Apr 5, 2013
We can’t believe that its already our final program of the 2012-2013 Season! While we feel like the year has just flown by, many of us have been anxiously awaiting the opening of Program IV: Broadway and Ballet — especially our dancers who can’t wait to get onstage. Find out why!
Emily Bromberg, Corps de Ballet, on Program IV: Broadway and Ballet – I’ve been looking forward to Program IV since last July  when we started rehearsing for both ballets! I was overjoyed when I saw that I would be learning the “mauve” girl in Dances at a Gathering. For me, this part has a lot of meaning. From what I understand, her character is portrayed as a bit internal and full of thought. Finding my own way of portraying this has been my favorite part of the rehearsal process because everyday I get to go into the studio and experiment with how I want to feel, while dancing each movement. This experimentation along with the personal molding of each of the difficult, but liberating steps is such a fulfilling process. I couldn’t look more forward to performing such a role! Slaughter on Tenth Avenue is so much fun to perform with the audience! We use their energy, applause and reactions to fuel our every step! I’m happy to get the chance to be a part of it!
Bradley Dunlap, Corps de Ballet, on George Balanchine’s Slaughter on Tenth Avenue – For the first time I am performing a pre-dominantly, comically-driven “character” role. This new experience has given me a chance to take a break from my technique and just have fun. Without Slaughter I wouldn’t have realized the satisfaction of an audience responding to my work with laughter.
Callie Manning, Principal Soloist, on Program IV: Broadway and Ballet – Personally, this program is like visiting old friends. I’ve performed in both Dances at a Gathering and Slaughter on Tenth Avenue before and have very fond memories of both. They are roles I love and can’t wait to dance them again. The part I do in Dances, “Green Girl”, is a really special part to me. She’s a little cooky, flirtatious, reminiscent and quite complex. I love diving into her character and discovering new things about her. Every performance I do brings out something different. Slaughter satisfies me in a completely different way. Don’t tell anyone, but I always secretly wanted to be a Fosse dancer on Broadway. The “Strip Tease Girl” in Slaughter, is the epitome of Broadway — high kicks, jazz hands and all!
Jennifer Carlynn Kronenberg, Principal, on Program IV: Broadway and Ballet – Slaughter on Tenth Avenue and Dances at a Gathering are ballets that are very dear to me since I’ve had the great opportunity to “grow into” my roles in both — having danced them since the company premiered them years ago. The “Striptease Girl” in Slaughter is such fun to dance onstage. I learned it back when it was staged for us by Susan Hendl, and it was very different than anything I had yet danced with MCB – almost more Broadway than ballet! It was a great chance to let go, have fun and even show a little of my wild side in the jazzy, upbeat second pas de deux. It was especially fun to dance years later with Carlos [Guerra] as the “Hoofer”!
Dances is another ballet that I learned from Ms. Hendl back when she staged it for the company. I was originally cast, fittingly, as the “Mauve” girl – a role that seems, to me, much like the older sister. She is a bit more serious, pensive and mature than the pink, blue and yellow girls. After dancing that role for years, it seems natural to now move on and transition into the role of the “Green” girl, who has an unusual cameo sort of part in the ballet. Her solo, originally choreographed for Violette Verdy, is one that portrays an older, nostalgic, maybe even retired dancer reflecting on the joys of her career as a great ballerina. Though I’m not not yet retired (I’m confident I have more than a few good dancing years left in me), I’m certainly at a point in my career where I can identify with the idea of “reflection”. With each step of the solo I can really bring myself back to a special moment I had onstage — engaging the audience or getting lost in the steps, the music, the lights and the special perfume of a ballet. With a flick of the foot, the solo ends with the “Green” girl simply walking offstage with a unique satisfaction. She seems very proud of what she has accomplished …. not necessarily in that specific moment, but in general throughout her career. That is something I can definitely relate to.
See Emily, Bradley, Callie and Jennifer in our final program of the season Program IV: Broadway and Ballet!
Kravis Center: April 5-7
Broward Center: April 26-27
Adrienne Arsht Center: May 3-5