LOURDES LOPEZ / ARTISTIC DIRECTOR

Renan Cerdeiro gets behind the lens!

After a busy, yet highly successful run of Program II, the dancers are back in the studios getting ready for Program III: The Masters. This week, Principal Soloist Renan Cerdeiro is taking over our Instagram feed to show our dancers hard at work. You may remember Renan’s stunning performance in Balanchine’s Apollo and Duo Concertant from earlier this season, when he danced the male lead in both ballets.  Get ready for a sneak peek at Renan’s performance in Program III, as the company rehearses works by ballet’s best — George Balanchine and Alexei Ratmansky. #RenanMCBPhotos

Renan Cerdeiro

Fun fact about Renan: He is obsessed with Broadway musicals and Disney movies!

Liam Scarlett reflects on Euphotic

Following the world premiere of Euphotic, we caught up with “the man of the hour,” Liam Scarlett, to capture his thoughts on the debut of his newest work. Here are some of the proud choreographer’s words from his speech given during MCB’s Artist’s Circle Reception on the opening night of Euphotic.

We hope to see more collaborations with Liam in the future!

Jeanette Delgado dishes on Liam Scarlett!

When the young choreographer of London’s The Royal Ballet, Liam Scarlett, arrived at our Miami Beach studios to choreograph his first work for MCB last season, he was warmly welcomed by the smiling face of Principal Jeanette Delgado.  From day one, Jeanette and Liam hit it off as great friends; which, lucky for us and our audiences, transpired into an extraordinary artistic collaboration.  After watching Jeanette’s performance of Liam’s first work for MCB, Viscera, The New York Times named her “one of the world’s most marvelous ballerinas.” When we learned that Liam would be returning to MCB to create a second world premiere this year, we caught up with Jeanette to capture her excitement about once again working with the internationally acclaimed choreographer and close friend Liam Scarlett.

Jeanette Delgado and Kleber Rebello in Liam Scarlett's Euphotic

“Working with Liam on two ballets now has been en entirely different experience for the company and me. Having a ballet created on us is so essential to our artistic development and makes us feel a part of the choreographic process. Normally, learning a ballet involves working with a répétiteur or watching a video of past performances.  When working with a choreographer on an original work, you have no point of reference for how the movement should appear.  The choreographer has a vision, but they have never seen it on bodies. The process becomes more of a collaboration, which is very rewarding in the sense that you feel more like an artist, not just a dancer.  Liam made such a wonderful impression on all the dancers in and outside of the studios.  As a former dancer for The Royal Ballet, he relates to us so easily.  He is a beautiful human being and his talent is immense!  Euphotic is an entirely different ballet than Viscera.  Most of us were already familiar with Liam’s movement and fluid port de bras so he could use the company on a greater scale and go even further with his ideas!  It is so exciting to be an inspiration for new works that dance companies may be performing for years to come.”

Jeanette Delgado in Liam Scarlett's Viscera

There is still time to catch Jeanette’s performance in Liam’s newest work Euphotic, this weekend at the Kravis Center as part of Program II: Tradition and Innovation.

Photos: Euphotic © Daniel Azoulay. Viscera © Kyle Froman.

Adriana Pierce makes her debut on Instagram!

Corps dancer Adriana Pierce is taking over our Instagram feed in the midst of a very busy week for Miami City Ballet.  Right now, the dancers are battling reptiles as they make their way across Alligator Alley for the opening of our repertory season in Naples.  After two days in Naples, the company will venture east to Palm Beach for the closing of Program II: Tradition and Innovation.  Adriana will capture the final performances of Liam Scarlett’s Euphotic, two Balanchine favorites, and the popular Don Quixote Pas De Deux, wrapping up a sensational second program of our 27th season. #AdrianaMCBphotos

Adriana Pierce

Fun Fact about Adriana: Her most prized possession is a framed, signed photo of Liza Minnelli!

Photo © Gio Alma.

Jennifer Lauren Guests on Instagram!

