy in The Nutcracker and her Cavalier Renato…a magical moment in Broward.
2. Suzanne Limbrunner’s interpretation of ‘Coffee’…priceless.
3. Program III…outstanding….West Side Story and Sarah Esty’s voice, among others.
4. Don Quixote…superb…loved Emily Bromberg and Catoya in the Dream Scene.
5. Last but not least….Serenade.
It was a wonderful season, congratulations to all the staff, dancers and support personnel…BRAVO.

Serenade

MCB dancers in Balanchine’s ‘Serenade’ (Program I: First Ventures).

Joanna Benech:
West Side Story and Don Quixote were my favorites but the entire season rocked! I enjoyed them all. Looking forward to next season. Last time the company performed Romeo and Juliet I lost my tickets and could not make it. I cried for hours…

Candice:
My daughter is an aspiring ballerina. I took her to see The Nutcracker this Christmas. It was her first time going to the ballet to see a performance. She was mesmerized the entire time. It was one of the most amazing experiences both of us had ever had. We cannot wait to see Romeo and Juliet this year. You all are amazing! Thank you so much for a life changing moment for my daughter.

The Nutcracker

Ashley Knox in ‘Snow’ from ‘George Balanchine’s The Nutcracker.’

Mira Treatman:
My favorite moment was when my favorite young dancer, Nathalia Arja, got promoted because I had been following her career and really enjoying her youthful spirit in performance!

Jessica:
Don Quixote was great! I love it.

Heidi Rich:
Jardí Tancat and Polyphonia were splendid! I hope they stay in the rep. West Side Story was such a treat! Totally loved Ballo della Regina, which was the icing on the cake! I loved every minute of every program!

Sean Chambers:
There were so many [ballets] I couldn’t possibly narrow it down to just one!

Fiona Scott:
Absolutely loved West Side Story, as I have never seen a ballet before where the dancers sang. Jeanette Delgado was spectacular!

West Side Story

Jeanette Delgado and Reyneris Reyes in Jerome Robbins’ ‘West Side Story Suite’ (Program III: Triple Threat).

Nicole Hatch:
I attended a performance of Don Quixote in Miami and was thrilled to see Mary Carmen Catoya performing once again. The performance was stunning on all levels. The stage setting, scenery and costumes were beautiful. The artistry and technical ability of the dancers was impeccable. I feel so fortunate to have such a strong ballet company as my own local company. 

Susan Mark:
I especially enjoyed Ballo della Regina with the lovely ballerina, Nathalia Arja. I originally saw Merrill Ashley dance it with the New York City Ballet.

Joelle Parra:
My top moment was getting to see the Miami City Ballet perform Don Quixote. It was my first time EVER seeing MCB live — and it was even more mesmerizing than I had imagined. Thanks for a magical night of art in motion.

Don Quixote

Jennifer Kronenberg and Reyneris Reyes in ‘Don Quixote’.