After an exciting opening weekend of Program II: Tradition and Innovation, Soloist Jennifer Lauren is taking over our Instagram feed to keep up the momentum for performances at the Broward Center.  Look out for her behind-the-scenes shots (#JenLaurenMCBphotos) and performance in George Balanchine’s Divertimento No. 15 and Liam Scarlett’s new work Euphotic.

Jennifer Lauren

Fun fact about Lauren: She comes from a family of artists! Before dancing with MCB, Lauren’s mother made many of her costumes, including the tutu below from Alabama Ballet’s production of Swan Lake. Her father also photographed almost every performance.

Jennifer's mother made this costume!

You can catch Jennifer live during Program II: Tradition and Innovation at the Broward Center for the Performing Arts, Jan. 18-20.  For tickets call our box office at 305.929-7010 or visti miamicityballet.org.

Patricia Delgado on Duo Concertant

When asked what ballet she was most excited about performing this season, Principal Patricia Delgado knew right away that it was George Balanchine’s Duo Concertant.

Patricia Delgado

Patricia recounts, “I remember seeing the ballet when I was a student at Miami City Ballet School, and thinking, ‘I have never seen anything like this!’  The dancers simply stand and listen to the music onstage, admiring and respecting it, which sets the mood of the piece so beautifully.  It is unlike any of Balanchine’s other ballets. The spotlighting effects and stylized choreography evoke drama and love, making the piece completely mesmerizing.  Although I have been with Miami City Ballet for 12 years, I have never had the opportunity to perform the ballet, until now.  I always thought it would be a dream to dance that pas de deux, so when I saw it selected for Program II, I thought, ‘I can’t wait!’ Knowing Duo Concertant was in the programming inspired me to get me through my injury last season.”

Patricia also explained the significant role that a répétiteur — someone who teaches a ballet’s steps and interpretation of roles —  plays to the process of bringing specific works to the stage. “Répétiteurs often have personal experience working with a ballet’s original choreographer and are charged with keeping the ballets alive.  The Balanchine Foundation sent répétiteur Ben Huys to stage Duo Concertant and perfect our movement so that it reflects the original intent of “Mr. B” himself.  It’s the most rewarding process for the dancers to work with the répétiteur because we get all of the backstage stories and details of the choreography.  Then you can do the ballet justice onstage and make it your own.”

Ben Huys checking Patricia's costume before performing Duo Concertant at the Arsht Center

See Patricia perform in George Balanchine’s Duo Concertant as part of Program II: Tradition and Innovation, January 18-20, at the Broward Center for the Performing Arts.

Photos: Headshot © Gio Alma. Stage shot by Rebecca King.

From Our Dancers to You on Opening Night!

We are thrilled for tonight’s opening of Program II: Tradition and Innovation.  We caught up with some of the dancers before the curtain so that they could share their excitement about the ballets they are performing with you!

Michael Breeden

Michael Breeden, Corps de Ballet, on George Balanchine’s Divertimento No. 15 — “Dancing to Mozart is what I love most about Divertimento No. 15. Balanchine rarely choreographed to Mozart, but the marriage of these two geniuses in the ballet provides a wonderful experience for audience and dancer alike.”

Tricia Albertson

Tricia Albertson, Principal, on George Balanchine’s Divertimento No. 15“I love dancing Divertimento No. 15 because there are so many opportunities to interact with my friends and colleagues.  I have at least one special moment with each principal!”

Patricia Delgado

Patricia Delgado, Principal, on George Balanchine’s Duo Concertant — “To be able to share the stage so intimately not only with my wonderful partner Renan, but with with our incredible Pianist and Violinist is what I look forward to most tonight.  It is a dream for me to be able to dance this ballet and I can’t wait!”

Renato Penteado

Renato Penteado, Principal, on Don Quixote Pas de Deux after Marius Petipa — “What I like most about dancing this ballet is that Don Q is a very strong male character with a lot of powerful moments like jumps and turns that are very exciting.”

Mary Carmen Catoya

Mary Carmen Catoya

Mary Carmen Catoya, Principal, on Don Quixote Pas de Deux after Marius Petipa “When I dance Don Quixote I feel like I’m connected to my spanish family — I can feel it in my blood.”

Jeanette Delgado

Jeanette Delgado, Principal, on Liam Scarlett’s Euphotic — “Dancing Euphotic feels like an intimate journey. The movement Liam has created along with the mesmerizing music has taken on a life of its own. I am so excited to share this special work with the audience!”

Sara Esty

Sara Esty, Soloist, on Liam Scarlett’s Euphotic — “I cannot believe opening night is here! I thought this day would never come and I can’t wait to show the world our hard work. Being apart of this ballet means the world to me and I’ve loved watching it grow into a masterpiece. Working with Liam has been a dream come true.  I hope everyone enjoys it as much as we enjoy dancing it!! I’m so excited!”

From Paper and Pencil to Costume

When Liam Scarlett — the young, acclaimed choreographer from London’s The Royal Ballet — brought our Costume Designer and Wardrobe Director Haydée Morales his costume design sketches for his new work Euphotic, she knew that she was up to the challenge!

Liam Scarlett's costume design sketch

The first step in bringing Scarlett’s vision to life was helping him determine the full color palette and types of fabrics that were aesthetically appealing, yet allowed the dancers to move freely.  Scarlett wanted the costume hues to include dark blue for the corps dancers, radiant yellow for the principals, and a combination of yellow and blue for the soloists to tie the piece together.  He also wanted the costumes to depict the ombré effect, which shows the consistent gradient of a color from its lightest shade to its darkest.

Fabric and color palette

Determining the color gradient

To determine the exact tones of the ombré, Costume Artist Maria Morales tested how various colors of dye displayed against the three types of fabric used in Scarlett’s piece.  For two weeks, Maria consistently performed dye work for all of the fabric used in the ballet’s costumes.  Using three pots full of different colors of dye and hot boiling water, she created beautiful ombrés for each woman’s skirt, man’s unitard, and a small detailed section on each woman’s bodice — dyeing a total of 62 pieces of fabric!

Maria dyeing fabric

While Maria was busy with dye work, the rest of the team worked on sewing the costumes.  The first step in the costume construction process was creating muslins, which are the inner piece of the bodice used for the first costume fitting, so that any necessary alterations will not affect the final fabric used on the exterior of the costume.  The seamstresses also built the mens unitards, which were sewn in two parts — the top half and the bottom half — and then dyed as separate parts to achieve a contrast of dark and light tones near the torso of the costume.

Mens unitards

Principal ladies bodice

After assembling the costumes, a second round of fittings and a dress rehearsal with the dancers rehearsing the ballet in full costume helped Haydeé determine if the costumes fit and moved properly.  A final round of fittings then took place to take care of the subtle details such as, adjusting shoulder straps or the length of the skirt.  Once Haydeé and her team completed these finishing components the costumes were ready for the stage!

See what the final costume looks like in motion during the world premiere of Euphotic during Program II: Tradition and Innovation

Rebecca King Makes History on Instagram!

This week’s guest photographer on Instagram is no other than corps dancer Rebecca King!  Rebecca will be capturing an important piece of dance history as Liam Scarlett’s Euphotic makes its world premiere debut on Friday, January 11.  From rehearsals in our studios, to the dressing rooms, to the stage, Rebecca will make sure that no one misses out on the exciting action this week!

© Gio Alma

Fun fact about Rebecca: She has her own blog! Check it out by clicking here!

Sneak Peek at Liam Scarlett’s Newest Work!

Liam Scarlett of London’s The Royal Ballet gives us the inside scoop on Euphotic — his second world premiere for Miami City Ballet to debut on January 11 at the Adrienne Arsht Center in Miami, FL, as part of Program II: Tradition and Innovation.